This series has definitely jumped the shark a few episodes ago, sadly.
I still give props to Matt Bucy and also this time to the FX team, the costumers and off-camera crew.
But definitely not so for James Kerwin the director. Camera set-ups were fine for static camera dialogue, but each one of the action sequences in this episode were total cringefests: no proper set-up, zero tension, bad choreography. Actors pop up out of nowhere. Drake's demise scene was sleep-inducing when it should have been tragic. Kirk vs the fake Romulan was totally laughable.
It`s just not getting better in the story department: ''Kirk'' here is a total gullible idiot, who is this imposter?
The whole play-acting bit by Lana and her Vulcan husband is nonsense. also why bother with the whole disguising as a Romulan bit in the first place? They needed to get to the galaxy rim, why go through this pointless charade in the Neutral Zone?
As super-telekinetics, this episode made the case that Charlie X was much more powerful than they are (he could simply erase a person from existence with his mind and control one ship by himself. Lana still needs to push Drake into killing the other redshirt and himself).
As a menace, the super telekinetics are completely defanged compared to Gary Mitchell who was truly frightening (by means of another pop culture comparison, Mitchell was the Watchmen by Alan Moore and they are 50s Superman comics.
On a pure storytelling level, this episode fails as it keeps reintroducing series elements without ever explaining them properly: the Katra, Kohlinaar, the Romulan commander, her ''relationship'' with Spock...this should be a standalone episode (or 2-part episode), but it`s written as though it was part of a soap opera serial.
But the worst part of this whole experiment? Just what is this episode about? WHERE NO MAN HAS GONE BEFORE at least had at its heart the struggle to retain humanity while achieving omniscience. This episode is a whole 45 minutes of nothing.
I will mention the utter ridiculousness of bringing in so many future aspects from latter Star Trek films and shows (Section 31, movie-era warping, TMP tunics, etc.) when the script is so deficient in basic storytelling.
Gene Coon would be having a fit if this ''script'' ever came across his desk.
Almost forgot: a complete absence of anything resembling the Kirk-Spock-McCoy dynamic, apart from Kirk being upset with Spock for contacting the Romulans (but since their whole trip to the Neutral Zone was pointless, i guess I can ignore that)