I think everyone is reading too much into the reshoots thing.
The movie's dead, DEAD I tell you!I think everyone is reading too much into the reshoots thing.
hmm. maybe that mean he was in it but didn't get a freebie bag (unlike the primary cast who all got freebies bags)?
Cool!Star Trek series, behind the scenes!
http://www.trekbrasilis.org/2016/03/16/primeiras-imagens-de-gravacao-da-serie-star-trek/
Yeah, it doesn't seem like that big of deal. I don't really buy the whole "test audiences HATED it" thing. It just doesn't seem like a very credible rumor from start to finish. The reshoots themselves don't necessarily have to be that extensive, even if that were the case. Just a few shots with Shohreh Aghdashloo appearing on a monitor somewhere, some CUT TO's for Saldana, Taslim, and whoever else being added.I think everyone is reading too much into the reshoots thing.
Yes, if there's any truth to the story, it's probably about a screening of what they call an "assembly cut", which is where they put everything they've got into a very long version, before they start to shape it into a proper movie. I doubt the movie is in any shape for test screenings yet (possibly in a month or two).More likely that not, it was an early rough cut screened for studio executives who saw an opportunity to tweak the ending.
A test screening is the showing of a 99.9% finished movie to a general test audience. Given Lin was still editing recently and even took time out to watch 10 Cloverfield Lane, I doubt it was a test screening to the public.
I don't think a general audience would care much about these things.It could be audiences were hoping for a space adventure, especially for the fiftieth anniversary,... It could be the audience was soured by the early exit of the Enterprise and never recovered. ... Maybe the movie wasn't "Star Trekky" enough, either.
hmm. maybe that mean he was in it but didn't get a freebie bag (unlike the primary cast who all got freebies bags)?
Pick-ups and reshoots are de rigueur in lots of movies. Happens all the time.
...seemingly perfunctory hiring of Lin (let's not kid ourselves, motivated solely by the desire to capitalize on the Guardians of the Galaxy and F&F audience)...
Nope.Agreed, but all prejudices (and the trailer) aside the reshoots combined with the late sacking of Orci, seemingly perfunctory hiring of Lin (let's not kid ourselves, motivated solely by the desire to capitalize on the Guardians of the Galaxy and F&F audience), resultant shortened pre-production time, and rushed principal photography and post-production schedules (not only for the 50th anniversary, but this thing has to premiere internationally on July 8!) do not bode well for the final product. Everything I've read objectively points to a very rushed, if not chaotic production.
If Lin, Pegg, et al. are able to pull this together I'm prepared to be pleasantly surprised, but I'm personally sitting out the premiere pending some reviews.
That's really the only way to use reviews by critics. Know what you like, and be familiar with what they like and look for in a movie. Even if your tastes tend to run completely opposite those of the critic (Mick LaSalle of the San Francisco Chronicle used to work like this for me) you should be able to gauge pretty well from their opinions whether a particular movie is one you'll want to see.If I sat out every movie I wanted to see until I saw good reviews, I'd never see any movies.I've noticed a lot of the movies I really enjoy are always given like C or Ds by critics. I guess I could use them as a barometer, but just backwards.
That's really the only way to use reviews by critics. Know what you like, and be familiar with what they like and look for in a movie. Even if your tastes tend to run completely opposite those of the critic (Mick LaSalle of the San Francisco Chronicle used to work like this for me) you should be able to gauge pretty well from their opinions whether a particular movie is one you'll want to see.
Being familiar with what they like is the problem. I don't see enough films in theater to really pay any attention to any one critic.Or any of them for that matter. I just always notice afterward that the reviews given for ones I do see and enjoy are usually bad. I see about one film a year in theater, sometimes less. I have to really be looking forward to something to see it in theater and by that point I pretty much figure I know I'll enjoy it unless they screw it up beyond all imagining.
That's really the only way to use reviews by critics. Know what you like, and be familiar with what they like and look for in a movie. Even if your tastes tend to run completely opposite those of the critic (Mick LaSalle of the San Francisco Chronicle used to work like this for me) you should be able to gauge pretty well from their opinions whether a particular movie is one you'll want to see.
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