Not if Sony are making the creative decisions they shouldn't.
Not if Sony are making the creative decisions they shouldn't.
The only way Marvel is going to let Sony set their movies within the MCU is if they have some level of involvement in their creation from start to finish. I don't see Sony letting that happen, so it sounds like Pascal is just saying what she thinks the fans want to hear and hoping the headline gets more press than the inevitable retraction.
Sure, but Marvel/Disney has their brand to protect. If Sony puts out a bunch of subpar flicks banking on the Marvel name and some tenuous links to the MCU via Spider-Man they could irreparably damage the brand that Feige, et al have built over the last decade.
Au contraire. The MCU is tenuous at best in the eyes of the general audience. You can order a Big Mac a hundred times and appreciate the consistency, but one bad pickle and suddenly you think twice about coming back for the next one.
If "Silver and Black" is a cinematic dumpster fire, the average film-goer isn't going to think about the nuances of decades-old licensing agreements. Spider-Man and Iron-Man hang out, so if Spider-Man is fighting Mysterio and Mysterio is fighting Silver Sable then it is a difference that makes no difference. That would be like Coca-cola giving k-mart the rights to market derivative soft drinks without approval. It is just bad business.
This seems like kind of a weird situation, but from what I read it sounds like they will be using the Tom Holland version of Spider-Man, but won't have any other direct connection to MCU, so I don't see them having much of an effect on it. Honestly, I doubt most of the non-fan public will give it much thought in relation to the MCU movies if it's bad. We fans pay a lot more attention to how all of these things connect then the vast majority of the public, so I can't really see them letting their opinions of Silver & Black effect their thoughts on the next Iron Man or Thor movies. Hell, most people don't even realize that Spider-Man and Batman are in seperate universes. It took me years to get my mother, who has watched most of the movies and has either played or watched me play a lot of the games, to understand the difference between Marvel and DC.Au contraire. The MCU is tenuous at best in the eyes of the general audience. You can order a Big Mac a hundred times and appreciate the consistency, but one bad pickle and suddenly you think twice about coming back for the next one. If "Silver and Black" is a cinematic dumpster fire, the average film-goer isn't going to think about the nuances of decades-old licensing agreements. Spider-Man and Iron-Man hang out, so if Spider-Man is fighting Mysterio and Mysterio is fighting Silver Sable then it is a difference that makes no difference. That would be like Coca-cola giving k-mart the rights to market derivative soft drinks without approval. It is just bad business.
That makes a lot of sense as oppose to other options like John Jameson again.At any rate, there are some interesting fan theories floating around that postulate that Spider-Man might be bringing the Venom symbiote home from Infinity Wars in some form or another, which would be a natural connection to make and evidence that Marvel and Sony are on the same page.
Both The Incredible Hulk and Iron Man 2 were considered disappointments, and I think Thor: The Dark World was to an extent as well.
My choices would be Captain America or Hawkeye.
I've been wondering if maybe the movies are going to play out a longer version of Spidey's arc in the original Civil War, where he started out on Iron Man's pro-registration side but then defected to Captain America's resistance. We saw him become Stark's protege in the movie version of Civil War, but we also saw him briefly connect with Cap. We've seen in the Homecoming trailers that Cap appears on school videos and Peter boasts to Ned about meeting him, and it looks like Spidey's relationship to Stark is going to get strained over the course of the movie. I'm wondering if the Cap video cameos are meant to set up a post-credits scene in Homecoming where the fugitive Cap shows up and recruits Spidey to his renegade team, or something, to set up the second Spidey film.
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