As an allegory, it falls apart because here the "Wrong" side aren't really in the wrong to be afraid. This isn't skin color prejudice, mutants really are dangerous to defenseless Humans.
Well, it connects to the idea that they're often instinctively feared because they born differently. The point of the story then is to reflect on real life; how do we treat people different from us because of how they were born?
It's not, because Humans aren't allowed to be important voices in this series. Xavier presumes to speak for them when he should just ask them what they want.
Fair point, but not what I meant. The story suggests that there are essentially two possible outcomes, either mutants and humans can learn to coexist peacefully, or one will dominate at the expense of the other. Professor X and Magento each favor one position and present arguments for them.
Thanks to lazy writing.
I don't get it. He was in X2 since he was the lead villain. He was in Origins: Wolverine since that movie dealt with Wolverine's past in Weapon X, making him a logical character to appear. His appearance in Days of Future Past made sense; Trask was using the military to help further his experiments and Stryker being involved with mutants and mutant experimentations is a good set-up for his own future involvement with Task Force X and Weapon X in the original timeline.
X-Men is about more than them.
As I recall, the comics constantly shift the team rosters. The movies picked a specific roster to work with, and, understandably, prefer using characters the general public will know.
Bare bones, once again.
I've seen worse. A lot worse.
The movies had the chance to address the problems the comics ignored...and didn't.
I forget, what problem is this?
He gave them their first base, their vehicles and equipment and assembled the team. No one cared.
Their CIA ally was killed in an attack by the Hellfire Club. As I recall, they spend the rest of the movie trying to stop the Club's master plan.
Why not? Because Mutants are no longer all innocent victims for once?
Part of the point of the movie is that the Sentinel project was in development long before the war (which had already been established in X3, with the X-Men running Sentinel training exercises in their holodeck). Mystique murdering Trask inspired others like him to advance the project (and unwittingly gave them the tools to take the later models up to eleven). Besides, having the Sentinel already underway gives a rational for Trask vivisecting mutants, which is one of the reasons Mystique wants him dead.
(FYI, the movies have never shown mutants to be all innocent victims -- e.g. the Hellfire Club and the various iterations of the Brotherhood --- nor have they shown all humans to be hostile oppressors or evil -- e.g. Moira McTaggart, the two unnamed US presidents, the humans we're told risked their lives helping mutants hunted down by the Sentinels in the Days of Future Past timeline. Even Senator Kelly got a redemptive scene of sorts before his passing in the first movie.)
That the repetitiveness is lazy?
It's move and countermove of the "cold war" (for lack of a better term). A mutant terrorist makes a strike to further his cause (movie 1), a human retaliates (movie 2). I found the exact plots to be different enough, but if you didn't, fair enough.
As usual, the story blames Humanity for everything.
As I recall, a mutant was the one considered responsible for the problems by assassinating a mark at a high profile event.
But they hardly even try, that's the point.
I will concede some characters aren't given much to do (Cyclops is not an important character in these stories, case in point), and it other cases, there are numerous characters who are one-shots. However, the movies do give many of the supporting characters beats, materials, and other stuff make them more than just paper cutouts. For example, notice how Rogue is very humanized in the first movie, despite essentially being a plot device? Case in point, most of her train scenes before the attack have no bearing on the plot and are only there to give her depth.
Another funny fact, most of the added scenes in the extended edition of Days of Future Past were character beats for the supporting characters (Bishop's cell now voice concerns about the plan, it's confirmed that Kitty and Ice Man were a couple in the future, we even get more insight into the Maximoff home).
And outing them would be a shake up in the status quo they could do good stories with and actually advance the premise for once.
The X-Men: Evolution cartoon actually did a pretty good job with that premise. Not sure if the movies needed to do it too, though.
Unveil the school, make sure it gets tons of cover from the press, have it turn out Xavier has allies in the Government who have Mutant children or mutant family members and have been working to shut down Kelly, have the X-Men be more willing to work with the Government to work out solutions and integrate better.
Didn't Ultimate X-Men have them going public like that? If I recall correctly, it didn't work so well for them.
The X-Men have historically been terrible with PR, which the movies could focus on and resolve.
How much would PR help? While I'm sure some mutant prejudice is derived from fear of mutants using their abilities to harm people, there's also been the simple fear of them since they're different from "normal" people. Notice how mutants with powers that are really harmless (like the boy with the lizard tongue in X2) aren't treated any differently from mutants who could be real threats if they chose to be criminals?
Forming X-Factor and stuff. ADVANCING the premise.
Isn't that the plan for the future movies?