Frankly, I found the X-Men to be doing the usual lazy thing by making the movies be really about the villains instead of properly focusing on the heroes.
Actually no. (Now, I haven't had a chance to see
Apocalypse yet, so I can't speak for that one.):
X1 is thematically about the differences between Professor X and Magneto and their viewpoints (peaceful coexistence or domination).
X2 also goes into this, but the main character story of those is Wolverine (a hero) trying to piece together who he is (which is resolved in the second movie).
X3 does present both the heroes and villains reactions to the mutant "cure," but does seem slightly slated to the heroes (the
X-Men are the ones who struggle with which side their on, Rogue has a small role where she needs to decide what her fate will be, after being mostly a bystander or a MacGuffin in the past stories).
The two
Wolverine movies are centered squarely on Logan, no contest.
First Class is the origin story for Professor X and Magneto, who get equal time. While
Days of Future Past does give Mystique a lot of attention, development, and her decision is what saves the future, the main character focus is arguably young Professor X; he's the one to needs to break out of his depression and find hope again to become the character we know from the future movies.
So, of the seven original movies, the majority are solely hero-focused and the ones where the villains have more screen time are always in balance with the amount of story the heroes get.
MCU does this, and if you have interesting protagonists with plenty of character flaws and internal conflict then the villain doesn't have to be more than an obstacle for the hero.
That may be, but a weak villain is still a flaw in the movie. A hero can only be as good as the villain and the challenges they present. The MCU has plenty of weak villains and in many cases have hurt the movie (e.g.
Thor: The Dark World).
IE, an X-Men movie without Magneto with some other villain and the real conflict being the X-Men divided on the issue of going public with the school and make more of a proactive difference in the world instead of merely being reactive.
Would a story like that work well as a movie. (That sounds better suited for serialized storytelling, IMHO.)
Eh, I'd say they have actors that make up for it.
Yeah, good casts overall, but not quite the same playing field.
I found most of the X-Movies repetitive and just using the same plot over and over since X1.
The original trilogy was variations on the struggles between mutants and normal humans. However,
First Class is primarily about how Professor X and Magneto became the people we know them as.
Origins: Wolverine is just Wolverine's backstory, the
Second Wolverine movie has nothing to do with the human/mutant "war" and is about Wolverine finding purpose in life again, and
Days of Future Past's themes are summed up in two of its lines: "
Are we destined down this path, destined to destroy ourselves like so many species before us? Or can we evolve fast enough to change ourselves, change our fate? Is the future truly set?" and "
Just because someone stumbles and loses their path, doesn't mean they're lost forever."
So, no, there are different plots used in the series.
The X-Movies have never done very well with the Mutant Prejudice storyline. But then again, the comics haven't dealt with it very well either.
Matter of opinion. Bear in mind, some of the movies are set before mutants became widely known and some don't even deal with the issue at all (e.g. Wolverine's solo movies).
But that isn't what the X-Men movies have done. They just make the villains the real stars of the show while the X-Men as a whole are merely reactive foils to the villains who are the only ones being proactive.
See my previous comments about how the villains only have equal time, at best, with the heroes and are not the focus in several of the movies.
Why not have a film with the X-Men being the pro-active ones trying to change the status quo and the villains acting to stop them?
They did; it was called
Days of Future Past.
Example: Xavier is taken out early into the movie, so he's in a coma for most of the it. The rest of the plot revolves around the X-Men arguing over how leadership should fall since Xavier never set up a proper chain of command, and then stuff like Scott thinking they should go public with the School and let the world know of them so they can start making a difference while others want to stay hidden.
Maybe.
How much did we learn about Scott in the original trilogy, compared to Magneto and Stryker?
We may not have learned much about him, but Xavier, Wolverine, Beast, and Rogue were all given plenty of development or had notable story arcs. While older Nightcrawler was only in one movie, he was given substantial characterization. Even Ice Man and Kitty Pryde made themselves memorable for the few movies they were in.
In a series like X-Men, being proactive should be their M O. As it is, they really don't live up to anything about advancing status for Mutants because they DON'T DO ANYTHING.
Let's see, each movie that features the team is about them trying to deal with some kind of threat. The howl point of the school is to be a safe place for mutants to learn what they can do and control their abilities so they can be productive members to society. The X-Men team is just a side offshoot of that.
X1 has Jean Grey speaking to Congress and arguing against the registration act.
X3 establishes that Beast is working with the government in regards to mutant affairs. The fights may get the focus, but the X-Men are hardly sitting on their hands in peace time.
Did anyone really get character development past the first movie?
Professor X, Magneto, Wolverine, and Mystique did, off the top of my head.
Guardians of the Galaxy did a decent job giving the team focus instead of just making it all about Star-Lord.
If you make a movie that's supposed to be about a team and focus really only on one or two people, you're better off hiring someone who can write a team movie.
Guardians had a smaller team. The X-Men casts are too large to give everyone the spotlight. Those movies did have to make choices who would get the limelight.