It turns out that for almost eight centuries, Spock has wrestled with the sense that Kirk is somehow alive, somewhere.
Spock must be really old by this time.Sorry...had to.
When 900 years old you reach, look as good you will not, hmmmmm???
It turns out that for almost eight centuries, Spock has wrestled with the sense that Kirk is somehow alive, somewhere.
Spock must be really old by this time.Sorry...had to.
Yes, almost ANYTHING would have been better than what we got. Personally I would have forgiven a lot of the movie as it was if:
A. The DIDN'T kill Kirk
B. They DIDN'T destroy the Enterprise D.
They both found Shatner to be more entertaining and rewarding a character than Stewart.
There's understatement for you. Shatner blew Stewart off the screen.
But if the E-D wasn't destroyed, we'd never have the sexy E-E
But if the E-D wasn't destroyed, we'd never have the sexy E-E
The enterprise E looks like some kind of space insect. Especially those Nacelles which look like Mantis legs
Or even a storyline which gives some more attention to Kirk and some respect to him.
Were we really supposed to believe that Jim 'I NEED my pain!' Kirk would be seduced by this Nexus crap?
Find something which only the past (Kirk) or the future (Picard) knows and must tell the other and do a STIV timewarp and the hell with the Nexus as your time travel excuse.
One reason the Enterprise was destroyed was that they had wanted to do the saucer crash for the sixth season finale, and introduce a new ship for the final season. Unfortunately, the budget didn't allow for that, so we got "Descent" instead.Personally I would have forgiven a lot of the movie as it was if... They DIDN'T destroy the Enterprise D.
One reason the Enterprise was destroyed was that they had wanted to do the saucer crash for the sixth season finale, and introduce a new ship for the final season. Unfortunately, the budget didn't allow for that, so we got "Descent" instead.Personally I would have forgiven a lot of the movie as it was if... They DIDN'T destroy the Enterprise D.
Another reason for the Enterprise destruction that's been reported (though I should caution that I've never been able to confirm this) is that Andy Probert received royalties for the use of the -D design, and thus eliminating the -D was a budgetary decision. Probert's design dated from the early 1980's, and Roddenberry saw his painting one day and decided that was what the new Enterprise had to look like. The -E was done by someone on Paramount's payroll, so they owned it completely unlike the -D.
Another reason for the Enterprise destruction that's been reported (though I should caution that I've never been able to confirm this) is that Andy Probert received royalties for the use of the -D design, and thus eliminating the -D was a budgetary decision. Probert's design dated from the early 1980's, and Roddenberry saw his painting one day and decided that was what the new Enterprise had to look like. The -E was done by someone on Paramount's payroll, so they owned it completely unlike the -D.
How lame. So they couldn't just pay the guy 4 more times. I'm happy Star Trek has tanked, since they deserve it for skimping every penny.
How lame. So they couldn't just pay the guy 4 more times. I'm happy Star Trek has tanked, since they deserve it for skimping every penny.
That would have been a terrible idea. The E-E looks much better on film that the D, it was a more epic looking ship which was one of the touches needed to make a more epic feel to the TNG stories for the big screen.
How lame. So they couldn't just pay the guy 4 more times. I'm happy Star Trek has tanked, since they deserve it for skimping every penny.
That would have been a terrible idea. The E-E looks much better on film that the D, it was a more epic looking ship which was one of the touches needed to make a more epic feel to the TNG stories for the big screen.
Agreed. The D was a fine ship, but didn't translate very well to a huge cinema screen with its more unforgiving detail and scope. The TV model of the D was great for the small screen but when shown on a massive scope up on a big screen the design didn't have the detail, texture or color that it needed.
See, I loved what they did with the interior. The changes to the bridge made it much more visually interesting, and the new lighting scheme was very cinematic. The bright, "natural" light from the Armagosa star in Picard's ready room, Ten-Forward, and Picard's quarters was really good. And let's be honest, the lighting from the series needed to be toned down. I've been in hospitals that weren't as brightly lit as those sets looked on TV.
Regarding the amount of time that the TOS characters appeared in Generations, I believe Ron Moore has said that it was one of Paramount's long laundry list of requirements that the TOS characters could only appear for a certain amount of time at the beginning of the film, and that only Kirk could appear at the end. They wanted to make it clear that this was a TNG film, with a "passing of the torch," and not a TOS or combination film. That pretty well hamstrung the writers into the type of TOS participation that we got.
Regarding the Enterprise-D, I have to admit I don't understand the sentiment that she didn't look good on the big screen. Now, unlike many here, I was not a fan of the changes they made to the interior of the ship, particularly the lighting. But I thought from an exterior standpoint, the ship looked excellent. Perhaps it's true that the model did not lend itself to filming from a variety of angles. But the shots we did get were beautifully executed. The Enterprise-D felt like a beloved character to me, but the Enterprise-E never felt like more than a random ship-of-the-week. I just never warmed up to it.
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