I've started on The Man in The Hight Castle by Philip Dick. I've seen the series, but hadn't got round to the novel yet.
11) FOREVER AND A DAY by Anthony Horowitz.
and I got kind of put off early by a police report describing a person being lifted off his feet by a pistol shot- something that works for acinematic imagery in narration, but no police report would say cos it doesn’t happen in real life (the physics don’t support it). And I say that someone who’s used the trope in general narration.
I finished up The Q Conflict, and started ST Section 31: Control by @David Mack. Control definitely starts off with one hell of an attention getting in media res opening.
Currently trying to read The Long Mirage, but damn, it‘s hard getting into. I‘ve read a fourth and barely anything has happened yet.
Currently trying to read The Long Mirage, but damn, it‘s hard getting into. I‘ve read a fourth and barely anything has happened yet.
I've started on The Man in The Hight Castle by Philip Dick. I've seen the series, but hadn't got round to the novel yet.
It's such an odd book, and I'm not sure it would make my PKD top ten. It's good, PKD's prose occasionally soars, and I've never not enjoyed reading TMitHC I even think it makes more sense in light of PKD's late work, especially the VALIS stuff, which deals with what it's like to like in a world that is false. But on its own, it's kinda pointless -- it's high on incident, low on plot, and the ending is a giant shrug. The television series is really a "variation on a theme," and maybe even has more in common with PKD's unfinished sequel about the Nazis trying to open a portal to another world.
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