The look is absolutely
gorgeous, a phenomenal merging of TMP and 1701-D, and it's the top of my list (TMP is a very close runner-up). The shape looks like it's moving forward when looking at it - optical illusion based on angle and direction the eye looks at it. Bold yet graceful, it also looks more militaristic than the "D" as well. But you know me, I have to find and egregiously whine about just a few, minor caveats:
- Deflector dish was a bizarre shade of yellow and not blue?
- Not sure why the far aft section has a slide-open door (for shuttles?) when the main shuttle bay is closer. Maybe when transporting cargo specific to Engineering section or something...
- In 1701's history, nacelles kept getting smaller. Now they got a blue pill and are much longer. Art deco or not, it's an incongruity, unless some engineer discovered the more compact nacelles led to more stress on the fabric of space and rayon so they lengthened them back out as a stopgap measure, why not?
- The ship could be more metallic gray than matte near-white with matte dark onyx gray trim, it's not a racing car or Planet Express ship with flame decals on it...
- Needed to be in more sound, robust movie scripts than those first drafts that got filmed. At least "Generations" was legitimately a rush job
To answer others' points above:
The 1701-D looked like somebody stepped on it, hence the oblong shapes instead of cylinders. Still looks great from several angles, but from some others... not as much. For sych an idiosyncratic shape to look good from every angle - that's a near-impossibility. Even TMP and TOS 1701 ships have a couple angles that, no, please don't look up that angle...
And now that I looked up the image of the 1701-E, I will never get the toilet lid allegory out of my Vulcan mind.