So just to be clear, TOS was all about the fight scenes.I think it's safe to say that Roddenberry was in charge of TOS from '66-'68. It was his show.
So just to be clear, TOS was all about the fight scenes.I think it's safe to say that Roddenberry was in charge of TOS from '66-'68. It was his show.
The TOS films weren't "actiony" either.Crazy thought: I wonder how much of this perception that the new movies are more "actiony" than TOS is simply a matter of budgets and SFX.
I'll give you the TNG films. It's why I think they largely sucked.The TOS films weren't "actiony" either.Crazy thought: I wonder how much of this perception that the new movies are more "actiony" than TOS is simply a matter of budgets and SFX.
Yeah, I think they were. All of them, except for The Motion Picture. Even the TNG films were action-adventure.
So just to be clear, TOS was all about the fight scenes.I think it's safe to say that Roddenberry was in charge of TOS from '66-'68. It was his show.
Who said it was? And why is that bad?Now it's true that TOS was more than just an action-adventure series, but danger and violence and excitement were always part of the formula. It was never a purely intellectual symposium on the issues of the day . . ..
I understand that, but when it dominates a film it then it simply is the film. TOS was always the story first.My point is with in it's action adventure format it can tell may types of stories. It was set up to do so. Star Wars style of action adventure was more narrowly focused.
People watched it for many things. There are tech fans, fight fans, character fans, SFX fans. "Fandom is legion we contain many" or if you prefer "In my father's house there are many mansions". I've changed why I watched over the years. As a kid it was the pew pew guns, cool monsters and fights. As teen it was the "lesson". In my twenties it was about the mythology. As a middle aged man it is about the writing, acting and nuts and bolts of production. Yeah, I've been watching for 49 year and I was never "wrong" about why I watched neither is anyone else. Okay, maybe the ones who watch it for camp and cheese.Well, this is quite a different TOS than the one I've watched. Seriously, did people watch ST for the brief fight scenes?TOS had fistfights, gun fights and other action based scenes in almost every episode. Both pilots have the lead character fight someone. Pike has a scuffle with the Kaylar and the Keeper. Kirk has a knockdown with Gary. TOS is rarely a bunch of people talking. The philosophizing usually comes after the fighting and a few deaths.
TWOK, TSFS, TFF and TUC were clearly action films. With the usual amount of explosions and fisticuffs. TVH is a fish out of water comedy and even it has an action sequence or twoI'll give you the TNG films. It's why I think they largely sucked.The TOS films weren't "actiony" either.
Yeah, I think they were. All of them, except for The Motion Picture. Even the TNG films were action-adventure.
So just to be clear, TOS was all about the fight scenes.I think it's safe to say that Roddenberry was in charge of TOS from '66-'68. It was his show.
What I was pointing out was that there's sometimes a degree of selective amnesia involved when comparing TOS to the new movies. The TOS I grew up on had plenty of monsters and action and excitement, as well as cool, mind-blowing sci-fi concepts, social allegories, etc.
The "attention challenged audience who can't sit still for anything unless it's loud, flashy and moves like a roller coaster" is hyperbolic BS. And some what insulting.Now along comes JJ and he revamps the whole thing into the very adolescent style of fare that GR sought to step away from. He makes it into something styled right at the attention challenged audience who can't sit still for anything unless it's loud, flashy and moves like a roller coaster. And not a bit of it makes a lick of sense.
it is what it is. That others also might find it appealing nonetheless doesn't change what it is.The "attention challenged audience who can't sit still for anything unless it's loud, flashy and moves like a roller coaster" is hyperbolic BS. And some what insulting.Now along comes JJ and he revamps the whole thing into the very adolescent style of fare that GR sought to step away from. He makes it into something styled right at the attention challenged audience who can't sit still for anything unless it's loud, flashy and moves like a roller coaster. And not a bit of it makes a lick of sense.
Nope. Criticize the film but don't make generalizations about the audience. They usually where you cross the line.it is what it is. That others also might find it appealing nonetheless doesn't change what it is.The "attention challenged audience who can't sit still for anything unless it's loud, flashy and moves like a roller coaster" is hyperbolic BS. And some what insulting.Now along comes JJ and he revamps the whole thing into the very adolescent style of fare that GR sought to step away from. He makes it into something styled right at the attention challenged audience who can't sit still for anything unless it's loud, flashy and moves like a roller coaster. And not a bit of it makes a lick of sense.
And, yes, Nicholas Meyer did something similar with TWOK, but it's a matter of degree. TWOk has issues, but it's rocket science compared to JJtrek.
Oh, yes. Because a Genesis device the size of my cubical at work being able to create an entire Class-M planet is so much more "scientific" than red matter.And, yes, Nicholas Meyer did something similar with TWOK, but it's a matter of degree. TWOk has issues, but it's rocket science compared to JJtrek.
it is what it is.
Sure it does.That others also might find it appealing nonetheless doesn't change what it is.
No it isn't. YOU may feel that way, but your opinion doesn't constitute fact, regardless of how you present it.And, yes, Nicholas Meyer did something similar with TWOK, but it's a matter of degree. TWOk has issues, but it's rocket science compared to JJtrek.
Well TNG did follow TOS with a similar approach to storytelling even though it developed its own identity. And the same with DS9. One could say that shows like Babylon 5 and Stargate did so as well.On other hand, you can argue that the latter-day shows had already gotten too far away from the way TOS worked in the 60s, albeit perhaps in the opposite direction. Even before the new movies were a gleam in anybody's eyes, I was arguing that modern-day TREK was in danger of forgetting that Trek was supposed to be fun. Frankly, VOYAGER could have used a bit more space monsters and action.
Maybe it was just me, but at times it felt like the later shows thought Trek was above cheap thrills and excitement. To my mind, Star Trek needed to get back in touch with its scrappy, pulpy space-opera roots before it got too refined and dignified and geriatric. At the very least, the new movies seemed to have restored to Trek some of TOS's zest and swashbuckling spirit.
Has the pendulum swung too far in the opposite direction? That's a judgment call.
I don't have to present it as fact. I'm stating my opinion. The fact that you're offended by it doesn't bother me a whit....your opinion doesn't constitute fact, regardless of how you present it.
I did say it has issues.Oh, yes. Because a Genesis device the size of my cubical at work being able to create an entire Class-M planet is so much more "scientific" than red matter.And, yes, Nicholas Meyer did something similar with TWOK, but it's a matter of degree. TWOk has issues, but it's rocket science compared to JJtrek.
I'm not offended, I'm just pointing out that presenting it as indisputable fact does not make it so. It is what it is.I don't have to present it as fact. I'm stating my opinion. The fact that you're offended by it doesn't bother me a whit....your opinion doesn't constitute fact, regardless of how you present it.
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