donners22 said:
The time period you mention is one of only three years
The memo was only in effect three years, yes, but Richard Arnold was already vetting proposals and manuscripts earlier than that (the memo clarified his reasoning when the new tie-in licenses were signed in 1989), and the problems about no crossover characters and the ST Office changing its mind between proposal stage and submission of (what authors assumed was) a final manuscript started before the memo came out.
And its effects actually stretched long after Roddenberry's death for some novels and comics - because many manuscripts were already underway from RA-altered proposals.
I have "Boogeymen", "Spartacus", "Chains of Command" and "The Starship Trap" on my shelves
I read them, but they weren't earth shattering or even terribly memorable, but I guess that's exactly what you seek. They were quite "safe" and short novels.
If those are what you consider the most notably tepid of the earlier novels, it's a pretty sad state of affairs when I like them much more than many other recent ones.
Well, I found you titles in the era of Richard's memo mandates on what made a safe ST tie-in: ie. the standard TV crew, on a mission-gone-wrong to a brand new (often blah) planet, with a B-plot virus or tech emergency for the ship-bound crew. I describe them as tepid simply because... they (together with "The Final Nexus", "Enemy Unseen", most of "Ghost-walker", most of "Probe", "Renegade", and "Nightshade", all in that same time period) really didn't create an awful lot of excitement for me at the time, esp. when compared to the books that were coming out before RA started his official stint at Paramount.
I see RA at conventions annually, and he knows my disappointment by the changes wrought by that memo, but he believes he was helping Gene R. to keep the tie-in comics and novels from diluting the ST franchise. Interesting that few novels from the memo era made the "NY Times Bestseller" lists, even though Pocket was selling a lot of ST novels every month.
During the time of the memo, though, it meant that very few ST novels took literary risks. I really don't want a return to that style of cookie cutter formula.