Therin of Andor said:
donners22 said:
Many of the earlier books may have had a "cookie-cutter" quality to them, but there were far fewer that I strongly disliked.
I recall Marco saying once that he preferred to be proud of ST novels that polarized readers - people either love them or hate them - than to produce novel after novel of tepid stories that sell okay but offend or thrill no one.
Depends on what you expect from Trek novels. I want something I can read on the way to or from my work (which is in a criminal court) on a crowded and stuffy train. I'm generally not too happy or thrilled with humanity in general, and a fun, enjoyable, relatively light and possibly inspiring read is what I seek. I think the earlier novels provided that batter than the more recent ones.
At the same time, I don't think that it is fair to generalise about earlier novels being "tepid" [says he who is making at least as much a generalisation by suggesting that modern novels are not as enjoyable...]. I can think of plenty that stood out, like Q-Squared, Imzadi, Echoes, Mudd in Your Eye, Masks, Requiem, The Kobayashi Maru... Most had distinctive plots and most were enjoyable reads.
I was able to borrow one from my library and want to buy it on a regular basis once, yet I find that happening far less regularly now.
My concern with modern novels is not necessarily that the plots are more ambitious, that they go beyond TV canon or that they have a harder edge. It is simply that I don't find these changes to be well handled in many cases. There are several books that come to mind which have such potential, yet are dealt with in an extremely frustrating way (Millennium, Mirror Universe and A Time to Die, to name just a few).
Of course, that is all just my personal reaction, and I recognise that many, if not most, feel differently. I vote with my dollars, and they vote with theirs.