Why do people get overly stressed out about the JJPrise being big? Fair play, it's not the most beautiful if ships (I prefer the kelvin by a long way), and it's nacelles look like they were made to vibrate on 3 different settings and make ladies happy.
Well, I can't speak for anyone else but myself, but my issues with the new Enterprise have a lot more to do with careless implementation than anything else. I liked the original Church illustrations and found them esthetically pleasing... and then they went down hill from there.
But people have had 40 years to learn that many Trek fans are techies and like to see thought and care put into the background technologies. A great story should never be sacrificed for fictional tech, but after a story is told, the longevity of something like a 2 hour film could come from people studying/expanding the tech of it for years.
In that way, this movie was purposely careless. The people making it went out of their way to not be consistent or thoughtful with this aspect (believing that this was a failing of previous Trek). The fact that the new Enterprise was designed and built at one scale, and then changed scale a number of times during the effects production (to the point where people who worked on STXI didn't even know it's size) shows their caviler attitude towards this aspect of the movie.
Personally, I've decided to invest no time or effort into that aspect of the new films... and I enjoyed the new movie with the understanding of what it was and what it wasn't.
Did anyone get all worked up when TNG first aired because the galaxy class was huge?
Size... no.
When TNG came out I was most upset by the fact that the Enterprise D looked like the worst drawings of the original Enterprise from the old Goldkey comic books.
Had those earlier careless drawings of the original Enterprise not existed (or had I not seen them), I might have had a different initial reaction to the Enterprise D when I first saw it.
But I did grow to like/love the Enterprise D in spite of that first impression. And part of the reason for that was that it quickly became apparent that the designers of it cared about making it consistent much like Jefferies had with the original Enterprise.
In the cases of both TOS and TNG, these were weekly shows fighting time and budget constraints, but were still surprisingly well thought out with the background stuff (though sometimes TNG got into too much technobabble... but shows like CSI prove that there is an audience for that type of thing).
By comparison, STXI had the time to spend on this without hurting anything, but dismissed that aspect altogether (and bragged about it).
When all is said and done, the makers of STXI didn't want the audience spending time on the science or technology of their movie. And with that understanding, I haven't... and don't while watching the film. The tech was done the way it was done on purpose (just like all the lens flares were done on purpose... not by accident), and I view the film (and enjoyed it) with that clearly in mind.
I've found that it is best to watch STXI with the left brain turned off.
