Despite the critical acclaim, The Wire's ratings were so low, even for cable, that it didn't get a full fifth season.
Babylon 5 basically was canceled twice, and getting a full five seasons compelled JMS to babble about how faith will find a way.
And Lost may have had a relatively large fan base that made it all the way (as well as people like me who came back for the finale,) but it started with many dedicated fans it drove away.
Open ended serials are all about delaying resolution to bring an audience back. This is intrinsically weak writing. Worse, over the course of time, characters get rewritten just to have something "happen" then must be rewritten back, favorite stories are repeated but more weakly each time, and whatever thematic content the show had is subverted making the whole rather pointless. Like soap operas, those who invest in the characters can be entertained, even gripped.
But love for the actors/characters (in this kind of writing, the difference is moot,) is more of a psychological phenomenon in the viewer's head and has only a tenuous connection with what's on screen. That's why fans can put up with the bad writing, seemingly oblivious: They're watching the people they love on their own, internal screen.
I never thought Rush was the kind of man to recruit anyone, but especially not using The Last Starfighter ploy. Couldn't believe in Rush, ergo couldn't watch the show. Sorry you fans didn't get your years of angst, though.
Babylon 5 basically was canceled twice, and getting a full five seasons compelled JMS to babble about how faith will find a way.
And Lost may have had a relatively large fan base that made it all the way (as well as people like me who came back for the finale,) but it started with many dedicated fans it drove away.
Open ended serials are all about delaying resolution to bring an audience back. This is intrinsically weak writing. Worse, over the course of time, characters get rewritten just to have something "happen" then must be rewritten back, favorite stories are repeated but more weakly each time, and whatever thematic content the show had is subverted making the whole rather pointless. Like soap operas, those who invest in the characters can be entertained, even gripped.
But love for the actors/characters (in this kind of writing, the difference is moot,) is more of a psychological phenomenon in the viewer's head and has only a tenuous connection with what's on screen. That's why fans can put up with the bad writing, seemingly oblivious: They're watching the people they love on their own, internal screen.
I never thought Rush was the kind of man to recruit anyone, but especially not using The Last Starfighter ploy. Couldn't believe in Rush, ergo couldn't watch the show. Sorry you fans didn't get your years of angst, though.
