Actually, Mallozzi's precise words were that he would be "real flesh and blood." As in, not a ghost or hallucination or ascended being or anything like that. Of course, naturally, that mutated into "the absolutely 100% original no sci-fi cheat Carson Beckett" as soon as the internet got its collective hands on that one little four letter word.
Bloody fen. If I ever end up producing a show, I'm going to take a cue from the greats and never give them what they ask for. In fact, if I get stabbed in the back from being taken out of context like this, I might actually start giving them the opposite of what they ask for, as a demonstration of power.
Ah, I see. I guess I had only read the internet geek interpretation of Mallozzi's line. My apologies.
Honestly, I think the best course of action for a writer is to write what is best dramatically. If it is what the fans want, good for them, and if it's not, too bad. I think that's what the writers
tried to do with Carson, so I'll give them credit there. The problem is, once they quickly dealt with his death in Sunday, everyone was quick to move on. Nothing got shook up, there were no lasting effects. And that's a major problem.
Over on SG-1, before everything was reversed, there was a whole episode devoted to Daniel Jackson's death. Following that, there was a whole episode that showed, in the context of a plot, the team dealing with his death. And following that, there was a whole two-parter dealing with Jonas' addition to the team.
Over on Atlantis, Beckett's death happens in the last five minutes of Sunday, the characters have a funeral for him, and that's it. There's no reaction from them in the three episodes that follow. Not even in Vengeance, which deals with the fall out from Carson's Michael experiments. He's barely name-dropped before they move on to ripping off the first two Alien movies. And then, in First Strike, Keller shows up without so much as an introduction!
