If the writers couldn't write anything interesting for a character because he didn't have a clear gimmick, they're just bad writers.
They had so many directions to go. The easy one, have some weird thing happen to give him a gimmick, if they weren't up for the task of writing without gimmicks.
But also, they defined Kim as the Costello to Paris's Abbott, the people pleasure who wants to keep his dead down and do his task. Trouble with that is, Tuvok and Doc were better straight men. So actually develop him. Have him start rebelling a bit, discovering an identity for himself outside of the expectations of authority. Thinking maybe Starfleet isn't for him but the reality of the situation is he's stuck with it for 70 years.
Have him start acting like a young Paris, and Paris sees himself in Kim and wants to warn him away from the same mistakes. And have whole arcs of finding a new identity for himself which is compatible with his role on Voyager.
They could have done any number of things like that. Instead, oh, not a crazy alien, Borg or hologram? No ideas.
They had so many directions to go. The easy one, have some weird thing happen to give him a gimmick, if they weren't up for the task of writing without gimmicks.
But also, they defined Kim as the Costello to Paris's Abbott, the people pleasure who wants to keep his dead down and do his task. Trouble with that is, Tuvok and Doc were better straight men. So actually develop him. Have him start rebelling a bit, discovering an identity for himself outside of the expectations of authority. Thinking maybe Starfleet isn't for him but the reality of the situation is he's stuck with it for 70 years.
Have him start acting like a young Paris, and Paris sees himself in Kim and wants to warn him away from the same mistakes. And have whole arcs of finding a new identity for himself which is compatible with his role on Voyager.
They could have done any number of things like that. Instead, oh, not a crazy alien, Borg or hologram? No ideas.
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