I also don't see it.Because he was awesome?
And the ratings still need to be taken in the context of terrestrial ratings in general, wherein I still believe Who does reasonably well comparatively speaking. Is it the ratings behemoth it once was? No, but let's be honest it hasn't been since the first half of Whittaker's first season, and that was a sharp upswing after several seasons of declining ratings under Capaldi.
Setting aside co-production/streaming partnerships I think the BBC has four options.
1. Let the show die. End it and make it clear it's never coming back. Unlikely.
Technically, we're already on a hiatus, aren't we?2. Put it on hiatus, and not a year or two's hiatus, make it clear it'll be at least 5 years before it comes back. Possible, but you do have to worry about this being a cancellation by default. One can imagine a scenario whereby in ten years time vague messages about Who's return keep eking out but no one seems to be doing anything. Then it's twenty years....and so on and so forth.
By far the most realistic route, and partly what I would hope DIsney would've come to the realization of.3. Carry on as you are. You keep making the show but accept that it's never going to be as popular as it once was because there's way more competition now. You accept it is a middle ranked show that still attracts millions of viewers (just 3 instead of 7 million) and you tailor your expectations and your budget accordingly. Personally I think this is the way to go. Frankly if you offered me a season every year that was on the whole as entertaining as the last two seasons have been, I'd be happy with that, and you hope the show plays itself back into form/gets lucky with it's casting and finds itself with a new Ten/Donna Eleven/Amy/Rory dynamic and becomes super popular again.
I mean, look. Its always going to be BBC's biggest show internationally, baring exceptions, cause folks like me and Americans talk about it endlessly. So, there's no question of its international appeal as a show of great, great impact worldwide. But the level of international superstardom it achieved during the Eccleston, Tennant and Smith years is long past. Unless they decide to cast a Tennant/Smith clone, you're not gonna get that level of success, ever, so might as well get used to it.4. The BBC double down. Who is a big show and needs to continue to be seen as a big show. You get a new streaming partner and you throw money at it. Get a name to play the Doctor, maybe get a new showrunner, new writers etc. It's an option for sure, but feels like a case of the gambler's fallacy/sunk cost fallacy (not quite sure which fallacy fits best). It may be that whoever writes the show and whoever is the Doctor, it just can't ever be quite as popular as it once was.
We're all human here, no worries.And yes I'm self aware enough to realise that my preference for option three is possibly me just putting my hands over my ears and going "na na na not listening' or being this meme in human form![]()
Truly how most of us feel at the moment. And, historically, this show has never been more important to have around than now, but I'm exaggerating.
That's proper showrunner talk, and that's how RTD has always been as a showrunner. Nothing different here.
That's a lot personal grudges there.
Like, if you're gonna be offended by harmeless campy moments like these, what's the point?
Sure, but at its core, your criticism of RTD2, as indeed most of the posters here, seems to be tepid and shallow, at best.
No argument there. But the tangent between this and your daily shitting on RTD2 is eons apart.
That's apples and oranges and at this point you're coming off as trying desperately to win the argument no matter what. Regardless, Malcolm Reynolds did get a theatrical movie, so his awesomeness didn't leave him completely neglected.Malcolm Reynolds was awesome as well. Didn't save his show from being cancelled.
Just saw the newsstand version of the DWM cover (the other was the textless subscriber version) and it says in the description of the contents "Russell T Davies on pathways to potential futures..."
Well, now all we need is news on when the new edition of The Writer's Tale is being released.Russell's page in the new DWM will be the last one and from those who've read it, is not positive for the future beyond a general 'Doctor Who will never really end'.
If you saw that interview clip from a while back where he was talking about some kid watching it today growing up and bringing it back it's that sort of vibe.
Sod it. Just bring back the Candyman as a CGI Kaiju for five minutes whilst having Petrol scream about she’s an Enby Asexual and that’s like space magic, whilst dressed as Marilyn Monroe kissing the face off of Billie Piper, and reveal ‘Grandfather’ is actually the Gallifreyan word for ‘mini-cab driver’. That oughta do it Rusty. Then wrap up with some dancing and bring back David Tennant doing his Pet Shop Boys bit again.
Nothing. I was making fun of the situation, how RTD talks about things, and how he does his finales now — CGI return monster, complete misunderstanding of what certain modern political/gender/sexuality concepts even are, contradiction between dialogue and what is happening on screen, and a callback to his own original run thrown in.
Russell's page in the new DWM will be the last one and from those who've read it, is not positive for the future beyond a general 'Doctor Who will never really end'.
If you saw that interview clip from a while back where he was talking about some kid watching it today growing up and bringing it back it's that sort of vibe.
That's apples and oranges and at this point you're coming off as trying desperately to win the argument no matter what. Regardless, Malcolm Reynolds did get a theatrical movie, so his awesomeness didn't leave him completely neglected.
Well, now all we need is news on when the new edition of The Writer's Tale is being released.
It's all a moot point anyway. Gatwa is gone. Outside of maybe a multi-Doctor special at some point in the future, we're not seeing him in Doctor Who again.
I get that Daleks and Cybermen have been overused, but you'd have thought with trying to make an impact re Disney+ that at least one of them might have shown up in either season. Maybe RTD planned to throw them into the third Ncuti season?
Let it put it this way: you're arguably fixating, even obsessing about things in a way no-one else posting here is, talking in absolutes, and what many of those things are makes me, at least, question your motivations.
I mean, "modern political/gender/sexuality concepts"? LGBT+ people have been around as long as humans have, it's just we've probably never been as politicised as we are now - to the point our simple existence is often seen as political - or as much of a subject of "debate" as we are now. Unfortunately, much of that "debate" is negative, usually aggressively so, thus any positive, high-profile rep, even if it's the debatably kinda clumsy approach of RTD, I personally welcome.
Basically, bring on the enby asexual space magic. Hell, as an enby ace myself, just to see our existence acknowledged would be nice.
Also, I agree that option 3 would be the best, but seems the least likely. This reminds me of the Terminator franchise, which once hit blockbuster numbers, but hasn't since, despite repeated attempts. The suits simply can't understand the magic that sent T2 into orbit, let alone replicate it, and the DW situation feels similar.
Wasn't the original cliffhanger supposed to be Susan showing up at that nightclub where we see the Doctor and Belinda (platonically) dancing in that picture that's been circulating?Allegedly Daleks were the original S2 ending cliffhanger.
I didn't get the impression Poppy's father is "absent" in the sense you're describing. Yes, Poppy does live with Belinda, but given Belinda describes Poppy's father as a good father, the impression I was under is he is still a part of Poppy's life and fulfills all his obligations as her father, to the extent he can while not living in the same house as her. Which doesn't fit my definition of an "absent father."Like… rewriting someone who was properly independent and about consent into being a single mum *without* consent, presenting us with not one, but *two* absent black fathers,
Wasn't the original cliffhanger supposed to be Susan showing up at that nightclub where we see the Doctor and Belinda (platonically) dancing in that picture that's been circulating?
I didn't get the impression Poppy's father is "absent" in the sense you're describing. Yes, Poppy does live with Belinda, but given Belinda describes Poppy's father as a good father, the impression I was under is he is still a part of Poppy's life and fulfills all his obligations as her father, to the extent he can while not living in the same house as her. Which doesn't fit my definition of an "absent father."
They do make a point of saying the dad is very much still around, I noticed that. But the Doctor didn't rewrite history enough to give her a husband, and I think that's probably for the best considering the viewer reaction to her getting a child.
My point is not that I have a problem with ‘bringing on the enby asexual space magic’ but that in the hands of RTD the Enby would be dressed as Marilyn Monroe (and therefore not NB, but Cisgender) and overtly kissing the face off of someone (therefore not Asexual)
See: Rose Noble. Who is described as non-binary, but is, in fact, Trans. But not Trans because humans can be, no no no, Trans (and NB) because of Time Lord Space Magic in her mum.
And the reason I explicitly refer to ‘modern political/gender/sexuality concepts’ is precisely because this how/why he is using them. He seems to think he’s ’doing representation’ but… well, Rose is a prop in every appearance post Starbeast, and is more a confused story element in Starbeast, rather than an actual character.
I just want to clarify that, and *why* I was mocking what RTD is doing. (Like… rewriting someone who was properly independent and about consent into being a single mum *without* consent, presenting us with not one, but *two* absent black fathers, one of whom is the Doctor. And various other bits of daft ness, including weirdness around guns.)
Only if Benjamin Cook isn't involved. I could barely stand him in the original book.Well, now all we need is news on when the new edition of The Writer's Tale is being released.
Only if Benjamin Cook isn't involved. I could barely stand him in the original book.
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