Wonder if 15 wondered why he has an old face that looks like the Great Intelligence.
He never wondered why after Davison he looked like Commander Maxil.
Wonder if 15 wondered why he has an old face that looks like the Great Intelligence.
Got strong Jack Harkness vibes from Rogue
The episode was average to me overall, like every episode I like Ncuti, and I even liked the Ruby being a fangirl subplot this episode, but overall I have no real familiarity with the era/style of "Bridgerton" and so found a lot of the episode dull. I did end up liking Rogue enough to want The Doctor to find him, so good work with that.
Now, on to the big "reveal". I am going to be fair here, I like Richard E Grant but I'm going to say the same thing that I'd say if they'd just put some random person's face: We're at the point where every new "Mystery Doctor" makes the entire character less special, and makes every previous Doctor less special. In a few years people will be dismissing William Hartnell as a nobody because he only played "The 12th incarnation of the entity known as The Doctor's Eleventh Regeneration Cycle" or some such bullshit. The Doctor is soon going to be bumping into themselves everywhere because they are apparently infinite and very susceptible to memory erasing.
I was fine with The War Doctor because he had a good explanation, and The Fugitive Doctor still fit into the previous regenerations and there was a perfect spot to head canon her into (between 2 and 3). But regardless of the Timeless Child bullshit its getting ridiculous. What's next, do we have to acknowledge the rest of the Curse of Fatal Death Doctors? Then what, the Unbound Doctors? The Stranger? Peter Cushing? They might as well just start declaring random British TV characters to have retroactively been The Doctor, I'm putting money on Captain Scarlet, Worzel Gummidge, Adam Adamant, John Steed and Mr. Blobby (as The Doctor's version of The Decayed Master).
I really just don't like where this all leads. The Doctor should be special. To paraphrase a Pixar villain: "When everyone is The Doctor, no one will be".
I feel I'm missing something for not watching Bridgerton. It felt weird to see all the acceptance of interracial relationships coming off the last episode, having its cake and eating it too again? But I think that is part of Bridgerton? Do they also use anachronistic music on Bridgerton?
I realized that like people sometimes say of Indiana Jones the whole adventure might've played out the same if not for the Doctor's involvement. I suppose maybe Rogue would've mistakenly singled out one of the Chulder and either been killed or left prematurely leaving behind the rest. Even at the end of the episode it's Rogue that saves the day as the Doctor watches helplessly.
The Doctor's infatuation with Rogue seemed rather quick and intense from what we've seen so far but it's all just par for the course with fanfiction I suppose...
This is a response to everyone who felt like they were missing something by not watching Bridgerton: I haven't watch that show either but I felt just fine watching what we saw. Perhaps it's because I'm a big fan of Jane Austen and other stories set during that period. The only thing I gleamed from the outside is that Bridgerton is just a sexier, more overt, more scandalous (and maybe more comedic?) version of those stories.I feel I'm missing something for not watching Bridgerton. It felt weird to see all the acceptance of interracial relationships coming off the last episode, having its cake and eating it too again? But I think that is part of Bridgerton? Do they also use anachronistic music on Bridgerton?
This is a response to everyone who felt like they were missing something by not watching Bridgerton: I haven't watch that show either but I felt just fine watching what we saw. Perhaps it's because I'm a big fan of Jane Austen and other stories set during that period. The only thing I gleamed from the outside is that Bridgerton is just a sexier, more overt, more scandalous (and more more comedic?) version of those stories.
Perhaps the anachronistic music is another part of that but didn't really take me out of the episode either. That music felt more like a Rogue thing because (unless I'm mistaken and I quite possibly am) that was introduced with the "Can't Get You Outta My Head" moment (which is especially funny since Kylie Minogue has been a guest on the show) and then we got all of the acoustic versions of other songs (all of which I loved).
I stand corrected (as I expected to be). Still, I didn't mind it. Reminded me of Westworld (in a good way).The music is definitely a Bridgerton thing - for example, the first season has Thank You, Next, and Bad Guy, Season 2 has Material Girl, and Wrecking Ball, for example - and was reportedly inspired by A Knights Tale, and Moulin Rouge, ie contemporary music to anachronistically evoke the period feeling
The Kylie Minogue thing has more Who relevance than simply Kylie playing Astrid given that she performed it in her Showgirl tour with dancers dresses as Cybermen.
But now the one thing about this episode I didn't like: I loved how Ruby was suddenly in genuine danger because of her "mistake" and The Doctor's misunderstanding, but I hated how Rogue was able to miraculously save the day by swapping places with her. That action took the gravitas out of that moment for me. Perhaps I'm being pedantic on this point, especially since companions in similar situations has happened many times (with actual weight and relief), but for whatever reason, it really bothered me this time.
I think part of it the issue for me is the episode failed to set-up the fact a person could swap for another person in that trap. Up to that moment, the episode had greatly stressed that the trap was a real and serious threat with no workarounds ("Even the sonic screwdriver can't help me this time") and yet Rogue was able to do this swap with a sudden handwave ("Body swap accepted!" or whatever the line was). Again, maybe I'm overreacting or maybe I did miss that set-up, but I really loved the gravitas of Ruby's "mistake" and I feel that moment was robbed of that weight when the swap occurred.
I'm glad I wasn't the only person who had an issue with that moment. However, wasn't it six people with Ruby? I don't have the time to go back and check but I'm pretty sure it was only six people before Rogue jumped in and made the swap. I guess your loophole still works since he was the seventh and that caused the issue.That tripped me up, too, but I think I figured out the loophole; the Doctor said that he could expand the trap to hold six people at the very most. Rogue jumping in meant there were seven people inside and overloaded it, so it was disabled until he shoved Ruby out and it was back down to six people trapped.
Retroactively he should've wondered why the Great Intelligence, or indeed that dude in The Snowmen looked like him in the first place. But, a couple of theories:Wonder if 15 wondered why he has an old face that looks like the Great Intelligence.
I'm still waiting on BF to tackle that, eventually.He never wondered why after Davison he looked like Commander Maxil.
Time for the hot take of the week: Rogue did very little for me. I liked his chemistry with the Doctor, but... that's it. Not exactly enamoured, and frankly it did kinda make me miss Captain Jack a little.Got strong Jack Harkness vibes from Rogue
Yeah, that was definitely a cop-out. I rolled with it anyway simply because the episode was ending and Ruby is the companion, so of course she's going to need to stay. And it's certainly not the first time the Doctor or companion or main cast of any show has been rescued by contrived means in the climax, but yeah, it was a cop-out all the same.I think part of it the issue for me is the episode failed to set-up the fact a person could swap for another person in that trap. Up to that moment, the episode had greatly stressed that the trap was a real and serious threat with no workarounds ("Even the sonic screwdriver can't help me this time") and yet Rogue was able to do this swap with a sudden handwave ("Body swap accepted!" or whatever the line was). Again, maybe I'm overreacting or maybe I did miss that set-up, but I really loved the gravitas of Ruby's "mistake" and I feel that moment was robbed of that weight when the swap occurred.
I've never watched Bridgerton myself, but I had no problem following this episode. It helps at some parts to look at it as a parody of Bridgerton or other contemporary shows in a period setting, IMO.I feel I'm missing something for not watching Bridgerton.
CW's Reign was also noted for anachronistically using modern pop songs in a historical setting.The music is definitely a Bridgerton thing - for example, the first season has Thank You, Next, and Bad Guy, Season 2 has Material Girl, and Wrecking Ball, for example - and was reportedly inspired by A Knights Tale, and Moulin Rouge, ie contemporary music to anachronistically evoke the period feeling
Though, for the fun of it, here's a Pitch Meeting joke about that:
"It's going to be impossible to save Ruby now."
"Actually, it's going to be super easy, barely an inconvenience."
"Oh really?"
"Yeah, Rogue will bump into her, knocking her off the triangle pad thingy, and then he will take her place."
"Is that possible?"
"Sure it is. I wrote it. That makes it possible."
We use essential cookies to make this site work, and optional cookies to enhance your experience.