really from the movie?
Hey TGT. I'd already edited my post and changed it when I'd looked at the photo again and re-evaluated the coastline, so I'd already edited out the reference to the wharf and Alcatraz. Apparently you'd hit reply before my edit "took". lol
It sure would take a major seismic even to change the coastline like that, because there's not only stuff disappearing under the water, but new land (apparently) risen up. Now, this kind of thing happens where there's volcanic activity (say how Wellington NZ suddenly had a bunch of new land thrust up out of the ocean in the late 1800s), but not so commonly along the kinds of faults around these parts...
...but I'll ask my geologist friend!![]()
All of this points to the stunning lack of imagination in most sci-fi shows by comparison. In TMP it looks like they tried to imagine a changed world, where in most of the other stuff they put a few Jetsons skyscrapers in and call it a day.
This thread shows why there are a few fans on this forum who should serve as "consultants" on any "TMP finishing project" by paramount...
Fortunately they're not really gone ... as long as we remember them (sorry to invoke TWOK to defend TMP, but you use the material that is recognizable and available.)
http://i30.photobucket.com/albums/c339/thegodthing/SF_North.jpg
http://i30.photobucket.com/albums/c339/thegodthing/SF_South.jpg
Coit Tower. Apparently it was moved! The coastline in those shots is radically different than what it is now.What is the white spire on the left side of the SF South image?
You sure about that? I thought Coit and TransAmerica were still included in a tiny way in TMP's SF, so that would make this Marin-side tower something else altogether.
You sure about that? I thought Coit and TransAmerica were still included in a tiny way in TMP's SF, so that would make this Marin-side tower something else altogether.
Marin-side? This matte plate was photographed looking south from Marin, although it was mirror-reversed so the bridge appears to be the right of the viewer as opposed to the left side as it appeared in a bunch of other films (i.e, Dirty Harry when SFPD pulls that naked dead girl out of the ground after she was kidnapped by Scorpio). As this east-looking unused composite demonstrates, the skytram terminal is on the same side as the city. If you look on the horizon behind the Soleri-esque futuristic cityscape, you can see the "museum city" that contains the Transamerica pyramid as well as the Bank of America HQ and 345 California Center (aka "Tweezer Towers" - seven years before it was actually even built!).TGT
OK, maybe I've spent too much time talking with the ILM guys ... I mean, SFC in TUC is definitely the Marin side, and I don't remember TVH well, but I'm pretty sure it was in Marin there too.
And the Michaelson comments in FANTASTIC FILMS said something about the ship going into a hole in a mountain in Sausalito, right? (the way the piece is written, it made it sound like the Enterprise went into the hole, but we've assumed he meant the tram.)
I just looked at it again ... I guess you're right, but it makes me even more pissed about how ILM has screwed with this stuff now that it is tripping me up.
Doesn't make the 23rd century look particularly "green"...or eco-friendly...
As I've pointed out many many times on these boards, it's very easy to tell which end of the bridge you're looking at, because the south tower stands in the channel, while the north is at the shoreline...except in the DE, where they shot plates only from the Marin side, and thus the bridge changes form from shot to shot. Oy.
Oh yes, the "original vision".As I've pointed out many many times on these boards, it's very easy to tell which end of the bridge you're looking at, because the south tower stands in the channel, while the north is at the shoreline...except in the DE, where they shot plates only from the Marin side, and thus the bridge changes form from shot to shot. Oy.
But don't you understand, DS9Sega, this is how it was supposed to look like from the very beginning!![]()
TGT
Matthew Yuricich's protégé Rocco Gioffre was then and is today a successful VFX designer who could have Photoshopped replacement mattes that would have looked virtually indistinguishable from the originals. Actually, they would have looked better since the digital files would have been correctly "photographed" (i.e., no smudges obscuring the far end of the Golden Gate Bridge).
TGT
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