what I love is when he traces a picture once, then proceeds, months later, to TRACE THE SAME PICTURE. he also used number 7 from that newsrama link for poses of Storm and Sue Storm...
As bad as he is, he's hardly unique or the worst offender in the "bad artist got successful" category. Pat Lee was not only a bad artist, but he cheated an entire company of artists and writers out of money yet years later STILL manages to get work.
Land has the unfortunate habit of tracing pictures of multiple people who look nothing alike and trying to pass it off for the same character. As a result, characters change size, shape, faces, and hair style panel-to-panel.
Wasn't there an example somewhere on the web where he used 16 very distinct women to protray Sue Storm in one issue? Often, several completely different ones appeared on the same page. Now that's funny.
This is accepted practice though, the comics industry doesn't really have any artistic or professional integrity. Which is one of the reasons so few people take it seriously as an art form. It doesn't take itself seriously, any plagerist or hack is welcome.
Wow, clearly Jason Giambi and Barry Bonds aren't the only ones suffering from steroid withdrawal!I get a kick out of those anti Liefield websites, the only thing good he did was create Deadpool.
From the new Deadpool:
http://www.murkworks.net/~james/Comics/Misc/deadpool2.jpg
(I converted this to a link. 600+ MB is a little large to be posting inline. Thanks. - Spiff)
Well, in Rob's defense, he obviously never relied on over-referencing photos!
The problem with Liefeld's art, in my non-artist view, is that he learned to draw from comics. Comics are fine as a starting point but eventually you need to go off and learn perspective and anatomy and how to draw real life stuff. You need to be able to draw "properly" before you layer in the stylization. Look at Jack Kirby, his perspective and anatomy were often crazy as hell but it wasn't because he didn't know better, it was because he made a conscious effort to tweak things for the sake of style and power in the image. And also because he was drawing ten pages a day.
I completely agree with both your observations.Well, in Rob's defense, he obviously never relied on over-referencing photos!
The problem with Liefeld's art, in my non-artist view, is that he learned to draw from comics. Comics are fine as a starting point but eventually you need to go off and learn perspective and anatomy and how to draw real life stuff. You need to be able to draw "properly" before you layer in the stylization. Look at Jack Kirby, his perspective and anatomy were often crazy as hell but it wasn't because he didn't know better, it was because he made a conscious effort to tweak things for the sake of style and power in the image. And also because he was drawing ten pages a day.
My artist's view coincides completely with your non-artist's view. Excellent observation.
I wish IDW would hire some better artists. I tried reading Megatron's origins again and my head exploded...
^Not possible. Trimpe is a skilled artist, and probably the definitive Hulk artist. Liefeld doesn't have a style, he just imitates (without understanding) artists like Trimpe.
Does Liefeld's popularity in the 80s and 90s show how bad comic art was in general? In some ways I think comic art is so much better these days, with more depth, colour and detail.
Balls.Liefeld couldn't have gotten a job in comics until the '90s. He'd have been laughed right out of the bullpen.
I forgot, what was the name of that other artist that was often compared to Leifield? The one who died of cancer recently.
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