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Rewatching "Emissary"...

Well Sisko's anger towards Picard is very understandable. Picard's face was the one on the viewscreen the day he and Jake lost everything. That face was mercilessly telling them it was all futile and any concept of sacrifice was meaningless. And he pretty much was right, that fleet at Wolf 359 didn't accomplish a thing other than slowing the Cube down long enough for the Enterprise to save the day.

Years later that same face is ordering him, a single dad, to take his son to be rasied in a Cardassian shithole in the ass end of space, living with a bunch of religious yokel natives. When he presumes to point this fact out, that same face that took away his wife then presumed to lecture him about duty, when he had already given his dearest blood for it at Wolf 359.

It's not fair at all, but it's very human. That's really what Emissary was about. Sisko moving on from that day. Even the Prophets saw that from the beginning.


Well strictly speaking Picard didn't order him to Bajor. That would have been done no doubt by an Admiral at Starfleet Command.

Picard as his superior officer was quite right to question Sisko. If it had been a different Captain he would no doubt have done the same as Picard.

Sure it's understanbly that Sisko might struggle to sperate Locutus from Picard.
 
In the novelization there is a little bit of Picard inner dialogue about how he intends to become Jake's benefactor. I always imagined Jake's writing career got started with a little help from Picard pulling some strings with a publisher friend or something.

Don't get picsiskvinechef comments. Pretty out-of-line and unnecessarily hostile, doncha think?
 
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It is. Apparently I'm a Picard hater just because I expressed sympathy for Sisko's point of view... even though Picard's my favorite Trek captain. ;)
 
I put this on at 3 in the morning with the intention of only watching the opening sequence of the battle with Locutus, and two hours later I realised I'd sat through the whole thing. :lol: I got caught up in it. Been a long time since I saw it.

It's strange looking at things with hindsight. In particular, Kai Okaka's insistence that finding the phophets is "the journey you [sisko] have always been destined to take". Ties in quite neatly with the events in the last few seasons.

"Emissary" has also got a great, theatrical feel about it. I can see why director David Carson was tapped to do "Generations". He does some amazing work with the camera here, in particular a lot of single-take scenes. Sisko's introduction to Ops is excellent, starting at the turbolift, the camera follows Ben and Miles through a nearly minute long scene without a single cutaway to a close up. There are multiple times this kind of thing happens in the episode, and I think it's great. It really lets the performances breathe.

I can't really blame Ben for being a bit pissed with Picard/Locutus (though it's fair to say Picard comes out of the scene with more sympathy... he looks utterly dejected when Ben leaves him alone). The scene where Miles goes back to the Enterprise is a bit odd because he's back in TNG uniform after having already spent the entire episode thus far wearing his DS9 duds. Would he really change back to his 'Starship fatigues' simply because he's popped back over to the Enterprise? I think this whole sequence would be a good candidate for cutting in the two-hour syndicated version (I've never seen it, don't know if it was or not), it's a nice scene but feels a little out-of-flow with the rest of the storyline.

I like the way Bashir and Dax are introduced a third of the way through. Michael Piller claimed he did this after rewatching "Farpoint" and realising that Riker, Geordi and Bev aren't introduced until several acts into the script. It helps to segregate the action a bit, because we aren't introduced to everyone at once. We already know Sisko, Kira, Odo and Quark quite well by the time Bashir and Dax come aboard. I thought Terry Farrell's performance was a little off, but I think that's mainly because I'd forgotten what Dax was like at the beginning. The 'fun loving girl' we know her as came later.

Avery Brooks is superb in every scene, but particularly with all the time hopping. He truly sells the scenes where he's speaking to the prophets, it's an astonishing performance considering that all the individual segments (Jake by the river, aboard the Saratoga, on the beach, etc) were evidently shot days or maybe even weeks apart. He's definitely more of a boy scout earlier on in DS9 though compared to what came later. More in tune with TNG. The other truly outstanding performance is Nana Visitor, who veritably spits her lines about Cardassians. You go girl! I forgot how strong the Quark/Odo interplay was from the very start too.

As I say, I only intended to watch it for two minutes, but ended up watching the lot. I got intrigued. It really holds up as great television, maybe even Star Trek's best pilot? :techman:


This is how I always end up watching the pilot all strung out and tired, my mind racing. It never helps, the story just keeps you engaged and then for days later you are walking around with the story in your head still chewing on it! I would also agree with you, it is the best pilot out of all of them! In fact with the expection of a few episodes the fisrt season of DS9 is steller! Right out of the gate this episode sets a charactor driven pace and it lets us know that from second one that this show was going to explore the last froniter of Star Trek, religion and the subtle shades of grey that is the human experince! Every charactor from the pilot on was already extremely well done!

What a spectacular two hours! I'm going to watch that sucker when I get home!

Make them shits so!
 
It is. Apparently I'm a Picard hater just because I expressed sympathy for Sisko's point of view... even though Picard's my favorite Trek captain. ;)
Same here. Picard sitting there in his comfortable lounge chair sipping earl grey lecturing Sisko about not always being able to serve in an ideal environment is rich.
 
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