The 80s is when the drum machine and click tracks started to dominate the landscape.Regardless, though, 80's pop is clearly better.
Too many of those songs lack punch or "thwack".
The 80s is when the drum machine and click tracks started to dominate the landscape.Regardless, though, 80's pop is clearly better.
That was me as well. On the playground all the kids were doing slow motion fighting as well.Not me. But I played a lot of bionic music in my head while walking or running. Steve and Jaime made way better role models than Travolta in that movie, even if I did jump off a roof once. Into a snowbank. I was fine.![]()

That was me as well. On the playground all the kids were doing slow motion fighting as well.![]()
I still get a little shudder when I remember the time they were remodeling the office I worked at in the late 70s, and the boss's wife/secretary said, with bright glee, "Oh, wouldn't it be wonderful if we put in Muzak!?"Now I'll preface this by reminding everybody that my taste in music runs to classical and to strictly-acoustic forms of jazz.
In the early 1980s, while I was a student at CSU Long Beach, I took a summer music appreciation class (at a local junior college, since it was much, much cheaper, and I had no reason to apply the credits to my degree). The professor teaching the class was a working jazz pianist. He basically nailed punk and new-wave, simply by pointing out that it's all "three-chord music." Very basic, indeed, downright crude. Nothing the least bit "new" about "new-wave; it was old-hat in Bach's era.
I will also point out that classical music is the precise opposite of "elevator music." Elevator music is very static. It has themes, but they don't go anywhere or do anything. Classical music is all about developing themes, the way fiction develops characters. So is good jazz. So is good any-other-kind-of-music. The good stuff has, so to speak, a plot to it. People don't listen to classical music because it's "by dead guys"; people listen to it (and rock musicians are always cribbing off of it) because it has staying power. It continues to speak to us even though it's "by dead guys." And until the 20th century, composers didn't write intentionally unpopular music; if they did that, they wouldn't eat. They only started doing that in the 20th cenury because jaded, pretentious snobs wanted something exclusive, something that would be intentionally off-putting to "the common people." The most relaxing piece of classical music I know, the piece I bring along with me when I'm traveling by sleeping car, is Smetana's Ma Vlast, a suite of short tone poems about his homeland. The most famous of them, The Moldau, that traces the titular river from its source to the point where it empties into the ocean, particularly so. But while they're profoundly relaxing, there's nothing the slightest bit boring about them.
Elevator music is boring by design.
Be all of that as it may, my objection to disco is that, for all intents and purposes, it's "elevator music with a beat." Like elevator music, it's boring by design. You're not expected to pay any attention to it. And when it riffs off earlier material, it rarely shows it much respect. Certainly not the kind of respect that The Hampton String Quartet or John ("Bach on Abbey Road") Bayless showed in their Beatles covers. Nor the kind of respect Wendy Carlos showed in Switched-On Bach. By contrast, Walter Murphy's A Fifth of Beethoven takes one theme from the first movement of Beethoven's 5th, and just sits on it, without actually going anywhere with it. Hooked On Classics (or "Hooked On" anything else) just strings together a bunch of unrelated snippets over a drum track.

Yep. And turning at speed would be tricky. You’re going to have a wide turning radius, and if you put a foot wrong you’re going for a spill.On Bionic running: something they (and we?) didn't realize is that if someone is running at 60MPH, their stride has to be something like 20 feet (guessing here). Look at anyone or any animal running REALLY fast. There's major air between footfalls.
Also, while leaping up high to a ledge would work the 'leaping down from 30'-60' ' should still have caused great injury because Steven Austin's human skeleton wasn't replaced and at some point; the Bionic legs are still attached to Human bone; and gravity still works so he'd be fracturing some part when 'landing' from a high height.On Bionic running: something they (and we?) didn't realize is that if someone is running at 60MPH, their stride has to be something like 20 feet (guessing here). Look at anyone or any animal running REALLY fast. There's major air between footfalls.


Nah. Bend the knees. It’ll be fine!Also, while leaping up high to a ledge would work the 'leaping down from 30'-60' ' should still have caused great injury because Steven Austin's human skeleton wasn't replaced and at some point; the Bionic legs are still attached to Human bone; and gravity still works so he'd be fracturing some part when 'landing' from a high height.![]()
Also, while leaping up high to a ledge would work the 'leaping down from 30'-60' ' should still have caused great injury because Steven Austin's human skeleton wasn't replaced and at some point; the Bionic legs are still attached to Human bone; and gravity still works so he'd be fracturing some part when 'landing' from a high height.![]()
Also, while leaping up high to a ledge would work the 'leaping down from 30'-60' ' should still have caused great injury because Steven Austin's human skeleton wasn't replaced and at some point; the Bionic legs are still attached to Human bone; and gravity still works so he'd be fracturing some part when 'landing' from a high height.![]()
No more so than Wolverine having functional bone marrow (who needs red blood cells anyway?) inside that adamantium.So, you’re saying the Six Million Dollar Man wasn’t realistic?
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His cells are the best there is at what they do.No more so than Wolverine having functional bone marrow (who needs red blood cells anyway?) inside that adamantium.
Some episodes are still great. Some are pretty bad. Things took a dive once the mustache showed up. And Lee was pretty bored in the last couple of seasons. But some of the latter episodes were imaginative and fun.I purchased the complete SIX MILLION series about 30 years after it was made. I wish it had aged well, but it bores me immensely now. Even when we were younger many of us craved for the slow-motion moments to speed up. Imagine the excitement if all the action was as fast as the opening promo.
For similar reasons I always shut off the original HAWAII FIVE-O the moment they took their first commercial break. All downhill from then regardless of who guest stars.*
(*Even if it's Captain Murray Big Chicken from THE SAND PEBBLES.)
If I’m working in an office, the Muzak could be my favorite music ever and I’d still hate it for distracting me from doing my frickin’ job.I still get a little shudder when I remember the time they were remodeling the office I worked at in the late 70s, and the boss's wife/secretary said, with bright glee, "Oh, wouldn't it be wonderful if we put in Muzak!?"
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