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Spoilers Picard News & Reviews from Outside Sources

There were not enough episodes for all the plot points they had.
I've often wondered if by expanding their premiere Arc to three episodes if that took away time from other plot points that needed attention. And it may be that the Borg cube was established in the first season to do just that. Establish it for stories brewing up the road.
 
I still don't get how, for the first time, they put Picard, seven of Nine, Hugh, even freakin' Icheb, and a whole cube of Borg drones into one show, and NOT(!) make that primarily a Borg story!

Because, honestly, the Borg are kind of boring. Like, okay, they're gonna come and try to kill/assimilate everyone... That's been done before. Thematically, there's not really meaningfully different from a natural disaster. And natural disaster stories are hard to do interestingly. I mean, hell, Roland Emmerich has spent his entire career trying re-capture the lightning in a bottle he caught with Independence Day in 1996 with the same basic plot formula -- a natural disaster/foe-you-cannot-reason-with threatens the world, and a "cast of thousands" must unite to defeat it. And the vast majority of those efforts have utterly floundered.

Instead, all that is just completely coincidental backdrop for a much more generic "robots-gonna'-revolt"/"ancient-anti-A.I.-conspiracy"-story that's essentially explained and resolved in one final episode...

I think the writers picked up on that because it follows logically from what we've seen before in previous Trek about the Federation having problems accepting AIs as real people with equal rights, and because it's a good sci-fi vehicle to talk about systems of real-life oppression and demonization such as those that led to the rise of Trump and Brexit, per Patrick Stewart's wishes that PIC be a commentary on contemporary Anglo-American politics.

I think this season would have been much stronger, had it ended with the Borg drones fighting to do their own thing (maybe a peaceful mini-collective, instead of being individualised), and Picard having to protect them from overzealous Romulans, who don't want renegade Borg running around the universe, given their history...

I think that would have been a very good way to unify the plot elements! In fact, what if the XBs and the Coppellian androids are looking to find a way to unite and build a new society, and the Zhat Vash view that as the fulfillment of the Admonition they must fight?

That is part of my frustration. It doesn't feel like a twist as more like a side quest in the Romulan story that is no longer about the Romulans but also AI. It's strange to me.

It's certainly a subplot, but I do think that PIC is not a Romulan story per se. It's about the clash of the Federation, the Coppelians, and multiple Romulan subcultures. On that level, I don't think the presence of the Artifact or the XBs takes away from anything, but I do agree it needed to be better integrated into the resolution of the main plot.
 
Seven is a counterpoint to Picard. She's a foil for Picard.

Seven and Picard have born witness to two different Starfleets (Picard sees the Starfleet that is good, pure, and noble. Seven, OTOH, sees the Starfleet that tried to throw HER out an airlock and left her son -- a Starfleet officer -- to die without consequence).
The problem with Seven and Picard is Seven is barely there, and Hugh barely interacts with Picard too, and worse Picard's history with the Borg doesn't factor into the android story. The self medication and addiction story lines don't factor in either.

Seven and Hugh give us brief glimpses into Picard's character which don't specifically factor into the series conclusion. Drop all the Borg stuff, all through TNG and VOY, and the conclusion is the same, because the characterization we get through those moments is nothing more than Picard is a flawed humanitarian. I enjoyed those moments mostly because of their nostalgic connection to older episodes less than any connection to what was going on.

We already knew he is a flawed humanitarian given his attempt at helping the Romulans and why he quit Starfleet. We also know he is selfless given how much he wanted to help Dahj and Soji despite not knowing anything more than a slim connection to an old dead friend.

Seven is just a better character, which means she needed a better part in the series. If it came down to it I would drop Raffi, Rios, Jurati, and Elnor and make the old friend/captain/body guard all Seven. Then have it so Seven knows about Hugh's work. Also drop all of the Narek-Soji scenes on the cube. Now there is tons of time to explore Picard and Seven's perspectives on their shared experiences, and expand on how each of them got to where they are now. Except that's not really the show I want even if I think it could work better.

I don't know if I think the alternate plot ideas from Sullivan are better, but I think they'd all make for wonderful storytelling as well. I often think that it's not what your show is about that makes it good or bad; it's how it's about it. There are a lot of ways to put these kinds of puzzles together, and sometimes I'm left thinking that one version or the other isn't better or worse, but has different strengths and weaknesses, and that it really all depends on execution. I think I would have loved Sullivan's version of PIC, but I also loved what we got.

I do agree that Elnor, the Artifact, and Seven are insufficiently well-integrated into the finale. I think that all three of these elements resonated thematically with what PIC was trying to do, but I think that that thematic resonance would have worked better if they had been integrated into the finale better.

My personal preference? The Artifact is back into orbit; it's holding the Admonition-Makers off, but only just barely. Jean-Luc needs to get Soji to close the portal. He does, the same way he does in the actual show (God do I adore that "That's why we're here: To save each other" line). The Romulans skiddaddle. Then, while Jean-Luc is on a four-way call with Riker, Seven and Elnor, and Soji -- it happens. He collapses. Jurati scrambles. Seven intervenes. Connecting with the cube and becoming Queen means she knows of a way to save him. But it means fusing the golem Alton is working on with Borg technology -- something Jean-Luc might not agree with. Riker, Seven, Jurati, and Alton aren't sure what to do. When he wakes up, Jean-Luc does not look Borg -- be he has some of the parts inside him, fused with the golem android tech. He freaks out at first; how could they do that to him? How could they put nanoprobes in his body, how could they use Borg tech to transfer and house his consciousness? But then Soji and Elnor convince tell him, it was them. They convinced Jurati, Seven, and Alton to do it. Jean-Luc, you see, after all these years alone, alienated from children, never able to hold down a relationship, unable to build that family the Nexus showed him he secretly wanted, has a family now. He has children. He is their father, and they need him. So, for their sake, Jurati, Alton, and Seven gave Jean-Luc a second chance at life. He can end it if he wants; no one will stop him. But Soji doesn't want him to. She says to him: "But you know this isn't why you're here. You know the real reason: we're here to save each other." And Jean-Luc realizes he can't forsake his family a second time.

I think that would have given Elnor, the Artifact, and Seven a better resolution than they got, and would have provided greater thematic unity to the story at hand. But -- hey, I came to this after thinking about it for two months, without the pressure of a tens-of-millions-of-dollars production breathing down my neck. Hindsight is always 20/20.
Having the cube be relevant in the final fight was all I really wanted for it and if they never intended for that they should never have let it move. And using the collective to heal Picard makes sense. If the producers want to ignore canon because it makes things too easy, and too hard to write, they need to choose different stories or plot points.

The thing is here the golem isn't even needed, assimilating Picard to heal him can be done with just assimilation. That alone would be enough to mess with Picard's mind, but given a well written build up it might have prepared him for that kind of situation. This is actually a good reason not to bother including the cube, at least not without far better buildup and emphasis on Picard's history with the Borg.
 
The thing is here the golem isn't even needed, assimilating Picard to heal him can be done with just assimilation. That alone would be enough to mess with Picard's mind, but given a well written build up it might have prepared him for that kind of situation. This is actually a good reason not to bother including the cube, at least not without far better buildup and emphasis on Picard's history with the Borg.
That would be interesting and has been done in Trek before. I see as a change without a substantial difference though.
 
I look at the Artifact and the Borg less as a plot point and more as a backdrop. It’s a fascinating bit of worldbuilding which gives both Picard and Hugh some great character moments. The alternative was putting Soji on some regular Romulan research outpost I guess.

There was absolutely no reason to have the twins anyway. Why not just start with Dahj and have Picard accompany her right from the start?

Eliminate Soji, you eliminate the need for Narek, The Artifact, Hugh, probably Seven/Icheb, etc. The plot becomes much more straightforward: Find Maddox, then find her homeworld.
 
There was absolutely no reason to have the twins anyway. Why not just start with Dahj and have Picard accompany her right from the start?

Eliminate Soji, you eliminate the need for Narek, The Artifact, Hugh, probably Seven/Icheb, etc. The plot becomes much more straightforward: Find Maddox, then find her homeworld.

I’d always assumed that the reasoning behind the twin thing was because of Data and Lore. Except that cannot be true, because PIC acted like Lore never existed. And there was also really no link between Data and B4, since the latter was just disassembled and placed in a drawer with no further follow-through.
 
I’d always assumed that the reasoning behind the twin thing was because of Data and Lore.
I never got that impression in the show. The twin thing was unique to the process that created Dahj and Soji and the other androids on that planet. I'm pretty sure the show says that.
 
I never got that impression in the show. The twin thing was unique to the process that created Dahj and Soji and the other androids on that planet. I'm pretty sure the show says that.

I don’t remember how the twin conclusion came to be. I’ll have to rewatch the show.
 
Another issue I thought of: If they always have to be created in twos, why isn't there a second "golem" which matches Picard's?
 
Another issue I thought of: If they always have to be created in twos, why isn't there a second "golem" which matches Picard's?
I was under the impression that twins were only a byproduct of creating a synth from scratch? For Picard they just mapped his brain and stuck it in a synthetic body.
 
Because the Golem isn't an android, it's just an empty body.

Yeah. The "twin effect" was a result of the process used to create new positronic brains out of the atomic remains of Data's positronic brain. The golem was just an empty vessel, and therefore needed no twin effect.

* * *

As for the meta-textual question of why they went with Dahj and Soji instead of starting with Soji:

It's a couple of things. Having Soji out there not knowing her true origins means you get to explore her psychology in greater depth than you would if she were essentially just guiding Jean-Luc on a fetch quest to find Maddux and Coppelius. It also gives her more agency as a character, since it allows her to be more than just a plot device in Jean-Luc's story. It lets the writing explore Narek, and particularly explore how he can almost allow himself fall in love with Soji before betraying her. It allows the writers to integrate the Artifact and the XBs -- and yes, while I agree they should have been integrated into the finale better, I continue to insist that you cannot bring Jean-Luc Picard back to television for the first time in 30 years and not explore the central trauma of his life, his assimilation into Locutus. The Artifact and the XBs needed to be there thematically, and a plot device that enables this is good. Having Jean-Luc meet up with Soji midway through the story also allows us to explore the dichotomy of Jean-Luc Picard, this compassionate, selfless man who is also kind of arrogant and bossy, who sometimes demands loyalty he hasn't earned (while also letting us see how he gives loyalty even when the person he's giving his loyalty to may not have earned it).

And, yes, it also makes for a good twist ending to "Remembrance," for this character who's been built up in the advertising campaign to die and then have the reveal of her twin sister at the very end. There's nothing wrong with a "shocking twist" trope -- Dickens used them all the time!
 
Also, having twins gave them the opportunity o fridge one girl and then have another, almost identical one, to 'replace' her and be rescued... But I'm probably just a cynic.

I was fine with the Borg theme (as in, not your typical 'the borg attack' thing, but the xB angle) but I think they lost that plot, so to speak.
 
I just saw a rumor that the contest to appear in Picard as part of a fundraiser was in fact raising money for the 2nd season of Picard. :lol::lol: Proving llots of fans have no idea how Hollywood works.
 
I just saw a rumor that the contest to appear in Picard as part of a fundraiser was in fact raising money for the 2nd season of Picard. :lol::lol: Proving llots of fans have no idea how Hollywood works.

LMAO! I can't wait for them to claim that CBS asked Sir Patrick to pay for the show out of his own pockets. :lol: Or am I too late and they already claimed that? (I've blocked them on every social media thingy I use because they're insufferable, so I'm not up to date on their latest "trusted sources" nonsense.)
 
I'm really not interested in anything these boys on 4chan or old dudes on certain other media make up. But I do remember someone here arguing that because SPS got paid (supposedly well), his interest in the show couldn't be sincere... :guffaw::ack:
 
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Hers a nice link to sum up the thinking of the producers like kurtzman. They really don’t get Star Trek one bit.

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