Hate to have to break it to you, but Giger designed Species himself, and have you seen any teen slasher flicks? That's not how slasher flicks work re: Sex. They are about punishment not guilt.
Dajh is totally in Whedon's wheelhouse. Buffy...Dollhouse...River Tam. Cameron did that trope exactly once, sort of in round about way, in his career with Dark Angel but his Terminator stuff is very different. And if I can see the noir cliches in Picard, then yeah, they are overt and intentional just like the geysers of sentimental nostalgia this ep offered up. On the other hand, props to the show for demonstrating how toxic Picards self righteousness turned out to be when the universe didn't let him get his way. I'd been wondering about how that would happen since around 1987.
Giger designed Eve. He had nothing to do with the rest of the design in Species, and the scene bears a passing resemblance to it. Tbh, I am being generous with that analogy, since it’s just ‘alien sex scene with human Male’. It really is nothing like Giger. At all.
I wasn’t referring to the ‘bad girl gets killed’ aspect of horror films, just the tendency towards boobs shots to titillate the audience, after all, they have the high end certificate already, might as well use it.
Dahj is not a teenager..she’s off to the Daystrom Institute, the overall impression is of a character in early twenties. She has more in common with Jason Bourne than anything Whedon. It reminds me of Cameron/Terminator tropes because of the inverted ‘come with me if you want to live’ where you she goes to Picard for help, and the way in which she later protects Picard himself. It’s not heavy, and it’s not like faceless biker assassins are out to kill her for reasons she doesn’t understand but are related to a biological vs AÍ conflict or anything like...oh.
There are of course little sprinklings of Blade Runner too...but again, that makes sense for bunches of reasons. One of which is that it was a stated influence during the research for TNG way back when, but the other is...it’s an SF detective story dealing with the same (admittedly well trod) things we deal with here...the sentience of constructed beings.
You also don’t seem to understand what a cliche is, vs basic narrative tools/traditions, let alone why they might thematically go there for this specific character. (Of course it’s quasi noir...Dixon Hill.) If anything, it’s not Noir anyway...Dahj is not a femme fatale, Picard is no gumshoe. This is more ‘retired military hero’ pretty much outright, ‘daughter of the buddy I lost in the war needs help’ etc. Put it this way, it’s more A-Team than Chandler, but we tend towards the noir comparison because of Dahj’s story and the cinematography.
In terms of pacing, I would say it lands more in the Lê Carre tradition, Picard as something of a George Smiley, Starfleet as the Circus.
Your posts however suggest you are swiping out because of the comparisons to previous DSC. Picard is better. So far. But that’s not a surprise, DSC had a messed up production, different pressures and indecisiveness. Picard had to be more considered or it just plain wouldn’t have happened.