Over all it was a well done episode. I think it would have been a much more moving episode if they had waited to do it 3 or 4 episodes down the line, and had just introduced the character of Peter and Alex now. As it was Alex was just another red shirt to me and his death did not have much impact.
One of the things the drives our production is the desire to make episodes that were much like the original
TOS episodes while still pushing the envelope a bit. (Unless we're pushing the envelope, what's the point of the whole thing?) And one of the ways we try to emulate the original series (as opposed to
TNG or, especially
DS9) is to try and do episodes that pretty much "stand alone." There's great value to the multi-episode story arc; I love
DS9. But it's not our Phase II show and we don't really want to drag out stories over multiple episodes.
Part of this is simple practicality: we make, basically, one episode a year. So, to have a character introduced in an episode and have hime be part of the family for a while so that the loss will be all the much more greater when we finally get around to depicting the loss of that character *four years from now*, well, my sense is that most of our viewers just aren't as patient as you might be. We got a great deal of grief for dragging out the resolution over nearly a full year. I can't even imagine setting up a narrative four episodes (years) down the road. Hell, I don't even know what I'm doing for lunch tomorrow.
It should be remembered that as originally conceived back in 1986 when "Blood and Fire" was conceived as a
TNG episode, there was no real relationship between the Alex Freeman character and the Peter Kirk character. (Well, the Peter Kirk character was called Danny Eakins back then.) It was only hinted at via a short throwaway line--when Riker asks Freeman how long he and Eakins have been together. Freeman replies "Ever since the Academy." So, the loss we felt as the story was originally written was simply the loss of a good and decent medical technician--not really the loss of part of a romantic couple. Certainly the story worked dramatically even when there was no real relationship portrayed between the two characters.
Since, like
TOS,
Phase II doesn't really have the luxury of multiple episodes to develop a fondness for a character before disposing of him for dramatic purposes, we fell back on the "Balance of Terror" model: two Starfleet lovebirds whose relationship is cut down before it could really flourish. And we saw Edith Keeler introduced and killed in the same episode, yet we felt for her. So I don't think there's anything inherently problematic with trying to get people to care for a character who is newly introduced. We might not have succeeded, of course. But I don't think our efforts were *inherently* doomed simply because Freeman was new to the audience.
We've seen lots of feedback on how much of the relationship should have been portrayed:
* It should have only been hinted at like in the original story
* It shouid be subtle like in Torchwood
* It should have been drawn out over multiple episodes
* It was too graphic
* It wasn't graphic enough
* It was too long
* It wasn't long enough
* It was spoiled by a lighthearted moment at the end
* It was touching and real
* It was plodding and forced and boring
* It was just right
* I'm never watching this show again
* It's about time someone did this story
Mostly, as long as people are talking about it, I think we probably did our jobs. I don't think we ever expected any kind of consensus--just discussion.