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Pegg updates on script

The thing is: There is currently a Star Trek Collection selling in the stores, where people can pay a lot of money to buy models of decade old Starships. And apparently it sells. There is still a Star Trek-related market.

But how many of those ships are being produced in a month? 10,000? 100,000? 1,000,000? All those numbers are below what would be necessary to drop tens or hundreds of millions of dollars into new Prime universe material.
 
Best case scenario is actually that this movie makes a huge amount of money so that the studio makes another.

It is impossible to overstate this. After the 50th anniversary is over, Paramount is unlikely to give a shit about Star Trek for a long, long, long time unless Beyond makes a zillion dollars.
 
I still tend to think the future of the franchise has to be in video games not TV. I've got two boys who couldn't tell you five shows on TV right now, yet they know YouTube and video games like the back of their hands.

Me personally? I'd rather play Grand Theft Auto than watch Breaking Bad or whatever other show is currently on the air.

Until CBS figures out an interactive strategy for Star Trek, its audience will continue to get grayer and whittle away.
 
Thank God Rick Berman was in charge as long as he was.

He brought quality and respect to the series.

The guys from "Paul" and "Fast and the Furious" will never submit anything as layered and complex as "Deep Space Nine", I'd wager.
 
In my opinion, expecting that the success of these movies will convince CBS to launch a new TV series is, as they say, a fool's errand.

There's no evidence that sales of "prime" merchandise indicates anything but the existing fanbase spending disposable income. That doesn't translate to ratings, and ratings is what generates advertising dollars. Advertising revenue is the only reason any network develops and airs a show. It's all about the green, and I ain't talking about arugula.

I feel confident in saying that if CBS saw any way to make TV Trek profitable it would be everywhere, all the time. Like NCIS or CSI.
 
But is it really THAT improbable that CBS would one day license Star Trek to, say, Netflix? Like what Disney (who owns ABC) did with Daredevil?
 
But is it really THAT improbable that CBS would one day license Star Trek to, say, Netflix? Like what Disney (who owns ABC) did with Daredevil?

I think the time for Netflix and CBS to have gotten together would've been back when Netflix was first developing original programming.
 
In my opinion, expecting that the success of these movies will convince CBS to launch a new TV series is, as they say, a fool's errand.

There's no evidence that sales of "prime" merchandise indicates anything but the existing fanbase spending disposable income. That doesn't translate to ratings, and ratings is what generates advertising dollars. Advertising revenue is the only reason any network develops and airs a show. It's all about the green, and I ain't talking about arugula.

I feel confident in saying that if CBS saw any way to make TV Trek profitable it would be everywhere, all the time. Like NCIS or CSI.

But is it really THAT improbable that CBS would one day license Star Trek to, say, Netflix? Like what Disney (who owns ABC) did with Daredevil?

CBS doesn't have to do anything to make money off Star Trek. Paramount makes movies, the licensees make merchandise, and CBS sits back and enjoys the fruits of zero investment.

CBS has owned Trek since 2006. Based on what we've seen so far, I'd say yes. It's improbable.
 
...any new Star Trek product tries to 'reconcile' with it's original audience

Not gonna happen. There simply isn't enough of us folks left to make it worthwhile for CBS.

The thing is: There is currently a Star Trek Collection selling in the stores, where people can pay a lot of money to buy models of decade old Starships. And apparently it sells. There is still a Star Trek-related market.
What would be interesting is the following: As it seems, merchandise on "the old" continuity is currently selling better than merchandise for the JJverse. (At least that is what it seems. If anyone has reliably numbers, I would love to hear!)
This could imply the market for the 'traditional' Star Trek is still there, and while this will not affect the big money of blockbusters, it is highly relevant for CBS: Why paying Paramount and Bad Robot lots of license fees to use the JJverse, when they already have the rights to the old (tv)-continuity, and the old one is much more 'merchandisable'?

The rights are not as cut and dry, which is something that JJ lamented when trying to merchandise his Trek movies. I know we will never know the full story, but it was clearly a sore spot of his.

For me, the accuracy of the numbers will be difficult to determine, because I don't think it was merchandised well at all because of all the contention.

But, I'm of the opinion that things like Star Trek, Stargate and other franchises need to be merchandised like in a similar manner to Star Wars and Halo. There needs to be more variety, to appeal to a wide range of ages, rather than the cherry picking that seems to be happening.


Thank God Rick Berman was in charge as long as he was.

He brought quality and respect to the series.

The guys from "Paul" and "Fast and the Furious" will never submit anything as layered and complex as "Deep Space Nine", I'd wager.

And why is that? Justin Lin has more to his credits than Fast and Furious, and is more aware of Star Trek's impact for Asian actors in Hollywood.

Simon Pegg, likewise, is capable doing more than things like "Paul," especially with his work on things like "Spaced" and "Shaun of the Dead" which are more multi-layered satires of different genres than most would give them credit for.

Besides, if we box in production teams based upon one work, we would never get Joss Whedon working on the Avengers (only his second film, mind you) or Bruce Willis as an action star, or any other number of assumptions regarding Hollywood professionals.

Lin is perfectly qualified to handle this picture.
 
Until CBS figures out an interactive strategy for Star Trek, its audience will continue to get grayer and whittle away.

Video games based on TV shows and movies really don't sell, and that's not specific to CBS. It's been that way for a long time. Plenty of kids watch TV, and plenty still will when we're all dead.
 
what is Star Trek-y?
It comes after Star Trek-x, obviously. ;)

I agree that we are a bit overexposed to the genre of movies Pegg is talking about, but to say that current cinema is limited to those movies only seems to be disingenuous. Maybe it's Pegg's own choices that are limited, perhaps, because if he really wants to watch something different he doesn't have to try so hard to find serious adult movies but
I think his point is that the big hits in the 70s included more thoughtful movies.

I enjoy the Fast and Furious films. But they are extremely far away from being good movies.
This doesn't make any sense. If you like them, there must be something good about them. Unless you are saying a movie featuring car chases cannot be a good movie BY DEFINITION.

towing the line
toeing

Sorry, but I've seen this a few times recently, and it bugs the hell out of me.
 
Sorry to double post, but this particular line from Pegg's blog post needs to be quoted (my bolding):

On one hand it’s a wonderful thing, having what used to be fringe concerns, suddenly ruling the mainstream but at the same time, these concerns have also been monetised and marketed and the things that made them precious to us aren’t always the primary concern (right, Star Trek TOS fans?)

http://simonpegg.net/2015/05/19/big-mouth-strikes-again/
 
Sorry to double post, but this particular line from Pegg's blog post needs to be quoted (my bolding):

On one hand it’s a wonderful thing, having what used to be fringe concerns, suddenly ruling the mainstream but at the same time, these concerns have also been monetised and marketed and the things that made them precious to us aren’t always the primary concern (right, Star Trek TOS fans?)

http://simonpegg.net/2015/05/19/big-mouth-strikes-again/

I have read Pegg's post, but I am not sure what the part you quoted means.
What does he mean by "the things that made them precious to us"?
 
^ I think he's saying he understands the complaints fans had about the previous films.

"Complaints the fans had" is a very broad term, as are Pegg's "fringe concerns". It doesn't mean much.
(I am a fan too, and I had only one major complaint with the last 2 films, and that complaint was actually addressed in STID)


My main problem with Pegg's recent remarks is, that to a degree he acts like that serious & light-harted, that "adult" and childish are mutually exclusive. They aren't.
Though if you read all of Pegg's mea culpa, he actually seems to understand that.
 
Sorry to double post, but this particular line from Pegg's blog post needs to be quoted (my bolding):

On one hand it’s a wonderful thing, having what used to be fringe concerns, suddenly ruling the mainstream but at the same time, these concerns have also been monetised and marketed and the things that made them precious to us aren’t always the primary concern (right, Star Trek TOS fans?)

http://simonpegg.net/2015/05/19/big-mouth-strikes-again/

I have read Pegg's post, but I am not sure what the part you quoted means.
What does he mean by "the things that made them precious to us"?

I just read it, to get a sense of the context, and I think he means the parts of franchises that drew us in in the first place. He talks about looking at the whys of liking a particular work or film, and taking a step back to understand that love.

I think he is also talking about the commercial forces than can drive a film making process, but the commercial concerns are not always the same as the fan concerns.

Look at the selection of Orci, and then Lin and the fan furor that occurred. What were some expressed concerns? That Orci could not produce a good Star Trek movie that would be what they wanted. What are some expressed worries over Lin? Concern that he would not be able to produce anything more than a fast paced action film that doesn't look like Star Trek.

What are the studios concerned with? Can the director make this film in A) this time frame and B) for this much money? It's a commercial concern, not always a story concern.

At least, that was my take.
 
Best case for Star Trek Beyond:
-Paramount pulls Star Trek back from it's tentpole position, and back to it's original niché, with future products being aimed at a smaller, but more reliable audience (resulting in smaller budgets for future movies, but less meddling from the producers)
-The JJverse is put to a rest, any new Star Trek product tries to 'reconcile' with it's original audience

I disagree that this would be a "best case". Star Trek is not designed to be used as fodder for an art film or an indie-style Oscar bait film. It is too silly for that, uses too many gee-whiz tricks, and is too firmly linked to popcorn style flicks to get away with becoming a niche. If Star Trek stops being a viable tent-pole summer flick franchise - it dies.
The same thing happens if anyone attempts to resurrect the "Prime" timeline.

-CBS finally realizes that Star Trek still does reliable money, that genre-tv is currently the sh#t, and that they've got the ultimate genre-show in their portfolio, giving us finally a new Star Trek series, set in the old universe, slightly influenced by the JJverse in that it is a little bit faster paced, more character oriented and more human
-The series will be a smash hit (because seriously, at this point the market for 'Space Opera' is wide open and unused), resulting in a new era of Star Trek on television and continuing movies.

This would be fantastic! I doubt it will ever happen though.

Worst case:
-the script is quickly rushed together from a mediocre Orci-script, bound by already built sets, and makes no sense and Simon Pegg adds only 'Paul'-like nerdy-references, but is unable to make it coherent or poignant
-Justin Lin is unable to fullfill the (silly) requests by the producers, cannot leave the set due to the way-too-soon release date and gives us a rushed and dumbed-down excuse of an action blockbuster
-the box office in America is bad (let's face it - however good this movie will be - the audience is limited to those people who saw the previous two movies. the third movie of a franchise is always the weakest at the box office). But Asia (especially China and Korea) are lusting for dumb Hollywood-Blockbuster, and it will be the most succesfull Star Trek movie internationally
-Paramount decides not to let this incarnation of the franchise die (because of the overseas-money), and the actors (none of whom had another breakout-role in the last few years) will willingly return
-giving us one rushed, colourful movie with 'splosions after another, that try to descend further away from the original source material and aiming even more for the 'Transformers'-market

This possible future doesn't concern me all that much.

Wasn't Abrams version of Star Trek (which I liked very much) in essence Star Trek's version of Star Wars? Wasn't that meant to be Star Trek's chance at a huge blockbuster?

Point being, they already changed the formula in 2009 (many hardcore ST fans didn't care for it, but the general public seemed to love it) and while Abrams films did quite well at the box office (just remember where ST was before J.J. took over) they didn't do Avengers/Guardians of the Galaxy type business... How much more can they change the formula? At what point does Star Trek cease to be Star Trek? The series has been around 50 years, they must have been doing something right.

Do the people who truly disliked the first two films because there was too much action in them and not enough "Star Trek-y" stuff really think the director of Fast and Furious is going to make the type of film they wanted? Give me a break.

Very few films have match the Avengers numbers, so using that as a bench mark is a bit silly. The general public is the audience for the new film, as the hardcore fans will watch anything with "Star Trek" on it, even if their goal is only to find something to complain about. Paramount is not trying to impress those who did not like STiD. That's a rather small market. ;)

Best case scenario is actually that this movie makes a huge amount of money so that the studio makes another.

It is impossible to overstate this. After the 50th anniversary is over, Paramount is unlikely to give a shit about Star Trek for a long, long, long time unless Beyond makes a zillion dollars.

Amen. Please, please, please let this be a success or else all we will be stuck with is fan-produced garbage.

Thank God Rick Berman was in charge as long as he was.
No.

He brought quality and respect to the series.
Nope.

The guys from "Paul" and "Fast and the Furious" will never submit anything as layered and complex as "Deep Space Nine", I'd wager.

Wrong.
 
Thank God Rick Berman was in charge as long as he was.
No.

He brought quality and respect to the series.
Nope.
Berman was in charge of TNG and he delivered one of the greatest television series of all time.

He was barely involved with DS9...

He had a good sense in him to give ENT to Manny Coto...

He did some stupid shit over the years, but fans tend to be too quick to dismiss his contribution entirely.
 
Thank God Rick Berman was in charge as long as he was.
No.

He brought quality and respect to the series.
Nope.
Berman was in charge of TNG and he delivered one of the greatest television series of all time.

He was barely involved with DS9...

He had a good sense in him to give ENT to Manny Coto...

He did some stupid shit over the years, but fans tend to be too quick to dismiss his contribution entirely.

I think his contribution was severely overvalued, but I was a bit too hasty to dismiss it completely.
 
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