Oh, for christ's sake.
You're comparing this to the original series, right? You know, the one that couldn't decide on the name of the organization or most of the alien races for about a year? That freely changed the organizational structure and invented random crap as it went along? That had no semblance of anything remotely resembling naval discipline?
I'm sorry that this movie didn't suspend your disbelief well enough, but you can't argue it's any less coherent than the original show.
Really, I think this movie is more like TOS than anything we've gotten since; back to a Trek that wasn't concerned much with canon, or organizational structure, or plausibility (go ahead: I dare you, tell me TOS was ever plausible), but mostly just wanted to have a good time and tell good stories.
I was making no comparison to the original series. Just a sense of what should logically have happened within the context of what we were seeing.
Say what you will about the original series, but once the writers actually figured out what they were doing, it made more sense. If anything, I was drawing on the continuity of the other shows, which the film tries to draw upon as well.
Nor do I think saying one bad thing is better than another bad thing somehow makes it a good thing.
Given the complexity the writers tried to wrap in existing continuity, I'd have preferred they either told a true prequel and stick to canon (too much to expect of them, probably), or just do a true reboot. This half-breed idea we got just doesn't cut it.
You're missing my point.
This movie is not a hard sci-fi film, it is a retelling of a common cultural myth. Which is mostly what big-budget movies have been doing for some years now; The Dark Knight is great not only because it's awesome, but also because it's a retelling of a mythos that's intimately familiar to so many. It's essentially the same as Beowulf or Odysseus; larger-than-life stories with huge cultural salience.
We're used to treating Trek as a universe that's consistent and rational, because we've gotten 4 television series like that. But that wasn't what TOS was, and it's not what this movie is. TOS was pitched as "Wagon Train to the stars"; it was fundamentally a
retelling of a cultural myth of the time in a new context. Actually, lots of cultural myths of the time, just look at all the Earth-like planets they encountered with pretty explicit depictions of famous, exaggerated stories from the past.
Abrams & co treated Trek exactly the way the original creators treated Trek - as a myth to be retold. Sure, then it was a bit more broad, and here they're actually borrowing the exact characters and context, but it's the same basic idea. You're expecting this universe to be set up as a complex sci-fi construct when that's never what you should've been expecting. This is a movie about the cultural force that is this set of particularly salient, fantastic heroes and what they mean to the world.
Who gives a shit if Odysseus fights anatomically impossible creatures? Who gives a shit if Batman couldn't possibly physically handle such constant damage to his person? Who gives a shit if transporters could never exist?
Who gives a shit if Starfleet behaves irrationally?
It's a myth.