• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Opinion circa 1987: TNG is NOT Star Trek

Love it or hate it, call it "not real sci-fi," but The Six Million Dollar Man was 1970s American TV sci-fi that was enormously successful.

It's definitely a unique mix of sci-fi and fantasy, one that rises above the sum of its parts. We all know that, in real life, upon landing from a big jump from a building or whatever, the end result would be just a large and unappealing splat on the ground that only stray cats and vultures would appreciate. But the series really played it all so straight, and a few of the stories were so well done and using the basic premise to incredibly good effect, it's impossible not to roll with it. Same goes for "The Bionic Woman", especially season 2 where everything was just perfect (Season 1 was fairly decent but season 2 really went the extra mile.) Bigfoot, the Venus probe thing, "Kill Oscar", "Doomsday", there are quite a few incredibly great episodes that still hold up well. Even the cheesy bits only feel cheesy only in a good way.
 
The strange thing is the V weekly series was apparently NBC’s most expensive series at the time...and I have no idea where that money went! The first episode had some impressive set pieces and a killer final shot but so much stock footage and familiar backlot locations killed a lot of the reality. They drove around Hazzard County and had a fight scene In the same park where Major Nelson walked Jeannie’s dog.

Maybe the budget went to Howard K Smith, a real life newscaster whose presence was a new way to make the Earth of 'V" feel more like our own? :D I'm ambivalent on that but it was an interesting idea - and not badly executed. They don't make up for the backlot sets, unfortunately.

Just kidding. It clearly went to Diana's costumes and all that hair spray! :devil:

:guffaw:

Okay, in seriousness:

That opening episode was exceptionally well done, sets the stage for furthering the lore a lot more effectively, won me despite the lack of audio enhancing, and even the Elizabeth scenes were suitably horrific - they did put some thought into this for sure. Sadly, a later episode would reuse those scenes out of context to save on costume and green goo costs regarding an incubating baby (Elizabeth's clone?) but the background detail gives away the reuse a bit too much.

Didn't know they used the Jeannie location either. And to think, Larry Hagman could be noteworthy for three major roles - usually one is noted for just one big role but Major Nelson, JR Ewing, and Charles would have been fantastic if they cast him instead... but I liked Charles' casting... he and Lt James - the guy who comes in later (played by Judson Scott of TWOK, TNG, and VOY fame) were well cast and did a lot with some sometimes questionable dialogue.

The main actors and the music were the saving graces and I gave that series every chance. It just got so weird and careless as it went along, it’s amazing how much that show changed in a mere 19 episodes.

^^this

Some changes they made had cast members leaving, then they did the theme revamp in an attempt to get back to basics.

While they did finally bring in full Visitor face masks, they didn't always work right, and half they time they had Visitors doing Visitor rituals while in human skinsuits - complete with face paint. Which is a lot cheaper to do, and it begs the question of what would have looked worse: bypassing the Visitor lizard form with facepaint or actually trying it in that visage. The attempts to expand Visitor lore were what they show needed, and they were on the right track.

And they were daring at times - using lofty tricks like the good guys being behind a visitor mask that's behind a human mask.

I hope the series is remastered for blu-ray. Both miniseries were given a rather good job with remasterring, complete with the intended aspect rations (Kenneth Johnson wanted 16:9 and TFB was made with 4:3 in mind and they kept it intact.) The 1985 show did flop despite a strong start, but it is often better than what its reputation suggests.
 
The acting of ... Marc Singer ... probably why the show lasted as long as it had in the first place.
My head just exploded; I don't think those things belong in the same sentence. Are you sure you didn't get it backwards?

Lt James - the guy who comes in later (played by Judson Scott of TWOK, TNG, and VOY fame)
And, from earlier in the thread, "The Phoenix."

Maybe the budget went to Howard K Smith, a real life newscaster
One time while I was watching, my dad heard "I'm Howard K. Smith, and this is the state of the war tonight" — and put down his newspaper really fast, like HOLY CRAP ARE WE AT WAR AND I DIDN'T NOTICE??? I think he was kind of disappointed when he realized it was a TV show. :lol:

Those "Freedom Network" segments inspired me to try writing "V" fanfic about fighting the Visitors in / around my hometown in the Pacific Northwest. That project didn't get very far ... fortunately. It would've been self-indulgent crap that was one part "V", one part "Red Dawn", and missed the point of either.
 
V was such wasted potential. The “open city” format was actually really good and would have been fine if they were a little more serialized and spent less time on the Elizabeth/Kyle romance, which was really icky when you remember Elizabeth is like only a year old, regardless of how she looks. Even the writers were confused since they kept referring to her as an eight year old and it was only a year between her birth and “Liberation Day.” Having Nathan Bates preside over LA and keeping a fragile peace was also a good idea. As one man making law, it would soon lapse into fascism anyway and it would have been interesting for him to realize he was playing right into Diana’s hands. Where it went wrong was dumbing it down further than TFB did and making it for kids. By being a one hour episodic, Diana had to be defeated every week, which makes the Visitors - a technologically and scientifically advanced race – look like chumps. By spending so much time on the motherships, you open yourself up to “why are they always in human bodysuits speaking English?” Kenny Johnson at least kept them mysterious in the original mini-series, but Blatt-Singer, Inc decided to just use the surface trappings in TFB and then the series. They just latched onto the face rips and mouse eating. Meanwhile, the Resistance had their A-Team chases. A more interesting thread would have been watching Diana lose her grip over time, allowing Lydia to undermine her and in the confusion, the new Fifth Column gains a foothold. I would have loved to see true WW2 parallels, with assassination attempts on Diana leading to her death in their version of Hitler’s bunker as the Resistance wins back Earth.

That’s not to say there weren’t some very strong episodes. The series kicked off wonderfully and it was the perfect way to take the epic story and tailor it to a weekly adventure. Ham’s conversion and subsequent shooting of Bates was a nail biter and the two episodes following were the apex of the series. After that, they went off the deep end and the finale was just bonkers. Compare the first episode of the weekly to the last and the shift in tone is insane. It’s like watching the pilot and finale of The Prisoner back to back. You’re like “what the hell happened in such a short time?!”

Marc Singer was amazing in the first mini series. He was less effective in TFB where he was clearly “acting.” He was better in the weekly, honestly, probably because he had little to do but be angry and have fights. Oh and the brawls on V were great. Jeff Yagher was really good at them. When Ham was wirrten out – out of nowhere – it was a huge blow. As Donovan’s counterpoint, he was essential to the series. Kyle Bates wasn’t a foil for Donovan, he was a partner. After the great purge, the series lost focus and like Earth Final Conflict, the Resistance felt like 4 or 5 people.

Having said all of that, it remains a favorite show and a blu ray restoration would be great. I really do miss “Tonight…on V” before the credits. The DVD prints are pretty terrible.
 
One time while I was watching, my dad heard "I'm Howard K. Smith, and this is the state of the war tonight" — and put down his newspaper really fast, like HOLY CRAP ARE WE AT WAR AND I DIDN'T NOTICE??? I think he was kind of disappointed when he realized it was a TV show.

I recall it being a while before I figured out that Howard K. Smith was a real newscaster with an established reputation they were building on. Which is odd, because I'd think my father would've told me. Maybe I just didn't ask and he assumed I knew.
 
My head just exploded; I don't think those things belong in the same sentence. Are you sure you didn't get it backwards?

:guffaw:

Okay, it's more that corny 80s acting thing and being the hairlesschested beastmaster, who can blame him? :devil:

And, from earlier in the thread, "The Phoenix."

One time while I was watching, my dad heard "I'm Howard K. Smith, and this is the state of the war tonight" — and put down his newspaper really fast, like HOLY CRAP ARE WE AT WAR AND I DIDN'T NOTICE??? I think he was kind of disappointed when he realized it was a TV show. :lol:

:guffaw::guffaw::guffaw:

Those "Freedom Network" segments inspired me to try writing "V" fanfic about fighting the Visitors in / around my hometown in the Pacific Northwest. That project didn't get very far ... fortunately. It would've been self-indulgent crap that was one part "V", one part "Red Dawn", and missed the point of either.


I know the feeling. Can be fun to do, though.

You also just gave me an idea for mixing one part "V" with one part "Red Dwarf"... :devil:
 
V was such wasted potential. The “open city” format was actually really good and would have been fine if they were a little more serialized and spent less time on the Elizabeth/Kyle romance, which was really icky when you remember Elizabeth is like only a year old, regardless of how she looks.

^^this

Casual audiences might not have kept track, but they'd wonder "Why is the pinup guy going after that naive lady?" If nothing else.

Even the writers were confused since they kept referring to her as an eight year old and it was only a year between her birth and “Liberation Day.”

I perceived that as the Viisitors still thinking she hadn't metamorphosed into the magnificent flower that Kyle wanted to pluck all night... :shrug:

Having Nathan Bates preside over LA and keeping a fragile peace was also a good idea.

That idea was a stroke of brilliance, along with having the captured Visitor ship.

As one man making law, it would soon lapse into fascism anyway and it would have been interesting for him to realize he was playing right into Diana’s hands. Where it went wrong was dumbing it down further than TFB did and making it for kids.

^^this

TFB had some real conveniences thrown at it but the dumb-it-down-for-tykes did a lot more to take an intelligent sci-fi series where adults could dig into it for their reasons and with kids loving the spaceships and evil lizard people into more generic soap opera... with alien lizards going pew-pew.

By being a one hour episodic, Diana had to be defeated every week, which makes the Visitors - a technologically and scientifically advanced race – look like chumps.

Having Charles slink in helped, as well as shifting some action toward Visitor-themed mini-arcs, but she still became the chump. Having a few victories or narrow escapes not due to chumping it up... The weekly show did feel like it was wanting to recapture that sense of gloom from the miniseries but it didn't quite work.

By spending so much time on the motherships, you open yourself up to “why are they always in human bodysuits speaking English?”

Having just come to earth in 1983, their continuing English might have been part of the regiment but after being discovered there's no longer a viable excuse. Especially in scenes where we see their real faces but they're in the sauna talking about beach surfing or whatever, complete with 80s sunglasses on... ugh...

Kenny Johnson at least kept them mysterious in the original mini-series, but Blatt-Singer, Inc decided to just use the surface trappings in TFB and then the series. They just latched onto the face rips and mouse eating.

Yup. Johnson was quick to leave the show even before TFB was fully developed. It's flanderizatrion.

Meanwhile, the Resistance had their A-Team chases. A more interesting thread would have been watching Diana lose her grip over time, allowing Lydia to undermine her and in the confusion, the new Fifth Column gains a foothold. I would have loved to see true WW2 parallels, with assassination attempts on Diana leading to her death in their version of Hitler’s bunker as the Resistance wins back Earth.

Do you have a time machine set to 1984? You need to be on that writing team because that is far better than what the show stumbled to. Which reminds me, I need another swig of box wine bought from the gas station...

That’s not to say there weren’t some very strong episodes. The series kicked off wonderfully and it was the perfect way to take the epic story and tailor it to a weekly adventure. Ham’s conversion and subsequent shooting of Bates was a nail biter and the two episodes following were the apex of the series. After that, they went off the deep end and the finale was just bonkers. Compare the first episode of the weekly to the last and the shift in tone is insane. It’s like watching the pilot and finale of The Prisoner back to back. You’re like “what the hell happened in such a short time?!”

Ham's conversion was 50/50 for me, but after that it's easy to see why he left.

Elias being killed was even more flat than Tasha Yar's death, which is doubly sad since he was a far stronger character given more depth but Michael Wright saw the character going down hill and legged it along with Ironside, Tefkin (who already had nothing to do except scream and have to redo a plot that, by then, she'd know right off the bat that her love interest isn't a human but a cold-blooded reptile), Durell (cliche suicide), etc... :( The show pretty much died when half the cast left. Having Ashmore leave from the premiere was utterly stupid - not a bad sendoff but not the time to do it, and he has his own twin brother with accompanying human body suit (what the...). The attempt to shorhorn in Philip was surprisingly good (apart from the "identical zygote" nonsense where, for once, they were overthinking the script. Then again, human suit or not, he'd have to have a similar voice so it's not all that implausible, as far as the series goes...)

Great point about "The Prisoner". "V"'s finale was a genuine cliffhanger and not intended to act like that (Spoiler alert, Julie would leave the show in the next episode... guess how...) The magical leader and Elizabeth and the bogus peace summit and Kyle stowing aboard-- definitely was weak, not to mention the script for the concluding episode that was also weak.

Ugh. What could have been.

Marc Singer was amazing in the first mini series. He was less effective in TFB where he was clearly “acting.” He was better in the weekly, honestly, probably because he had little to do but be angry and have fights. Oh and the brawls on V were great. Jeff Yagher was really good at them.

Agreed. Maybe he was bored or unhappy with TFB's script. Good grief, when he and Julie go all soapy in the train - oh okay, soap opera-ey - he probably felt the new miniseries was jumping sharks.

Yagher did excel with the fights, as had Singer.

If only the shuttle escape and dogfight scenes had more new footage. But their sixty cases of AquaNet just came in.

When Ham was wirrten out – out of nowhere – it was a huge blow. As Donovan’s counterpoint, he was essential to the series.

^^this

Ham was clearly un-PC in the series, albeit less so in the weekly (keeping snide comments about only the Visitors -- which is not a bad thing because the audience got the point that this guy has his own issues, he still sold Ham with the right tone to make him work), and the perfect foil for Donovan. His being essential is a quintessential understatement. His dissatisfaction with the show is understandable, though.

Kyle Bates wasn’t a foil for Donovan, he was a partner. After the great purge, the series lost focus and like Earth Final Conflict, the Resistance felt like 4 or 5 people.

^^this

Having said all of that, it remains a favorite show and a blu ray restoration would be great. I really do miss “Tonight…on V” before the credits. The DVD prints are pretty terrible.

The DVD prints were bad. At the time it was great to see them regardless, but if the master film prints are there, the restoration would add a lot of life. After the number of other 80s shows remastered for blu-ray (Knight Rider is flipping fantastic, the Japanese NTSC import also has most of the music scenes fully intact too), "V" simply has to be alongside Knight Rider, A-Team (which nails it with a great mix of unconventional personality archetypes that all balance out), and the others.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top