"It should look like Blaenau Ffestiniog or it's not Who." is certainly a take.
Yes.
Luckily my take was, if it’s budget, cut your expense, not your episode count.
"It should look like Blaenau Ffestiniog or it's not Who." is certainly a take.
Generally?
We know the producers are asked to produce one in time. So...it’s likely he would have been asked. So in this instance, he’s, he may well have been. We know how this worked because of Moffat relating the making of last years.
I have explained why, shall we say, some specials are more specials than others.
And yes, even if it’s ratings are higher than last years (which I doubt they will be...it’s not a regeneration story. The rumours of Daleks are its only hype.) I will say it’s ratings would have been higher on Christmas, because it’s a fact that Christmas ratings have the benefit of the captive audience that New Years does not. There is literally nowhere else to be but at home at Christmas, one way or another. No shopping. No pubs. No transport. Nada. Nothing. New Years Day is the opposite of this.
It’s a fact. Sorry. Xmas Special trumps New Years.
Between 6 and 10pm almost 2 million more people were watching TV live on New Years Day 2018 than Christmas Day 2017.
For someone who thinks this is such a big deal, you sure shrug a lot.Guess that’s the Amazon effect, and sales starting on Boxing Day.
*shrug*
Maybe they were testing new TVs bought in the sale.
There’s a reason Christmas carries a status for shows. And I guess it depends on what who’s demographic is these days. I stand by my suggestion that Christmas Day is where you want your family series. Which is what it nominally is. Even if you want your teen and early twenties audience in, well, guess who’s in a retail job working New Year’s Day?
Guess how you get new viewers? That visitor who you put the Who special on for by their request, then the kids and everyone is stuck watching it....or the kids have it on, and the family visiting on Christmas evening get stuck watching it too.
If Christmas isn’t an important slot why did Moffat and Capaldi drag themselves through one more show for it?
Oh. And we are less than a month from this special and the hype machine has given us nothing. A scarf and a second of a Matt Smith era speech in the mouth of Jodie. There’s a rumour about Daleks. But it’s just a rumour, and I am told not to believe in those.
We might want to believe the loss of the Christmas slot this year is no biggie. We can hop though loops to say why it isn’t so. But...it is.
For someone who thinks this is such a big deal, you sure shrug a lot.![]()
Yeah, all of that makes sense, particularly the need for a break.Of course it's eminently possible Chibnall said "Do I have to do a Christmas special"
On another tack it's worth noting that the finale on Sunday is the latest a series of modern Who has finished, literally just two weeks before Christmas Day, which might be another factor, by shifting to NYD there's more of a break between the end of the series and the special.
And yet you keep going on and on and on about it.![]()
JNT split location and studio filming to stretch the budget in the eighties.
There was also the Azores, a region of Portugal.
EDIT - they went to Wales for The Five Doctors. That’s more than 20 miles.
If we're honest, most, if not all, of the classic series "locations" were gravel quarries...and the occasional forest, probably no more than 20 miles outside London. Did they ever go to Africa, or even Scotland?
If we're honest, most, if not all, of the classic series "locations" were gravel quarries...and the occasional forest, probably no more than 20 miles outside London. Did they ever go to Africa, or even Scotland?
Wales again for Delta and the Bannermen I believe and Wookie Hole for Revenge of the Cybermen.There was also the Azores, a region of Portugal.
EDIT - they went to Wales for The Five Doctors. That’s more than 20 miles.
They didn’t even film Braveheart in Scotland.
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