There may not be any 'Money' per say, but there is Gold Pressed Latinum and Credits, it makes sense for there to be some kind of barter system in place.I spotted that (clearly meant to evoke a TV/electronics store) but it makes no sense in the context of TNG's universe. If there's no money, do people just walk in and take whatever advanced holographic tech they want?
The store may be owned by Ferengi, they do certainly still use money.I spotted that (clearly meant to evoke a TV/electronics store) but it makes no sense in the context of TNG's universe. If there's no money, do people just walk in and take whatever advanced holographic tech they want?
Interesting! It’s been years since I’ve read this (and I do recall it now). That “Cloud Game” they mention is not unlike the “Klin Zha” game, played by Klingon Thought Admirals in John M. Ford’s book “The Final Reflection”. Additionally, there is a rule variant of Klin Zha called “The Clouded Game” (Nearly identical to the one mentioned in the character bio) and a player in the game called a “Lancer”, the latter of which is mentioned in Konom’s bio, as having “excelled at the Lance”. Can’t be coincidence.Eh, I don't have to follow the new story. I can still enjoy TOS comics and books with Konom the Klingon if I want.
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Or, the book series were Kirk doesn't die on Veridian 3. I always liked that one.
Yes. That's exactly what happens. What's the issue?I spotted that (clearly meant to evoke a TV/electronics store) but it makes no sense in the context of TNG's universe. If there's no money, do people just walk in and take whatever advanced holographic tech they want?
well the hair is a Hairpiece situation, which Spiner was wearing one even in later films, but definitely would need now, the hairpiece would also be cheaper than digital work for the hair, however, digitally touching up the edges of hair-lace may be needed, but this mess is genuinely mess, have to wonder why they are pulling the hairline too far forwardThey're definitely doing some degree of de-aging, so I imagine they had to rebuild his hairline after smoothing out his forehead
Except they didn't defeat Control at all. Control used them to get rid of its earlier incarnation, Uraei. It said that explicitly at the end of the book. The only thing that didn't quite go according to plan was the projected number of deaths during the Borg invasion.Oh yeah. They defeated the Borg there and went on to other important manners, like defeating Control.
That book series is ending because of PIC, though. I'm assuming that was the point, anyway. I'm pretty sure the upcoming Collateral Damage is the very last one. (Could be wrong though. The writers have been kind somewhat coy about just exactly what's going to happen to the post-Nemesis book continuity and how they may or may not tie it in to the new PIC continuity.)I'm not following. The books haven't gone anywhere so if Picard is rubbish then there are still books.
I figure it's just a sign that the VFX is nowhere near finished for the season as a whole. Though, I do have to wonder why they would use a scene that's obviously not finished for a trailer.Thing is, the hair is not just a hairpiece. It is partly digital. There is something weird going on his hairline when he turns his head.
Even if it is rubbish, what harm is done?
Sorry to be blunt, but isn't there a whole subsection on these forums for the people who care about this? Perhaps take this line of discussion there?The problem with the novels isn’t that the old ones will vanish, it’s that new ones in that continuity won’t be written.
For 20 years the novels have spun an interconnected web, referencing events in each other. That web won’t continue.
And Final Reflection was also published in '84. Hmm... Too many similarities to be a coincidence. I wonder if they were sharing notes.It's from DC so it has to be sometime in 1984 and I know it started just after The Wrath of Khan story.
I think Mike Barr was the guy in charge of the Trek comics back then.
I guess I'm a bit insensitive but I've lived with this for years. Novels not continuing or properties going a different direction.The problem with the novels isn’t that the old ones will vanish, it’s that new ones in that continuity won’t be written.
For 20 years the novels have spun an interconnected web, referencing events in each other. That web won’t continue.
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