How long do you think Mirror-Edward lasted in his career?
It's been ten years since Trek stopped being the way he liked. Yet the hurt is fresh with every new post.To be fair to Bernd - he build a sprawling website, putting thousands of man-hours into a private encyclopedia, that is almost exclusively about canon and continuity. Not about individual stories. And CBS simply doesn't care about continuity at all.
I enjoyed a lot of beer stuff more than him. But I can absolutely feel why he's pissed.
How long do you think Mirror-Edward lasted in his career?
To be fair to Bernd - he build a sprawling website, putting thousands of man-hours into a private encyclopedia, that is almost exclusively about canon and continuity. Not about individual stories. And CBS simply doesn't care about continuity at all.
I enjoyed a lot of beer stuff more than him. But I can absolutely feel why he's pissed.
But I can absolutely feel why he's pissed.
It is a rather impressive effort despite the hurt.It's been ten years since Trek stopped being the way he liked. Yet the hurt is fresh with every new post.
It would be hilarious if I didn't find it highly weird all at the same time.Everything Bernd posts about the Kurtzman-eta of Trek is unintentionally hilarious. Even the comments intended to be positive have this histrionic quality to them. He acts like any disregard for continuity is a heresy against a precious population that it's his sworn duty to protect from evil, evil heresy. Like we're all out here trembling if he doesn't swoop in to save the day by yelling on the Internet. It's exhausting.
I noticed before he made that statement he began with "I don't want to dwell on race and gender, but..." Then, going through some of his Disco reviews, I notice he plays the "I don't want to dwell on race and gender" card a few times. I guess he's being forced to since he keeps stating he doesn't want to?In that light, his complaint about how people would react if Edward were played by anyone but a white man is rather ironic
EAS is an exhaustive and well researched site, but even before Disco or the Kelvin timeline came along Bernd tended to be tightly-wound and a bit too high-strung on Trek matters. For example, he's always had a habit of going off about reused ship designs as a sort of crime against consistency and worldbuilding, claiming it's unfortunate the producers are so irresponsible about recklessly reusing designs in a manner without regard to design lineage or stuff, completely ignoring that a lot of the time ship designs are reused it's because of budgetary concerns, not apathy or a disregard for consistency.It is a rather impressive effort despite the hurt.
I understand his irritation too – if I'd poured that much work into something I'd hate to see it discarded as well. But at the same time, he doesn't seem to understand that Star Trek was never his to begin with; he complains like he owns the franchise and that The People are somehow owed airtight continuity. We're not, and that's what irritates me. He has no perspective on his anger. He posts about it like it's matter of social justice, and not a hobby that's moved on without him. (In that light, his complaint about how people would react if Edward were played by anyone but a white man is rather ironic.)
Back in the 90s, when continuity -- as well as nitpicking -- were new to Star Trek, thinking about how things might be connected together was fun, not a matter of necessity. There might be some things that might bother me if they were suddenly shifted into earlier timelines. If Pike encounters the Dominion, I don't care. If Pike leads a war against the Dominion, I would take serious issue. All of the characters we see are not perfect vessels of information. They can't be responsible for knowing the entire history of everything at all times. And if the writers decide to introduce something that is dissonant with previous stories, I judge it for what it is.I understand his irritation too – if I'd poured that much work into something I'd hate to see it discarded as well. But at the same time, he doesn't seem to understand that Star Trek was never his to begin with; he complains like he owns the franchise and that The People are somehow owed airtight continuity. We're not, and that's what irritates me. He has no perspective on his anger. He posts about it like it's matter of social justice, and not a hobby that's moved on without him. (In that light, his complaint about how people would react if Edward were played by anyone but a white man is rather ironic.)
I have some sympathy on the visual and design continuity parts, even if I disagree about whether updates and so on are good, but the way he went off on how the episode was discriminatory against (straight white male) scientists had me rolling his eyes. Ditto for his rant about how dare Star Trek reference Gilbert and Sullivan in "Q&A". His complaints about how Spock had a small bit of fun and laughed are even more silly given his obsession with continuity, because this behavior actually fits early Spock more than what most people think of since that's drawn from the older and more controlled Spock of the later seasons and movies.
Wasn't the actor the "best man for the job?"(In that light, his complaint about how people would react if Edward were played by anyone but a white man is rather ironic.
I must point out one glaring error in the EAS review that I find illustrative. The author claims that no one on K7 knew about tribbles. Accepting that he meant Starfleet personnel, he is still wrong. The only SF person who knew about tribbles was Worf. Why is this important? Because the Defiant crew was briefed on what happened on K7, but the briefing said nothing about the role played by the tribbles in creating the crisis or in exposing Darvin. There was no reason for the Defiant crew to know about tribbles EVEN AFTER READING THE RECORDS ON THE EVENT. The reason I bring this up is because in the context of historical records, the existence of tribbles were, at best, minutia, not worth recording in most instances.
Wasn't the actor the "best man for the job?"
Yeah, that's the kind of thing that doesn't exactly "violate canon" as televised, but instead violates a fan's, or rather, a portion of fandom's interpretation of canon - a kind of "collective headcanon."I have some sympathy on the visual and design continuity parts, even if I disagree about whether updates and so on are good, but the way he went off on how the episode was discriminatory against (straight white male) scientists had me rolling his eyes. Ditto for his rant about how dare Star Trek reference Gilbert and Sullivan in "Q&A". His complaints about how Spock had a small bit of fun and laughed are even more silly given his obsession with continuity, because this behavior actually fits early Spock more than what most people think of since that's drawn from the older and more controlled Spock of the later seasons and movies.
A little late to the party...but this one was just "ok" by my measure. Seems like lots of people enjoyed it, so I'm happy. It's weird, though, I personally didn't laugh once. And it seems like everyone thought this was hilarious. Maybe it's just because I work with engineers, many of whom are exactly like this guy, and they drive me batshit crazy. Too close to real life maybe?
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