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Spoilers New Kirk series (SNW spoilers)

Thanks for asking!

Build some solid samples of screenwriting. Then get that into the right hands, TPTB. Usually through an agent or manager. Gone are the days of pitching a show cold like back during Berman Trek.

All pitches are internal. You have to be on the writer’s staff to pitch. And that’s what I’m working toward is getting staffed.

After years of journalism work, I’ve pivoted to screenwriting and have been slowly working on that goal for the past decade. And it’s gained momentum in the last few years. Oddly, thanks to the pandemic. I’ve written about 15 or so scripts in the last three years. Two teleplays. Two pilots. Seven episode of a podcast drama. Another six for another. Comic scripts.

And recently completed an entertainment business course… so my next step is getting reps. Oh and more writing! I’m working on a SNW spec to use as another sample.
I mean what would you pitch as a series idea hahaha
 
Thanks for asking!

Build some solid samples of screenwriting. Then get that into the right hands, TPTB. Usually through an agent or manager. Gone are the days of pitching a show cold like back during Berman Trek.

All pitches are internal. You have to be on the writer’s staff to pitch. And that’s what I’m working toward is getting staffed.

After years of journalism work, I’ve pivoted to screenwriting and have been slowly working on that goal for the past decade. And it’s gained momentum in the last few years. Oddly, thanks to the pandemic. I’ve written about 15 or so scripts in the last three years. Two teleplays. Two pilots. Seven episode of a podcast drama. Another six for another. Comic scripts.

And recently completed an entertainment business course… so my next step is getting reps. Oh and more writing! I’m working on a SNW spec to use as another sample.
How would you pitch such a show?
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This template worked once or twice before.
 
I remember the DC Comics did that for the end of the Five-Year Mission, where Will Decker came aboard, dressed in the TMP-style uniform, Uhura asking about it and saying something about her approving of it since it wasn't a mini-skirt!
It was a nice transition that pointed toward TMP. I just don't know how much you can do with that, since Kirk will be Chief of Operations, Spock leaving, McCoy retiring, etc.

Ahhh! I believe you're referring to DC's Star Trek Annual #2 (1986), written by Mike W. Barr:

1099039.jpg


Decker did appear in that story, which deals with the move toward the TMP era, and I believe a voyage back to Talos IV. DC's Trek comic was very, very solid at that time.
 
I wouldn't.

Are they so devoid of fresh new ideas that they have to keep going back to all the previously established characters?
THEY ARE devoid of fresh ideas which is why we're getting these dreadful things, for instance, Burnham is what she is and her story could've been told just about the same without the Spock baggage. For some reason the producers added those elements to get some sort of validation for the character but at what cost? In order to work they have to deconstruct the established Spock to make him their own just to make their character Burnham look better. Despite the bullsh*t the showrunners are claiming their programs are in the same universe; there's enough visual evidence to acknowledge that garbage is not.

I don't mind archetypes where a character has some familiarity to the viewer like Picard was sort of like Pike from the Cage, Data was sort of Spock-ish, Riker and Troi sort of Will and Ilia but then they branch off. What appears is happening is Hollywood's endless passion in chasing trends where classic Trek characters will be re-packaged like James Bond, and Batman; different actors portraying the title character with a different take no matter how terrible it'll be. For Hollywood there's no need to work too hard to create compelling characters which are fresh but to reposition the brand to become or rival... STAR WARS. THIS obsessed passion has been going on within the studio of Paramount ever since George Lucas' film franchise revolutionized cinema, and it's no surprise the showrunners and writers are avid Star Wars fans and not Star Trek fans. Their product presents just that.
 
THEY ARE devoid of fresh ideas which is why we're getting these dreadful things, for instance, Burnham is what she is and her story could've been told just about the same without the Spock baggage. For some reason the producers added those elements to get some sort of validation for the character but at what cost? In order to work they have to deconstruct the established Spock to make him their own just to make their character Burnham look better.
If they wanted to give her a "raised by Vulcans" connection then they could've made it Soval, since we know nothing about his life after ENT then it could've been his experiences with the NX-01 changed him enough to decide to take in the orphaned daughter of a human friend from later in his life, plus has the benefit of not recasting the actor.

I don't mind archetypes where a character has some familiarity to the viewer like Picard was sort of like Pike from the Cage, Data was sort of Spock-ish, Riker and Troi sort of Will and Ilia but then they branch off. What appears is happening is Hollywood's endless passion in chasing trends where classic Trek characters will be re-packaged like James Bond, and Batman; different actors portraying the title character with a different take no matter how terrible it'll be.
Archetypes exist for a reason, they're easy to associate with other characters you might have enjoyed, but they're also open enough to develop and grow in their own way so they can become someone new.
 
Be that way.

Seriously, I mocked that up as a valentine because thoughts and prayers are passé and sending positive energy is kind of personal. Any gate, I do hope you go boldly.
Thank you! I missed the additional stuff at the bottom. Please my sincere apologies for not getting it!
 
The adventures of Lieutenant Kirk as an instructor at the academy, the "stack of books with legs." See how his friendship with Gary Mitchell develops, and see his relationship with that blonde lab technician.

Kor
 
THEY ARE devoid of fresh ideas which is why we're getting these dreadful things, for instance, Burnham is what she is and her story could've been told just about the same without the Spock baggage. For some reason the producers added those elements to get some sort of validation for the character but at what cost? In order to work they have to deconstruct the established Spock to make him their own just to make their character Burnham look better.

So much this.

Despite the bullsh*t the showrunners are claiming their programs are in the same universe; there's enough visual evidence to acknowledge that garbage is not.

I believe this is the reason its far easier to disregard ST productions as canon than say, Star Wars; the ST series--especially since Enterprise have gone out of their way to upend any visual continuity / evolution recognition throughout the series (which was successfully established from TOS/TAS/TOS-M/TNG/DS9/VOY), the new series can easily be considered ST in name only, bearing only a slight resemblance to the original in-universe and production continuity.

I don't mind archetypes where a character has some familiarity to the viewer like Picard was sort of like Pike from the Cage, Data was sort of Spock-ish, Riker and Troi sort of Will and Ilia but then they branch off. What appears is happening is Hollywood's endless passion in chasing trends where classic Trek characters will be re-packaged like James Bond, and Batman; different actors portraying the title character with a different take no matter how terrible it'll be.

Agreed, and in the case of Batman and Bond, over the decades, some of the casting choices left much to be desired.
 
but at what cost?
None.
the new series can easily be considered ST in name only,
How so? That's not how this works. Even when the original series was on the air Gene expected new people to come in and take it different directions in the future, largely because that's exactly what he did with TMP and was done again in TNG and TWOK, and DS9. "Trek in name only" is a nonsense statement because the built in design was for people to revisit it and make it their Star Trek.
 
How so? That's not how this works.

Read again:

I believe this is the reason its far easier to disregard ST productions as canon than say, Star Wars; the ST series--especially since Enterprise have gone out of their way to upend any visual continuity / evolution recognition throughout the series (which was successfully established from TOS/TAS/TOS-M/TNG/DS9/VOY), the new series can easily be considered ST in name only, bearing only a slight resemblance to the original in-universe and production continuity.

It works if it is recognized that there's such a lack of continuity, history, design evolution within the universe fiction, etc. No one obligated to accept every version of a franchise if they choose not to (ever heard the decades-long treatment of the Burton/Schumacher Batman movies? The Bond movies?).

Even when the original series was on the air Gene expected new people to come in and take it different directions in the future, largely because that's exactly what he did with TMP

Roddenberry did not want others to take what would become the second ST movie in the direction it took, complained about it (and Paramount had him as less than a consultant on ST at that point), so its not as if he was this open, giving creator just passing torches down the line.
 
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The adventures of Lieutenant Kirk as an instructor at the academy, the "stack of books with legs." See how his friendship with Gary Mitchell develops, and see his relationship with that blonde lab technician.

Kor
I'd much rather the unhinged Kirk who chose the academy because the other option was prison, after a joyride in a stolen aircar in Shatner's novel Collision Course (which began life as a TV series pitch, iirc)
 
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It works if it is redognized that there's such a lack of continuity, history, design evolution within the universe fiction, etc. No one obligated to accept every version of a franchise if they choose not to (ever heard the decades-long treatment of the Burton/Schumacher Batman movies?).
No one is obligated to do anything.

Star Trek is not Batman. It moves in a much different way.

Roddenberry did not want others to take what would become the second ST movie in the direction it took, complained about it (and Paramount had him as less than a consultant on ST at that point), so its not as if he was this open, giving creator just passing torches down the line.
Doesn't change the opinion I read. He might not have agreed with it but that doesn't change what can be done.
 
I'd much rather the unhinged Kirk who chose the academy because the other option was prison, after a joyride in a stolen aircar in Shatner's novel Collision Course (which began life as a TV series pitch, iirc)
That would be an interesting take on the character.

Kor
 
Sounds close to Kelvin Timeline Kirk, who had a wildly different childhood due to the loss of his father.
 
What was ever said about Kirk's father in the Prime Timeline? I don't recall anything.
 
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