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New interview with Laurel Goodwin (Yeoman Colt from "The Cage")

No idea on the sideburns, I'm afraid. I believe I read an article about them in the Star Trek Magazine 15-20 years ago. Ot may have more detail.

It's nice to hear from Goodwin, although some of her recollections about Hunter's decision to turn down the second pilot are wrong.
 
No idea on the sideburns, I'm afraid. I believe I read an article about them in the Star Trek Magazine 15-20 years ago. Ot may have more detail.

It's nice to hear from Goodwin, although some of her recollections about Hunter's decision to turn down the second pilot are wrong.

Did a quick Google search on them and someone in this forum cites the Whitfield "Making of" book: http://scifi.stackexchange.com/questions/95140/who-invented-star-trek-sideburns-and-why

There is a section on this in "The Making of Star Trek", by Stephen E. Whitfield.

According to the story, the producers (that was basically Gene Roddenberry) wanted 'futuristic' hairstyles. However the actors pointed out that they had to live in the real world, and weren't going to spend their off days looking like freaks from the future. The pointed sideburn was the compromise.

There isn't a record of exactly who came up with the idea. Presumably some combination of Roddenberry and the hair department.

And this hairstylist claims his father, who apparently worked at Desliu or for Lucille Ball, created the look:
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Mystery deepens ... ;)
 
Had they picked up the first pilot -- Hunter (or his wife) would have had zero say so about the show beyond what the first contract stated. So her demands would have been moot.
It was in negotiation for the second pilot that things got difficult. "Movie star" or not -- had the network picked up the first pilot --he was going to be a TV actor.
 
I'm a little skeptical about Goodwin's pointed sideburn claim. In "The Cage," Huner and Nimoy seem to have them

Your evidence is all good, but I don't see it contradicting what Laurel said. She thought up the sideburns for Spock, and much later when she tuned in to see a Shatner episode, he had them too. Because after the pilots were done, it was decided to give all the men pointed sideburns. Her story is in keeping with what we see.

Also, I think Hunter's sideburns are ambiguous at best.
 
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It's nice to hear from Goodwin, although some of her recollections about Hunter's decision to turn down the second pilot are wrong.
Well, even if her memory is perfect she is just reporting a hearsay ("Now, I got this story from a very dear friend of mine back East, who was a network honcho").

Edit: The 'H' is pronouned.
 
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A hearsay. The 'H' is pronounced.

I think everything Goodwin has said is correct and that her memory and facts are excellent.
 
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I think everything Goodwin has said is correct and that her memory and facts are excellent.

Well, there's this bit, which is similar (though not exactly the same) to the version Goodwin told to the author of Drive-In Dream Girls (which I previously fact-checked on my blog):

I had been invited to do two other pilots for half-hour comedy shows, and I had to make a decision when Star Trek didn’t sell the first pilot. They’d held on to me and Leonard. I had to make a decision whether I was going to stay with Star Trek or accept the situation with one of these other two comedies. I said, "Oh, no. Star Trek is it. I’ve got to do Star Trek. It's great, it's gonna be wonderful.” Then, they didn’t take that first pilot, but said there would be a second pilot. I thought, “We'll make the second pilot. They still want me. Yep, yep, yep."

NBC ordered a second pilot on March 26, 1965. This wasn't announced publicly until later, but multiple letters sent by Roddenberry to various people involved with the production after the pickup confirm this date. By April 5, 1965, Hunter had dropped out (Roddenberry sent Hunter a letter on this date in which he says "I am told you have decided not to go ahead with STAR TREK.").

Goodwin remembers picking Star Trek over "these two comedies." In fact, her agent negotiated a deal where she did a screen test for the sitcom Tammy in April of 1965 (the test happened sometime between April 9-13, after Hunter had dropped out of Star Trek). That screen test included an option with Universal for that series. Under the terms of that deal, Universal had "first position" on Goodwin, while Desilu had "second position." If Universal had picked up its option on Goodwin, Star Trek would have been history for the actress (Universal went with someone else; Tammy lasted one season in 1965-66).

The "two other comedies" couldn't have come before April of 1965, because Goodwin was still under option with Desilu for Star Trek as a weekly series.
 
Your evidence is all good, but I don't see it contradicting what Laurel said. She thought up the sideburns for Spock, and much later when she tuned in to see a Shatner episode, he had them too. Because after the pilots were done, it was decided to give all the men pointed sideburns. Her story is in keeping with what we see.

Also, I think Hunter's sideburns are ambiguous at best.

When it comes to STAR TREK history, healthy skepticism is good. There's a lot of myth around the production, which isn't helped by the Marc Cushman books and other similar tomes.

I'm not saying that she didn't. I'm just questioning whether it's actually what happened. Memory is a fuzzy thing, and we get numerous retelling of events and embellishments — e.g. Nichelle Nichols' MLK story.

Also, I'm a former journalist, so I always look for at least two sources for a claim, particularly any formal documentation. :)

When it comes to solid STAR TREK research, I always turn to @Harvey. Now there's a researcher!
 
Healthy skepticism, especially when it comes to accounts largely based on half-century old memories, is always best. I still can't speak to the origin of the pointed sideburns, though. Clearly, multiple people have laid claim to this particular innovation. Who actually came up with the idea? Who knows.
 
I prefer cute to beautiful and especially over gorgeous, and natural above any looks. ;) I liked Grace as Rand though.
 
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Since no one has mentioned this...
Time to go back 50-plus years. How did you land your role in “The Cage”? Do you remember the details of actually landing it?
Well, I was known in town, so I was one of the live ones. And Gene (Roddenberry) was seeing a whole bunch of people, and I got on the audition through an agent. The usual way. I think I auditioned two or three times. Something like that. And then I got the job. One amusing story was, when I came in, I had my portfolio with me because I learned to do that when I was modeling, earlier. Anyway, I had a portfolio. Some good pictures and such. One of the key things about this character that Gene Roddenberry said was, "We want Yeoman Colt to have great-looking legs." He said, "You appear to have nice-looking legs." So I opened up this portfolio. There was an old magazine called Pageant. I had done a big spread, and one of the shots was with me in black leotards, with the little micro-glasses, and a skunk on a leash and a book of Freud in the other hand. And oh, boy, does it make me look great. So I opened the thing, and Gene said, "Well, yes, they do look good. But, you know, photos." So he said, "You do look like you do have good-looking legs. Would you mind lifting your skirt a little bit?" It didn't bother me any. I was a model as a teenager. You dressed in the back with a sheet around you.

So I pulled my skirt up. Not immodestly. He said, "Well, yes, I guess we all have to agree that she does have good-looking legs." So I’m thinking, "Hmm. Well, okay." So now, I get the job. We get into costuming and we go out, Majel and I, because that was the uniform. We started doing that. And, of course, they had to design these costumes. Well, by the time they got this costume together, against my better judgment, I could have been knock-kneed and bowlegged. They had me in baggy three-quarter trousers and ugly boots. I thought, "Well, I’m certainly glad that one of the key things was that you had good-looking legs."
 
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