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My DS9 Rewatch Odyssey

“PARADISE LOST”

paradiselost8.jpg

You don’t have to be a megalomaniac to work here, but it helps.

This mid-season two-parter owes something to last season’s “Improbable Cause” and “The Die is Cast”; not only as two-parters with differing titles, but as stories that start down one avenue and then abruptly veer in a different direction. It worked beautifully with the aforementioned third season episodes, but, for my money, this time around the results are mixed. If you’re going to set up one story and shift gears midway through, you have to be sure the new direction is just as compelling as the initial one, if not more so. Don’t get me wrong, I do think “Paradise Lost” is a good episode, and that’s reflected in the more than respectable score I’m giving it, but I do have a number of issues with it.

For me, one of the biggest problems is that “Homefront” kicked off with a powerful premise—the revelation of Changelings causing havoc on Earth—and “Paradise Lost” side-lines it almost completely. I can definitely see why the writers decided to change tack. After all, a key facet of Dominion strategy is weakening the enemy from within by subterfuge and manipulation. Nevertheless, the lack of follow-through did leave me frustrated. In the closing scene, a disgruntled Odo remarks that he seems to be the only one that remembers the Changelings are still a threat, and he’s not wrong.

Part of me wishes the producers had the budget and inclination to have made this two-parter a BLADE RUNNER-eque epic with Sisko on Earth determined to track down and eliminate the Changeling infiltrators. Heck, that could have made a pretty cool action-adventure political thriller! Alas, that was not to be and it’s unfair to judge this episode for what it isn’t, so I’ll stick with what it is.

I can certainly understand why the writers chose to tell this particular story. It’s a cautionary tale about what can happen when people give into fear; or, rather, when the military, or unscrupulous or misguided politicians, decide to use that fear to take control and push an authoritarian agenda. Alas, the first part was so promising and I found it hard to shake a sense of disappointment when we ended up going down a well-trodden path with a Badmiral (Bad Admiral) going rogue and leaving our heroes to take them down and restore order.

Poor Ben has a recurrent theme of betrayal in his life, from Cal Hudson, to Badmiral Leyton here, to Michael Eddington a few episodes hence. Avery Brooks coveys Sisko’s conflict pretty nicely, and Robert Foxworth is good as Leyton, certainly far better than Bernie Casie was as Hudson, and that’s to the episode’s credit. It’s a talky episode to be sure, but much of the Sisko/Leyton dialogue works well, although latter scenes do start to drag a little. Leyton certainly seems to mean well in his own way, but I felt the character lacked a certain nuance and Sisko’s choice was always fairly black and white in spite of his moral deliberating. It seemed a stretch that Leyton managed to assemble such a significant group of Starfleet officers willing to—potentially violently—take control of Earth; and so soon after the initial terror incident (this episode may have played better had it been set several months after the conference bombing).

One of the episode’s glaring flaws probably comes down to budget, but why does Leyton seem to be the ONLY Admiral at Starfleet Command? Where the heck is everyone else and why doesn’t Sisko immediately go to those superiors he knows that he can trust; ones certain not to be aligned with Leyton?

Commander Benteen ultimately comes across as naive and foolish, blindly willing to follow Leyton’s orders without investigating anything for herself (she is told the Defiant is full of Changelings so she is willing to open fire on it, whereas any half-decent Starfleet officer would need proof of that first). I suppose if I’ve learned anything in recent times it’s that people don’t often so much think—or, indeed, vote—intellectually as much as they do emotionally. Still, I expected better of 24th century “evolved” Starfleet officers. Benteen should definitely have been court-martialled and a major dramatic oversight is that we don’t see her stand down or come to realise the error of her ways. It doesn’t help that some of the directing lacks punch and the conflict between the Defiant and Lakota, which should have felt like a HUGE deal (after all, how often do we see Starfleet ships turning on each other?), feels strangely tepid and anti-climatic.

The theme, that we must never trade our personal freedoms out of fear, is a weighty and all too relevant message, although the episode cheats a little because there’s always a price to pay and the writers fail to acknowledge that. In times of war, sacrifices have to be made and security has to be heightened, otherwise acts of terrorism and slaughter WILL happen. The episode pretty much sidesteps this by downplaying the Changeling threat even though it is still there and ultimately they haven’t done anything to really address that outside of blood screenings, which have already proven unreliable. I guess it could be reasoned that the objective of the Founders on Earth was to foment fear and hysteria, but if they are on Earth and capable of imitating anyone, why stop there? I reckon the episode may have felt more satisfying had Leyton been revealed as a Changeling and this would tie us in with the initial thrust of the story.

Overall, it’s still a wholly decent episode, and I enjoyed Sisko and Odo’s systematic investigation into the discrepancies. Sisko’s unmasking as a Changeling provides a nice twist, although his rescue by Odo is too easy, and the limited budget reduces Odo to inexplicably using the Vulcan neck pinch on the guards rather than using his shape-shifting abilities. Brock Peters is once again a delight as Joseph Sisko, although Joseph’s sudden shift of sensibilities with regard to blood screenings is jarringly abrupt and the character doesn’t get much to do other than offer Ben a midnight pep talk, in what is nevertheless perhaps my favourite scene of the episode.

Im afraid a couple more things bugged me. The continual references to Earth as “paradise” were overdone and sounded more like the writers making a point than anything the characters would naturally say. We get it guys, we do. It just seems a bit too on-the-nose. Finally, Colm Meaney’s performance as the fake-O’Brien Changeling is a bold choice and in a strange way almost works, but it does feel “off” tonally and out of character with any Founder we’ve ever encountered before. Was he high on something? There’s also no logical reason for this Changeling to seek out Sisko and casually reveal the number of Founders on the planet. I mean, why would the enemy willingly divulge such information? Wouldn’t that defeat their objective? Why not let them think there are hundreds or even thousands of Changelings on Earth? Unless they just wanted to brag and rub Sisko’s nose in it? As we’ll see in the season finale, they are a vindictive bunch, so that is a possibility.

As you’ll have noticed, I do have mixed feelings about “Paradise Lost”, but it’s still a pass and I enjoyed it more than it probably sounds. In actuality, Ira Behr was far harder on this episode, and reportedly kept a memo pinned to the staff office warning the writers never to end up with another “Paradise Lost” on their hands. Take that how you will. Rating: 7
 
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I rather assumed FauxBrien's entire point was that the Changelings barely needed to do anything with regards to Earth to stir up trouble. So, yes, gloating, basically. Also the Changelings do consider themselves so superior to the AQ powers (not exactly without reason at this time) that they probably figure they might as well tweak Sisko's nose.

The novel Articles of the Federation, besides being an excellent read, sums up the character of Jaresh-Inyo pretty well I think...he was a good peacetime president, but he wasn't who the Federation needed to lead them during the cold and later hot war with the Dominion. Sadly the president who turns out to be a good choice during wartime ultimately makes decisions that make anything Jaresh-Inyo does here look trivial by comparison.

I recall the shock of finding out that what we thought was going on wasn't what was going on at all, and, as with other interactions with the Changelings, I wonder whether they bombed that conference just to see how the pesky humans would react. Another science experiment for them, just as when the female Changeling impersonated Kira.
 
Needless to say, that was a great review.

BTW, let's not forget that Leah Brahms was married to Geordi in the future part of "All Good Things..." so it wasn't just a holodeck fantasy. There really was (potentially) something between them that the holodeck simulation somehow managed to capture and catalyze.
 
Needless to say, that was a great review.

BTW, let's not forget that Leah Brahms was married to Geordi in the future part of "All Good Things..." so it wasn't just a holodeck fantasy. There really was (potentially) something between them that the holodeck simulation somehow managed to capture and catalyze.

I was just trying to be funny. Although having rewatched TNG last year, I found Geordi really was indeed a bit of a creep in those episodes, particularly when he got angry at Leah for being angry at him. He actually could be a bit of a dick on occasion. I rather wish they hadn’t name-dropped Leah in “All Good Things”. It was minor, but nevertheless irked me.
 
I was just trying to be funny. Although having rewatched TNG last year, I found Geordi really was indeed a bit of a creep in those episodes, particularly when he got angry at Leah for being angry at him. He actually could be a bit of a dick on occasion. I rather wish they hadn’t name-dropped Leah in “All Good Things”. It was minor, but nevertheless irked me.

You think she couldn't have married him?
 
“PARADISE LOST”

paradiselost8.jpg

You don’t have to be a megalomaniac to work here, but it helps.

This mid-season two-parter owes something to last season’s “Improbable Cause” and “The Die is Cast”; not only as two-parters with differing titles, but as stories that start down one avenue and then abruptly veer in a different direction. It worked beautifully with the aforementioned third season episodes, but, for my money, this time around the results are mixed. If you’re going to set up one story and shift gears midway through, you have to be sure the new direction is just as compelling as the initial one, if not more so. Don’t get me wrong, I do think “Paradise Lost” is a good episode, and that’s reflected in the more than respectable score I’m giving it, but I do have a number of issues with it.

For me, one of the biggest problems is that “Homefront” kicked off with a powerful premise—the revelation of Changelings causing havoc on Earth—and “Paradise Lost” side-lines it almost completely. I can definitely see why the writers decided to change tack. After all, a key facet of Dominion strategy is weakening the enemy from within by subterfuge and manipulation. Nevertheless, the lack of follow-through did leave me frustrated. In the closing scene, a disgruntled Odo remarks that he seems to be the only one that remembers the Changelings are still a threat, and he’s not wrong.

Part of me wishes the producers had the budget and inclination to have made this two-parter a BLADE RUNNER-eque epic with Sisko on Earth determined to track down and eliminate the Changeling infiltrators. Heck, that could have made a pretty cool action-adventure political thriller! Alas, that was not to be and it’s unfair to judge this episode for what it isn’t, so I’ll stick with what it is.

I can certainly understand why the writers chose to tell this particular story. It’s a cautionary tale about what can happen when people give into fear; or, rather, when the military, or unscrupulous or misguided politicians, decide to use that fear to take control and push an authoritarian agenda. Alas, the first part was so promising and I found it hard to shake a sense of disappointment when we ended up going down a well-trodden path with a Badmiral (Bad Admiral) going rogue and leaving our heroes to take them down and restore order.

Poor Ben has a recurrent theme of betrayal in his life, from Cal Hudson, to Badmiral Leyton here, to Michael Eddington a few episodes hence. Avery Brooks coveys Sisko’s conflict pretty nicely, and Robert Foxworth is good as Leyton, certainly far better than Bernie Casie was as Hudson, and that’s to the episode’s credit. It’s a talky episode to be sure, but much of the Sisko/Leyton dialogue works well, although latter scenes do start to drag a little. Leyton certainly seems to mean well in his own way, but I felt the character lacked a certain nuance and Sisko’s choice was always fairly black and white in spite of his moral deliberating. It seemed a stretch that Leyton managed to assemble such a significant group of Starfleet officers willing to—potentially violently—take control of Earth; and so soon after the initial terror incident (this episode may have played better had it been set several months after the conference bombing).

One of the episode’s glaring flaws probably comes down to budget, but why does Leyton seem to be the ONLY Admiral at Starfleet Command? Where the heck is everyone else and why doesn’t Sisko immediately go to those superiors he knows that he can trust; ones certain not to be aligned with Leyton?

Commander Benteen ultimately comes across as naive and foolish, blindly willing to follow Leyton’s orders without investigating anything for herself (she is told the Defiant is full of Changelings so she is willing to open fire on it, whereas any half-decent Starfleet officer would need proof of that first). I suppose if I’ve learned anything in recent times it’s that people don’t often so much think—or, indeed, vote—intellectually as much as they do emotionally. Still, I expected better of 24th century “evolved” Starfleet officers. Benteen should definitely have been court-martialled and a major dramatic oversight is that we don’t see her stand down or come to realise the error of her ways. It doesn’t help that some of the directing lacks punch and the conflict between the Defiant and Lakota, which should have felt like a HUGE deal (after all, how often do we see Starfleet ships turning on each other?), feels strangely tepid and anti-climatic.

The theme, that we must never trade our personal freedoms out of fear, is a weighty and all too relevant message, although the episode cheats a little because there’s always a price to pay and the writers fail to acknowledge that. In times of war, sacrifices have to be made and security has to be heightened, otherwise acts of terrorism and slaughter WILL happen. The episode pretty much sidesteps this by downplaying the Changeling threat even though it is still there and ultimately they haven’t done anything to really address that outside of blood screenings, which have already proven unreliable. I guess it could be reasoned that the objective of the Founders on Earth was to foment fear and hysteria, but if they are on Earth and capable of imitating anyone, why stop there? I reckon the episode may have felt more satisfying had Leyton been revealed as a Changeling and this would tie us in with the initial thrust of the story.

Overall, it’s still a wholly decent episode, and I enjoyed Sisko and Odo’s systematic investigation into the discrepancies. Sisko’s unmasking as a Changeling provides a nice twist, although his rescue by Odo is too easy, and the limited budget reduces Odo to inexplicably using the Vulcan neck pinch on the guards rather than using his shape-shifting abilities. Brock Peters is once again a delight as Joseph Sisko, although Joseph’s sudden shift of sensibilities with regard to blood screenings is jarringly abrupt and the character doesn’t get much to do other than offer Ben a midnight pep talk, in what is nevertheless perhaps my favourite scene of the episode.

Im afraid a couple more things bugged me. The continual references to Earth as “paradise” were overdone and sounded more like the writers making a point than anything the characters would naturally say. We get it guys, we do. It just seems a bit too on-the-nose. Finally, Colm Meaney’s performance as the fake-O’Brien Changeling is a bold choice and in a strange way almost works, but it does feel “off” tonally and out of character with any Founder we’ve ever encountered before. Was he high on something? There’s also no logical reason for this Changeling to seek out Sisko and casually reveal the number of Founders on the planet. I mean, why would the enemy willingly divulge such information? Wouldn’t that defeat their objective? Why not let them think there are hundreds or even thousands of Changelings on Earth? Unless they just wanted to brag and rub Sisko’s nose in it? As we’ll see in the season finale, they are a vindictive bunch, so that is a possibility.

As you’ll have noticed, I do have mixed feelings about “Paradise Lost”, but it’s still a pass and I enjoyed it more than it probably sounds. In actuality, Ira Behr was far harder on this episode, and reportedly kept a memo pinned to the staff office warning the writers never to end up with another “Paradise Lost” on their hands. Take that how you will. Rating: 7

Great review. Though I am with you that it is not as good as part 1, I think I am more forgiving of this episode than you are.

First let me address something I forgot to do about "HOMEFRONT"... I don't remember who said it, but someone posted that it seemed odd Sisko was made head of Security for Earth during this time. I actually thought it made perfect sense because Sisko was the expert on the Dominion, at least Starfleet command level officer anyway, up to that point. For a situation as specific as this, you want your foremost expert on the Dominion in charge of that department.

I think a good reason why Sisko didn't go to another admiral is subtly shown when he talks to the Bolian one on screen. He clearly was in on the coup, so it shows he can't really trust anyone on Earth in Starfleet. At least, not top level people. That plays into the paranoia of the first part, but twists it just enough to make it work here.

Regarding Benteen, I have a feeling one of two things occured. Either she allowed loyalty to really blind her and not check on whether the Defiant was really crewed by Changelings, or she knew it and went along until during the battle she had a change of heart. Leyton did in the end, which is why he stood down, so I can see Benteen, having members of her crew dying around her for a lie and starting to see the real horror of what she is doing, do the same.

As much as I love starships, I don't think we needed a more drawn out battle than we got. I think it was just enough, because it's already hard enough to see Starfleet against Starfleet like this. Dragging it on would be like pouring salt on the wound.

Joseph's change of heart feels earned... sometimes people have to see something themselves before they believe it. After having the power grid shut down by apparent Changelings, it was clearly enough for the President, so I can see this being the event that triggers him to go along, as well.

One standout scene was Sisko and Nog when he was asking for a Red Squad member's name. I can't quite put into words why I thought it was a great scene, but it just feels like one.

I rate this one an 8.
 
Finally, Colm Meaney’s performance as the fake-O’Brien Changeling is a bold choice and in a strange way almost works, but it does feel “off” tonally and out of character with any Founder we’ve ever encountered before. Was he high on something? There’s also no logical reason for this Changeling to seek out Sisko and casually reveal the number of Founders on the planet. I mean, why would the enemy willingly divulge such information? Wouldn’t that defeat their objective? Why not let them think there are hundreds or even thousands of Changelings on Earth? Unless they just wanted to brag and rub Sisko’s nose in it? As we’ll see in the season finale, they are a vindictive bunch, so that is a possibility.
Colm Meaney's performance was rather hammy, but I think that not-o'Brien's encounter with Sisko was more in line with The Theory and Practice of Oligarchical Collectivism: whether or not true, it causes individuals to take rash action that exposes them as an enemies of the regime.
 
Ironically, and I may be in the minority on this opinion, but if there is any series in the franchise that should have had a lot of holodeck use, it was VOYAGER.

Whether or not Voyager overused the holodeck overlaps with the larger discussion about why the crew did not experience more material deprivations, of course.

Yup, that’s why I didn’t care for Voyager’s overuse of the holodeck. It felt too much like luxury to me, and I really wanted a greater sense of deprivation and desperation for the crew and their situation. But, there was a big disconnect between the Voyager I wanted and the Voyager we got, which is why I rarely revisit it.

Agreed. Plus, in addition to undercutting the premise of the show and helping to turn it into a TNG light it also gave us Spirit Folk and Author Author *shudder*.
 
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VOYAGER did miss an opportunity by not having some of the crew addicted to the holodeck because of their situation. That ship is not that large, and on it day in and out for those long stretches of time have to make some of them at least a little cuckoo for Cocoa Puffs.
 
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VOYAGER did miss an opportunity by not having some of the crew addicted to the holodeck because of their situation. That ship is not that large, and on it day in and out for those long stretches of time have to make some of them at least a little cuckoo for Cocoa Puffs.

They did the "falling in love with a holodeck character" a few times though.
 
It seems there are so few episodes of Trek that show the "paradise" earth became, other than Starfleet scenes....Joseph's restaurant being one exception. Wonder if the diners were given a bill to pay after the meal.
 
They did the "falling in love with a holodeck character" a few times though.

"ALTER EGO" and "FAIR HAVEN"/"SPIRIT FOLK", with the former not even really a hologram, just an alien using it to have fun.

I was referring more to people like Barclay, who preferred staying in the holodeck than being in love with a computer subroutine.
 
"ALTER EGO" and "FAIR HAVEN"/"SPIRIT FOLK", with the former not even really a hologram, just an alien using it to have fun.

I was referring more to people like Barclay, who preferred staying in the holodeck than being in love with a computer subroutine.

Yes, but when you stop to think about it, the two are not very dissimilar.
 
“CROSSFIRE

crossfire_268.jpg

“If you don’t snap out of this, right now, I’m gonna start calling you Constable Emo...”

Outside of the shocking season finale, the fourth season didn’t see much character progression for Odo, which is all the more marked after the dramatic and life-changing events of the previous season. I guess the poor guy certainly needed a break, not that he gets much slack in this episode. Although we saw Odo close to breaking point during the torture scene of “The Die Is Cast”, the pain we see Odo go through here in some ways feels worse in that it’s a pain that’s highly relatable. As the Wizard of Oz himself once remarked, hearts will never be practical until they’re unbreakable. By this point in the show’s run, it’s clear to us that, contrary to appearances, the stern, authoritarian Constable very much DOES have a heart—and it belongs to one Kira Nerys; the same Kira Nerys that’s about to give hers to another man.

There’s actually very little plot to “Crossfire”. Shakaar pays a visit to the station, terrorists threaten to assassinate him, and Odo must do his utmost to keep the First Minister safe (lest Bajor end up back in the hands of Winn, I guess). It’s a fairly simple job as these things go, but it becomes a nightmare for the Constable as he’s forced to watch Kira and Shakaar slowly falling for each other.

Except perhaps for George LaForge, whose romantic exploits I’m not even going to go into, it seems unprecedented for Star Trek to show one of its primary characters in a situation such as this, and yet it’s such a universal human experience. I can’t imagine there’s anyone out there that hasn’t experienced the pain and torment of falling for the wrong person at some point, whether it’s a platonic friend or someone who just doesn’t, or can’t, return our affections. In some ways it’s quite an adolescent type of angst although I guess it can happen to a person at any age. I actually suspect that, in many ways, Odo is still quite undeveloped and immature emotionally, particularly with regard to relationships, having never had any past experience. Watching “Crossfire”, it seems we’re almost seeing him going through some growing pains as he realises the sad truth that the flip side of romantic love is attachment and pain.

The writing here is absolutely on point and it allows for the late, great Rene Auberjonois to deliver an absolute tour de force of a performance. It never ceases to amaze me just how much emotion Auberjonois managed to convey considering his entire face was covered in a latex mask. It’s the superb and masterful use of his voice, body language and his emotive eyes that conveys so much intensity of feeling. Odo is in many ways one of Trek’s most contradictory characters, not only in terms of the underlying conflict he faces with regard to his people, but the fact he portrays himself as an impenetrably tough, unfailingly stoic and unemotional lawman, when, in fact, he is in many ways a deeply vulnerable and tragic soul. It’s impossible not to feel for his plight here and it’s just wonderfully executed throughout. Again, it’s a very simple story, but the emotional beats all feel genuine and Auberjonois sells the hell out of it.

As I stated in another review, I recall reading that the character of Kira was deliberately “feminised” by the powers that be during the fourth season, and, certainly, the easy-going, smiley, almost childishly giddy woman we see here is very different to the hard-edged ex-terrorist we knew from even a season ago. Yet, Nana Visitor charms throughout and it’s actually quite wonderful to see Kira let herself go and be swept away by the potent chemical high of falling in love. It helps that she and Duncan Reghr have some genuine, understated chemistry and that Shakaar rates significantly lower on the bland-o-meter than the late, lamented Bareil. I now see this as part of her character’s growth and healing and it is genuinely lovely to see her so happy for once. Of course, this is simply a step on an ongoing relationship that will span the rest of the series—and I mean Kira and Odo’s relationship, not Kira and Shakaar’s, which will quickly be forgotten about.

I loved the scene where Odo and Worf find they have something in common: specifically, a certain anti-social streak, and it’s a blast to see them bond over a shared disgust of uninvited houseguests. The real standout scene in this episode, of course, is the climatic scene between Odo and Quark, in which our favourite barkeeper becomes Odo’s unlikely confidant and…well, friend. This relationship is one of my favourite in all of Trek, and I just love everything about their interaction in this episode. We see significant growth in Quark, who lends some genuine support to the distressed changeling, even if he frames it in terms of his own profit, as only a Ferengi can. It’s superbly performed by both Auberjonois and Shimmerman and one of the greatest scenes of the season, if not entire series. It truly is the beating heart of this simple, understated yet excellent character piece. Rating: 8
 
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Excellent review, as usual.

DS9 was almost magical in that they had a number of episodes with extremely simple, almost intelligence insulting plots, but are phenomenally executed and memorable because of the cast and the strength of the dialogue. This episode is a great example.

I loved the scene in Odo's quarters with Quark. Definitely one of the best of the show. Quark is my wife's favorite character from DS9 (along with Garak) and this scene is a great reminder of why, in many ways, Quark is the glue that holds the station together.
 
I like your review but the episode not so much. I am a bit annoyed that Star Trek can't use one single non-humanoid species for any length of time and not leave it that way. IMO Odo's species doesn't have anything like this they're not even truly attached to their children the way we are or they wouldn't send their babies out in the unknown, to sometimes die of radiation poisoning, Like in "The Begotten" and the "female"* changeling is not like any human being I know of unless it's Hitler, Pol Pot or someone like that.

I would have liked it better if they had kept Odo like the strange fish out of the water he used to be at the beginning... Not everyone has to "morph" into a human being. Aliens should be allowed to keep their identities.

Laas, I am with you on this one.;)


BTW, does the concept of male or female have any sense for a changeling? We don't even really know how they reproduce but apparently, it's more of a collective thing than anything else. Odo never met his parents for one thing.

Plus I am not a big fan of romance pieces in general.
 
Another perceptive review....especially the point about Auberjonois expressing so much despite the heavy mask. Poor Odo...really a touching, poignant episode. No one except Quark sees his pain. You would think Shakaar or even Kira might have had some inkling. Quark hides his sympathetic side but it does come through pretty often.
Several little things that added a lot—the belt on Odo’s uniform, the strands of his hair out of place, the fact that the turbo lift goes into free fall, echoing all the romantic feelings. And it strikes me as paradoxical that the Changelings have such a distinct need for order and rigidity, when their bodily form is so fluid.
 
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