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Music That Speaks To You

My favourite ever singer songwriter is John Grant. I love him so much.. he is my avatar. And my super man crush. He's hilarious and self aggrandizing and deprecatory and gut wrenching all at once. I could post every single one of his songs from his three albums and I have spent an inordinate amount of time picking one to post in this thread. Which is why I am posting two.

This one has a dip into ska which pleases me..

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I saw him in Melbourne this year and it was the best concert ever, he was absolutely adorable.

He's often so honest he sounds like an idiot. He has a whole album about how his ex tore him to pieces by leaving him and apparently he was only with this guy for 4 months :lol:.. it's so painfully honest and embarrassing and.. well I could go on.

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a very handsome man!
first love is so powerful, so overwhelming.
Anyway, whenever I hear this song I think of that time. I love this album so much I still listen to it all the time, 36 years later
John Lennon once said: what sort of music you love depends on whom you kissed in the cinema when you were 17.
I think he hit the bull's eye (though the age margin may be disputable ;) )
 
I think for many of us there was a time in adolescence when we sought out and soaked up music like sponges. For people my age, it was mostly through the radio, music videos, music magazines if you were really into it, and the all-important, all-powerful word of mouth from cool people.

The first song I remember actually speaking to me personally was when I was about 9 years old. The late '70s in popular music had two main things going on: Soft rock and disco. Disco has gotten a bad rap and I am not against dance music at all, but it had definitely been over-hyped. Soft rock, well... songs about "walking through the park and reminiscing" didn't really grab an elementary school boy.

Then I heard a song on the radio that really did grab me. It was after the summer of "My Sharona" so a shift in pop music was underway, and I knew Blondie from their disco-ish hit "Heart of Glass." But this struck me in a whole new way. The drumbeat was up front and wildly propulsive. The vocals were part dreamy, part powerful, and fist-pumping energetic. And though I didn't consciously notice it at the time: No guitar solo! No instrumental break of any kind! After the bridge they dive right back into the verse. I knew nothing of a "punk scene," but this was my first clue that there was something else out there, a kind of music with a "harder, faster, shorter" aesthetic that was very exciting, and which would become so important in my teen years. So when I went to the store with my mom I spent my own money on a 45 single of "Dreaming" and played it over and over and over on my folks' stereo.

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Styx always makes me think of a roadtrip to Disneyland I took with a group of friends while in college. The girl in the front seat played Styx for the entire six hour trip from the Bay Area to Southern California. We were all pretty sick of the band by the time we got to Anaheim. Not the best of times. ;)
 
This song:

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Is one that is still relevant today and is one that speaks to me.

People may have changed some what, but things are still the same in some ways too. There's still a long ways to go.
 
Like a lot of us,when my siblings and I were young, a lot of the music we listened to were our parents. For us it was Johnny Cash's At Folsom Prison, Peter, Paul and Mary's Moving, Johnny Horton's Greatest Hits and Bill Haley And His Comets. The Cash album was the most recent, the others came out when we were in diapers. But they were around the house and we played them to death, long after my parents forgot them. The songs always bring back memories of childhood. I still love Johnny Cash.
Brilliant to the end
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In high school, me and my friends would spend most of the nights on weekends out roaming the town. It was the mid 80's and there was a lot of cold war pessimism that permeated our view of the future. A song I listened to over and over again in that time period was Concrete Blonde's cover of the Leonard Cohen song "Everybody Knows". It fit our cyberpunkish/goth outlook that we were into at the time.

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Concrete Blonde has a lot of great music beyond that.
God is a bullet.
Joey.
Still in Hollywood.
Bloodletting.
......... among others.

ETA: Seems like my memory is bad, just looked it up and the song was from 1990, so, just post highschool years.
 
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So. Many. Songs.

Music has always been so, so important to me. Can't even begin to describe how it enriched my life, And having lived so long, there's different music from different eras.

At one end, I remember sitting in the family car in the early 1960s while my parents were in the bank (you could do that in those days) and they left the radio on, and a song came on, with a great beat, and I'm listening, then there's a bit where all the instruments stopped except the drums, and I went the 4 yr old equivalent of "Wow!" That was so cool. The song was, of course, Roy Orbison's 'Pretty Woman'. I think that was one of the frst songs to engender that love of music. Felt it again in the Travelling Wilburys' song 'Going to The End of the Line', that honeyed voice.

At the other end, Muse's 'Knights of Cydonia'. That song just lifts me up, powerful and raw. There's a great clip live at Wembley. Hard and prog rock is my thing, can't get enough of it. But...

I've chosen one that's at the top of my "life soundtr5ack" list. Everyone has a soundtrack to their lives, I think a lot of the songs here are those. Many of the lines I can relate to, and I'm very aware that the good things in life don't happen in hours, they come in moments. Always loved ths woman, too. A great song made greater by the string arrangement which enriches it enormously. It speaks to me.

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So. Many. Songs.

Music has always been so, so important to me. Can't even begin to describe how it enriched my life, And having lived so long, there's different music from different eras.

At one end, I remember sitting in the family car in the early 1960s while my parents were in the bank (you could do that in those days) and they left the radio on, and a song came on, with a great beat, and I'm listening, then there's a bit where all the instruments stopped except the drums, and I went the 4 yr old equivalent of "Wow!" That was so cool. The song was, of course, Roy Orbison's 'Pretty Woman'. I think that was one of the frst songs to engender that love of music. Felt it again in the Travelling Wilburys' song 'Going to The End of the Line', that honeyed voice.

At the other end, Muse's 'Knights of Cydonia'. That song just lifts me up, powerful and raw. There's a great clip live at Wembley. Hard and prog rock is my thing, can't get enough of it. But...

I've chosen one that's at the top of my "life soundtr5ack" list. Everyone has a soundtrack to their lives, I think a lot of the songs here are those. Many of the lines I can relate to, and I'm very aware that the good things in life don't happen in hours, they come in moments. Always loved ths woman, too. A great song made greater by the string arrangement which enriches it enormously. It speaks to me.

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Soundtrack of life? Oh, you had to take it there! There are so many to choose, the influences are varied, and it is not all Country for this Country boy. I grew up listening to the "Oldies," of the 1950s and 60s. The Four-Tops, The Temptations, Bobby Vee, The Supremes, Stevie Wonder, and, of course, the Beach Boys. "Surfin' USA" was the song that stuck out from that era. I also listened to Christian music--the Classics--especially St Louis Jesuits' "Earthen Vessels," album. My father was a Seminarian before he met my mom, and we were a VERY Catholic family, going to Church every Sunday, and attending Private, Catholic School. "Unchained Melody" was probably my "Knights in Cydonia." I was young, probably 5 or 6, listening to all this stuff on the Tape Deck of a 1987 Blue Pontiac Sunbird and my Dad's Stereo, in the livingroom, where we would gather around on Sundays and listen to his Vinyls and Cassettes.

My introduction to the genre that influences my life, was 1992's "We'll Burn that Bridge" by Brooks and Dunn. Ronnie Dunn's vocals gave me chills. My parents were going through a divorce by the time I was 8. We needed to stay somewhere, and my aunt volunteered to take care of us that summer. The entire family listened to Country. Probably the song that sticks with me, however, even influencing me today, is Garth Brooks's "The River." It's about chasing dreams and when I was 8, it was beyond my comprehension. Now, it reminds me to chase my dreams, everyday.

It's not a straight line, however. My Middle School years were about easy listening. My High School years were about Pop, R&B, and Pop-Rock. The songs that I remember from those eras, Brian McKnight's "Back at One," "I'll Be" by Edwin McCann, and, of course, "Higher" by Creed. Was it the best music? No. But I have a very vivid memory of watching my first love, and the one I never truly got over, listening to my copy of "Human Clay" at our job when she asked me to bring it in. She was quiet, didn't say much. But I remember watching her listening to that song.

Because of Napster, before it was illegal to download from them, and the VH1 lists of the best songs as the century closed, I heard "American Pie, (and learned all the words to the 8:26 song)," Frank Sinatra's hits (especially "I've Got You Under My Skin," Billy Joel's "Piano Man," Bon Jovi's "You Give Love a Bad Name," and so on.

So, what song do I choose to put up?

This one.

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Still, one of my favorites.
 
Exactly. It was amazing what he did with that song. Made it sound so different from the original version.
It's so rare and wonderful when a cover brings something so new and powerful that it can achieve equality with the original -- even rarer when it can eclipse the original. I've been wanting to make a mix CD for awhile of originals with great covers. Some I'd include would be:

The already mentioned Cash cover of NIN's "Hurt"
Nirvana's cover of Bowie's "The Man Who Sold the World"
Cocker's cover of the Beatles "With a Little Help From My Friends"
Guns 'N' Roses cover of Dylan's "Knockin' on Heaven's Door" (Nothing could ever achieve the greatness of the original, but the fact that the cover is so damn entertaining and so different from the original is tribute to how good it is)

And this one, which is a song that speaks to me. This song came out the year my brother died. It's a cover, and I don't know why, but it always reminds my of him:
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Exactly.

Very nice!

One of my favorite covers is Disturbed's take on Simon and Garfunkel's The Sound of Silence.

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I've got a strange devider running through my brain, on one end there is electronic, some really obscure and strange, running through ambient, trance and so on, the other half of my brain is metal, all music I love is well made, wrought out of pure talent, I am not interested in stuff that has been easy made, play a modern synth, meh, play a Moog System 55 and you've got my attention.
Metal usually is epic, there are incredible singers like Floor Jansen, Cristina Scabbia and so on and geniusses like Arjen Lucassen (Ayreon)
 
I wanted to change the world,
But I could not even change my underwear.
And when the shit got really, really out of hand,
I had it all the way up to my hairline,
Which keeps receding like my self-confidence--

Yeah we all feel like this at times and there's a great FUCK YOU comeback after all the wallowing PLZ LISTENS peoples haha

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On the subject of covers, I think it's pretty obvious I am pretty contemporary with my choices in music. I am an unapologetic lover of love songs, songs in Country music--music of pain and reality, music of depravity and privation, music of values and hope--that are told in the form of stories, I believe they are poetry, and they speak to me to the point I can listen to a single, good song 30 times and never be bored.

There is a song by the Dixie Chicks that captures my attention. The Chicks version of it is priceless--the simple, somber strumming of a guitar to open the song, Natalie Maines vocals that are powerful (almost bluesy), in the conviction she has to leave her significant other, because the relationship is broken. "Let Him Fly" was the title track of their sophomore album, an album that won many awards, at the Grammys and in Country music. I have listened to the song's opening notes many times, but didn't relate to it, until, I heard two lead singers from the Duos of the Year--Jennifer Nettles and Ronnie Dunn--dust if off some 13 years after its release, for a special on CBS, called "Women of Country Music--A Girl's Night Out." Honestly, it's not that great, but it caused me to re-sample the Dixie Chicks collection and add a few songs to my all-time favorite list--"Let Him Fly" and "Long Time Gone"--chief among them.

So, for fun, while we talk about covers and their impact on our lives, here is the one that re-introduced, as an adult, me to the music collection of the Dixie Chicks, a band that I hated growing up because of Maines' twang, and I kicking myself for not seeing them in concert when they were here two months ago.

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as most entries are rather old songs, I was reminded of another of my favourites:
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ah, those were the days! Birth control was well established, AIDS was not yet invented and the audience danced in the cinema if the film had a good score.
 
I posted SOME of this in a thread, but this is about the power of music, and this is definitely in that vein, and I feel the idea was half-baked, and so I slept on it, and came up with a more fully articulated piece. If that offends moderators, I will take down the other post. Music, in this instance, is helping me make my point.

I grew up in a VERY Catholic family, a Conservative one. I didn't throw out the baby (the values) with the bathwater (the religion). Values like "our strength lies in the community," "Have empathy and compassion for all people, especially your enemies," "Speak the truth, search for it," "Strive to fulfill your potential," "Dream of a better world; you are not your current circumstances," "be humble and kind," "have an innate respect for ALL human life, especially those you do not understand," "take care of the fringes of your society--the poor, the disadvantaged, the disabled, the elderly, the young, the hated, the ridiculed, the bullied"--just a few, made their way into my secular life. They are re-written in secular language, adapted to my search for truth, my convictions, and level of intelligence.

To deny the impact of religion on morality, both good and bad, is to live outside of the truth. It was Thomas Jefferson, who refers to a divine power in the "Declaration of Independence," and the ideas of divine and natural laws, that led to Dr. Martin Luther King, Jr. never losing hope, as he sat in a Birmingham, Alabama jail. Yes, I can point to Galileo, but those other examples are as real as what was done to Galileo.

To deny that art and politics have been shaped by believing in a deity, something higher than oneself, is to deny the facts surrounding man. This is a motivation--to see inherent worth in our lives because God loves us, to want to devote a piece of art to God, as a show of our appreciation of his creations, and worship him. I know, I know, apologist. But the truth is, the Sistine Chapel is a work of art inspired by religion, the Greek Columns of Washington, D.C. was a reference to the birthplace of Democracy--Greece. Both of those facts are true, whether you like it or not.

Do not mistake my meaning. Religion does not own morality. I refuse to believe that human morality is 2,000 years old. We have a genetic capacity for kindness, understanding, the emotions of compassion and empathy, the ability to learn and adapt, the ability to generalize our knowledge in new circumstances. Without these traits, we would not be able to have morality. But, science cannot lead us to a better world--science can give us data, but the data can lead to Eugenics or population control, or unintended consequences from the technology at our disposal. It is not science that gives us the desire to stay out of a nuclear war--it is morality and our will to survive.

I am grateful everyday, for the forebears that allow me to have these thoughts, shaped and molded our world to accommodate free thought. From the soldier that defended our freedom, to the founding documents, to the people who have maintained our society, I am protected to say these things.

So, what is the point of this post? Usually I lead with that. The purpose is to show why I can listen to this song, and still feel inspired, even though, I don't believe. This song is about believing no one is beyond redemption, another core value. It's about seeing beyond labels and the trappings of morality, and seeing the actions, not beliefs, that make up a person. That is my interpretation, how I listen to it. My upbringing is why I am able to have a conversation about God, without accepting God as the center of my life. And, when someone threatens the freedom of expression, when someone dishonors those that fought for this nation for me to have these ideas and express them openly, without a fear that I will be killed or jailed, I am furious. You would see my fury if you heard me talk about the exchange between Mr. Khan and his wife, and Mr. Trump.

The entire world is yours to enjoy. The world is full of contradictions, and, it is not black-and-white. We cannot fit a human personality and experiences into a box. We cannot associate ALL characteristics of that box with a person. That's a straw-man argument, dealing with a caricature of who we are, and what we are about. And religion is a topic that cannot be contained, especially. To have hope and humility, to dream and serve others, we need morality. It is not limited to religion, but it is not without religion, either. We all need--on both sides of this fight--to stop the shouting at each other (I am not free of having those moments), and realize, each person is more more important, than our beliefs.

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I remember saying on this board many years ago that music is by far the most personal of all the creative outlets of entertainment we are exposed to or participate in...movies, TV, etc no one gets quite so enamored or pissed off about any of those as music.

I've seen and still see a lot of people who like one or two types of music and think everything else is crap, and I generally have no time for that sort of thinking. Go like whatever you like.

I'm not sure I could explain my tastes or interests without a history, so I'll try and make this short and summarized..

When I grew up, my parents were European and had just moved to the US 2 years before I was born. There was no particular kind of music they tried to get me to like. Nor was there as much of the type of kids music that so many parents try to safely ween their kids on today. My dad bought 45s and LPs at yard sales...he really didn't know what he was buying, he only listened to classical music. I also would listen to the radio consistently. There was a 50s revival going on spurred by Happy Days and Grease, and I had a lot of those 45s too. I also had rock, Motown, and some weird experimental stuff. I listened to whatever I liked. Variety shows were common, I got to see who I had been hearing in many cases. I saw James Brown in a performance from the 1960s and I was amazed.

Despite listening to many genres I realized I was liking some of the more "offbeat" stuff. Strange electronic sounds from a really experimental era in the late 70s and early 80s. Devo competed for time with Queen at school. I loved both. This was new wave, and I realized in the early 80s I had missed out on the punk rock revolution in the 70s in England that new wave grew out of. The Clash had so many styles wrapped up in one..I don't think I could not have loved them. If it was "weird" I probably liked it. Still, a lot of what I listened to was "pop".

By the mid 80s, firmly in my teens I recall just feeling tired of a lot of the videos (still the rage) and music I was hearing. By then, my sister had a tape player and we didn't have to use the big stereo system in the living room. We recorded radio shows like Rock Over London. In 1985 I was listening to rap (I first heard rap in the late 70s and loved it), soul and hip hop much more than my sister but we were on the same page with her obsession over English bands. To this day she never remembers listening to Afrika Bambaataa.

By 1986-87 I started listening to college radio. The sounds I liked earlier on started to meld. Hip Hop beats, punk, new wave..I discovered a band named New Order existed(and that they used to be Joy Division, which I had liked..and my current avatar), they put together beats from the streets to rock guitars, and cool bass lines and had been doing so for some time. It all sounded so fresh and new. Artists/DJs saw music as amorphous sonic clay that could be molded. Arrangements could change. Remixes became common. Some of them even broke through on American radio. Like MARRS's Pump up the Volume. 120 minutes finally brought college radio, electronic music, and "alternative" or post-modern as they liked to call it to MTV.

Most of my friends liked the wave of hair bands and the usual pop music. I suppose it's because I come from a more rural area in NJ, not the metropolitan area. Very few had even an inkling what I was listening to. For 3 years I worked at a screen-printing company. We had contracts for major artists. I would bring my tapes to work and play early Ministry, NIN, Happy Mondays, etc. Most didn't know what to make of it, some liked it. Some I even exchanged tapes with...mostly surfers and cyclists. I'll never forget being shocked at printing Cure concert t-shirts.

By the 90s I was a music snob. I thought pop music was a dinosaur lyrically and musically. Electronica as it's called now, satisfied my need for musical creativity, and the softer, simpler college radio tunes were the more thoughtful lyricists of the day. I caught on to acid house(wishing I had lived in England at the height of it), and thought that and industrial(combining electronics with heavy beats and guitars) were poised to take over popular music all over the world..and then Grunge happened.

Two things changed..one Grunge eventually brought all "alternative" music to the forefront, so after a few years, it was no longer "alternative". It also gave me mixed feelings. I thought it was basically British punk produced by American hicks and garage bands. Music became more splintered. People had very particular tastes and had more access to satisfy them. Ska had a mini-revival, and I loved that. :nyah: Electronica was still popular and becoming moreso with DJs taking the forefront, their names would now sell concert tickets, but you'd never hear them on grunge or "rock" stations. Despite it's reach, Grunge faded pretty quickly..by 97-98 alternative rock became more mainstream...college radio today still plays a lot of fairly mainstream music.

As these things generally happen, rock music is cyclical. Despite bursts of change (late 60s, late 70s-early 80s, early 90s) pop music rose to the forefront again. Some I liked, some not though I didn't spend and inordinate amount of time looking for it. From the late 90s into the 2000s boy bands spread like wildfire. Rap became more popular. Country music went mainstream. Pop stars were now manufactured on TV show contests. During that period I listened mostly to Electronic music as well as nostalgia music, mostly from the 80s. I won an MP3 player in an online music contest. No one had any idea what an MP3 player was in 1999. I could hold maybe 15-20 songs at a time and it was a wonder for the gym. Of course unlimited access to every kind of music went on to change music with the Ipod a few years later.

In 2004 I got married. My wife, the sweet soul she is, loves lots of emotional love songs and generally listened to a lot of pop. She loves songs from when she grew up (she's older than me) but is not attached to them, she has no problem looking for the newest music. She likes modern, less twangy country music. We even shared quite a few favorites from the 70s.

In my late 30s I found myself listening to more pop again. I guess I mellowed a bit. I lost most if not all my musical "snobbiness". No doubt some of it is due to my wife and what we share musically. She's surprised I know lyrics from songs from the 50s, 60s, 70s and 80s. I can pin down any song from the 1980s to within 2 years of release on Spotify without looking it up and the 70s to within 3 years. I lost some of my ambivalence to grunge and rock tunes from the 90s. I actually like a lot of singles from the 90s and early 2000s that I did listen to, if not fully appreciate at the time. Chris Cornell is all over my Spotify.

It's probably easier to say what I dislike. These days I dislike country music in general, though just recently my wife played me some that I can stand and doesn't sound too much like country music. :lol: When traveling in certain states, I have to put the radio off-limits because every station is country music. I've listened to discordant, non-melodic music in my time, but I can't stand death-metal or in fact most metal. I don't find it creative. I liked rap for a long time, I can still listen to some tracks that have rap in them, but I almost never listen to full rap songs. It's kind of sad for me as i used to be supportive of it. Like I said earlier, these are just personal preferences, I really don't make judgements on what people listen to now, I'm fine with what anyone likes to listen to, it's really very personal for most.

So I wanted to post two things, one a short 10 minute clip on the making of a milestone track from New Order called "Confusion" from PBS's "The History of Rock n Roll", "The Perfect Beat" chapter, and how it came to be for some context. It starts at 2:15.
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The song I'll post is New Order's "Everything's Gone Green". When I heard the layered, ethereal, and technological sound and the plaintive guitars I remember being carried away by it. I never took any drugs for that kind of music and for the best examples, you never need any. Despite the beat, and danceable tune, it's a very sad song..which was kind of a trademark of theirs. There's a version with a video, but I don't think the visuals are interesting and they detract from the song, so I'll post the 1987 Substance CD version.

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I've read every single post here so far. Finding it very interesting.

RAMA
 
@HaventGotALife in response to your thoughtful post I'd like to say that science is not an aspect of morality. A hammer builds a home or bashes a head, and so science cures disease or leads to eugenics. It's just a tool, not a philosophy. To bring it up in a debate about morality is a non sequitur. It may be used to justify people's moral or amoral acts, but that's the end of it.

Religion teaches specific moralities: some of the teachings of religions are beautiful, others terrible. Religion, inarguably, has been one of the most profound driving forces of art and beauty in this world. I say this as a life-long atheist. I say this in relation to this thread, because many of my favorite songs are religious. As I said in a previous post, they are favorites because they speak to the human condition. They speak to it through a lens of faith that I do not share, but to a condition that we all share.

I don't think anyone will deny the impact of religion on art (and the human condition), but evidence points to atheism being as old as belief. Despite you saying that you think religion does not have a claim on morality, you still seem to imply it. We don't live in a world where we can isolate from religion, but as more and more children are raised without it, we can see more clearly how unnecessary it is to morality. I would quote Sagan, who said that when all the evidence shows us that there is no higher power, no greater purpose, no meaning, that is when humanity can truly shine, for "The significance of our lives and our fragile planet is then determined only by our own wisdom and courage. We are the custodians of life's meaning. We long for a parent to care for us, to forgive us our errors, to save us from our childish mistakes. But knowledge is preferable to ignorance. Better by far to embrace the hard truth than a reassuring fable. If we crave some cosmic purpose, then let us find ourselves a worthy goal."

"We are the custodians of life's meaning." I think there is more beauty, power, and opportunity for goodness in that phrase than anything I have ever read or heard from any religion.

All of that leads to this song, written by an atheist (who usually writes comedic songs), addressing this very subject. This song definitely speaks to me:
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