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MeTV's SuperSci-Fi Saturday Night

His digs seem a little too nice for a drifter doing lumberjack work.

I took that to mean David had been in town for some time, earning enough money to afford the place. The strength of his relationship with Gale suggests he was around for more than the usual week or two.


The riverbed location in the FHO looked familiar to me, like they'd shot there before...maybe in the prison camp episode.

Part of it was the Universal backlot, so that might be triggering familiarity with the location.


McGee just watches the Hulk go by? No hot pursuit?

The Hulk can outrun cars, and pivot to another direction in a heartbeat, so McGee knew it would be pointless to try to give chase.

I'd made note of this, too. I don't think there's a story justification for it, it's just inconsistency with the Hulk's level of violence. A far cry from tossing Paul Carr on a canopy bed.

He was not finished with Carr's character in that scene until interrupted.



"Tainted Love," Soft Cell

(Jan. 16; #8 US; #4 Dance; #12 Rock; #1 UK)

If ever there was group and/or song that typified the mindless worst of 80s New Wave, it was this. Another for the rocket to the sun.

"867-5309/Jenny," Tommy Tutone
(Jan. 23; #4 US; #1 Rock)

Ahh, a song that raced to Compilation Records Hell not long after its release.

"We Got the Beat," Go-Go's
(Jan. 30; #2 US; #7 Rock)

Now this is a great song form the period. Arguably the Go-Go's finest.

"Do You Believe in Love," Huey Lewis & The News
(Feb. 6; #7 US; #12 Rock)

Glorified low-rent bar band, and this song hammers that point with force. Plenty of vacancies on that rocket to the sun.

"I Love Rock 'n Roll," Joan Jett & The Blackhearts
(Feb. 6; #1 US the weeks of Mar. 20 through May 1; #31 Dance; #1 Rock; #4 UK)

Jett's best since leaving The Runaways, and probably her best solo/Blackhearts effort.
 
Horrible. Fry every copy, then send the ashes into the sun.
I'm a little more tolerant of the song, but understand the sentiment.

I might have criticized this era earlier, but to be honest, its a very well written song.
They're not even close to being a favorite of mine, but when I'm listening to this era, they do bring something to the table.

Haha. One of the all-time great 80s one-hit wonders. :rommie:
Another fantastic 80s Rock classic, even better than "We Got The Beat."
Yep...both very memorable classics of the era.

Here's somebody else I'm afraid to say anything bad about for fear of incurring my Sister's wrath. :rommie:
Interesting...I never would have had much reason before to associate Huey Lewis with Jim Morrison....

He should have growled back!
That would have been a hoot! :lol:

I watched the first episode of My Favorite Martian and it was fine. There was one commercial (maybe two) and there seems to be a Hulu connection.
I was getting lag from the Me site's ads, I think, but that may settle down when I watch an entire episode there. The two episodes I've watched so far were both officially available on YouTube, so I watched them there.

I'm tempted to watch an episode of Space: 1999 now. I'm not sure if that would be considered masochism....
I've never watched the show, but going by the cast, I'd say that the moon didn't really get flung out into space, it's just a very elaborate IMF scheme....
 
The Hulk can outrun cars, and pivot to another direction in a heartbeat, so McGee knew it would be pointless to try to give chase.
Never stopped him from making an effort before. It seemed out of character for him to just stand there gawking like an extra.

He was not finished with Carr's character in that scene until interrupted.
Well yeah, they never got around to the pillow fight.... :p

If ever there was group and/or song that typified the mindless worst of 80s New Wave, it was this. Another for the rocket to the sun.
Ahh, a song that raced to Compilation Records Hell not long after its release.
Can't agree with these sentiments at all.
 
Space: 1999's first season is palatable if you go in with the right mindset -- that it's not in any way meant to be plausible science fiction, but is more akin to magic realism and surrealist fantasy, using space as a vast, unknowable mystery that defies and demolishes human understanding and pushes the characters to their psychological limits and beyond. So the stories don't make any scientific sense, but they're usually not supposed to. Although by contrast, the production design of the sets, ships, and equipment is really good and believable, so it's fantastic if you like spaceship porn. And it tends to handle its supporting cast better than Star Trek did.

The second season, though, is basically just dumb. They brought in Fred Freiberger and had it retooled to be a more "American" action show, so now the weirdness didn't have any underlying philosophical weight to it, it was just random nonsense.
 
Space: 1999's first season is palatable if you go in with the right mindset -- that it's not in any way meant to be plausible science fiction, but is more akin to magic realism and surrealist fantasy, using space as a vast, unknowable mystery that defies and demolishes human understanding and pushes the characters to their psychological limits and beyond. So the stories don't make any scientific sense, but they're usually not supposed to. Although by contrast, the production design of the sets, ships, and equipment is really good and believable, so it's fantastic if you like spaceship porn. And it tends to handle its supporting cast better than Star Trek did.

The second season, though, is basically just dumb. They brought in Fred Freiberger and had it retooled to be a more "American" action show, so now the weirdness didn't have any underlying philosophical weight to it, it was just random nonsense.
They tried to do 2001: A Space Odyssey-lite. But Kubrick they weren't.
 
But they still had really cool ships.
Absolutely!
The Eagles are a thing of beauty!
Eagle-blog-1.jpg
 
What's impressive is how good Space: 1999's effects were without using bluescreen mattes -- it was pretty much all done in-camera with multiple latent exposures on a single strip of film. Which is a bit limited compared to mattes, since you can't overlap different images without them appearing translucent, but it has the advantage of being first-generation with no image degradation, and not having visible matte lines. (Another show that made good use of this in-camera technique was Filmation's Space Academy.)
 
Depends on the episode... You can go from mildly discomfort to fully Masoch.
I tried "Death's Other Dominion," but it wouldn't play. Maybe the universe loves me.

Jett's best since leaving The Runaways, and probably her best solo/Blackhearts effort.
The Runaways were pretty good. I loved "Cherry Bomb" and I still think the original is better than her later cover.

Interesting...I never would have had much reason before to associate Huey Lewis with Jim Morrison....
Other than my Sister finding them both hot, I don't think they even exist in the same universe. :rommie:

I've never watched the show, but going by the cast, I'd say that the moon didn't really get flung out into space, it's just a very elaborate IMF scheme....
That's a fantastic idea-- either for an homage or a MAD-style parody. :rommie:
 
Who do you think they were trying to scam? In-universe, it had to be Commissioner Simmonds.

Otherwise my money is on Sir Lew Grade.
 
Now on a new night--for two weeks only!

The Incredible Hulk
"Slaves"
Originally aired May 5, 1982
MeTV said:
After being captured by an ex-convict, David is forced to work as a slave in a gold mine.


Continuing through the hiatus preceding the episode (with a bit more hiatus catch-up to come in my review post):
February 15 – The oil platform Ocean Ranger sinks during a storm off the coast of Newfoundland, killing all 84 rig workers aboard.
February 18 – The Republic of Ireland general election gives a boost to Fianna Fáil.
February 19 – The DeLorean Motor Company Car Factory in Belfast is put into receivership.
February 24 – In South Africa, 22 National Party MPs led by Andries Treurnicht vote for no confidence in P. W. Botha.
February 25 – The European Court of Human Rights rules that teachers who cane, belt or tase children against the wishes of their parents are in breach of the Human Rights Convention.
February 27 – Atlanta murders of 1979–81: Wayne Williams is convicted of murdering 2 adult men and is sentenced to two consecutive life terms.
February 28 – Adobe Systems was founded.

March 3 – Elizabeth II opens the Barbican Centre in London.
March 9 – Charles Haughey becomes Taoiseach of the Republic of Ireland.
March 10
  • The United States places an embargo on Libyan oil imports, alleging Libyan support for terrorist groups.
  • Syzygy: All 8 planets align on the same side of the Sun (see also The Jupiter Effect).
March 16 – In Newport, Rhode Island, Claus von Bülow is found guilty of the attempted murder of his wife.
March 18
  • An Argentine scrap metal dealer raises the Argentine flag in South Georgia.
  • Mary Whitehouse's private prosecution of The Romans in Britain collapses.
March 26 – A ground-breaking ceremony for the Vietnam Veterans Memorial is held in Washington, D.C.
March 29
  • Royal Assent is given to the Canada Act 1982, setting the stage for the repatriation of the Canadian Constitution on April 17.
  • The 54th Academy Awards, hosted by Johnny Carson, are held at the Dorothy Chandler Pavilion in Los Angeles. Chariots of Fire wins Best Picture and 3 other Academy Awards.

April 2 – The Falklands War begins: Argentina invades and occupies the Falkland Islands.
April 4 – Mexico's children's festival "Juguemos a Cantar" takes place and ends its first run on May 2 .
April 6 – A blizzard unprecedented in size for April dumps 1–2 feet of snow on the northeastern United States, closing schools and businesses, snarling traffic, and canceling several major league baseball games.
April 17 – By Proclamation of the Queen of Canada on Parliament Hill, Canada patriates its constitution, gaining full political independence from the United Kingdom; included is the country's first entrenched bill of rights.


New on the charts in those weeks:

"Edge of Seventeen (Just Like the White Winged Dove)," Stevie Nicks
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(Feb. 20; #11 US; #26 Rock)

"Don't Talk to Strangers," Rick Springfield
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(Mar. 6; #2 US; #30 AC; #11 Rock)

"Don't You Want Me," The Human League
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(Mar. 6; #1 US the weeks of July 3 through 17; #3 Dance; #4 Rock; #1 UK)

"Ebony and Ivory," Paul McCartney & Stevie Wonder
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(Apr. 10; #1 US the weeks of May 15 through June 26; #1 AC; #8 R&B; #34 Rock; #1 UK)

"Rosanna," Toto
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(Apr. 17; #2 US; #17 AC; #8 Rock; #12 UK; 1983 Grammy Award for Record of the Year)

_______
 
Mary Whitehouse's private prosecution of The Romans in Britain collapses.

I had to look that up to see what it meant. It was a play she charged with indecency. (I know the name Mary Whitehouse, though -- she was well known in Doctor Who fandom for her frequent campaigns against the violence in the show.)
 
Interesting mix of music there. Human League very New Wave synthpop. Stevie Nicks being Stevie Nicks. Rick Springfield with some Pop Rock. Macca and Stevie getting close to sappy but never crossing the line. And a Toto power ballad.
 
Who do you think they were trying to scam? In-universe, it had to be Commissioner Simmonds.
At that point, they were just doing it for fun.

"Edge of Seventeen (Just Like the White Winged Dove)," Stevie Nicks
This is a great song. I always loved Stevie Nicks. It has a strong nostalgic sound now, too.

"Don't Talk to Strangers," Rick Springfield
I'd give my opinion of Rick Springfield, but the point is probably moot.

"Don't You Want Me," The Human League
This is interesting. Musically kind of dull, with a very dated 80s sound, but it tells a nice human-interest story that is timeless.

"Ebony and Ivory," Paul McCartney & Stevie Wonder
Two great talents delivering an inspiring message in an incredibly lackluster way. It makes me want to break out my Three Dog Night.

"Rosanna," Toto
There's only one Toto song that I like and this isn't it. It's not especially bad or anything, just not much of interest.
 
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