His digs seem a little too nice for a drifter doing lumberjack work.
I took that to mean David had been in town for some time, earning enough money to afford the place. The strength of his relationship with Gale suggests he was around for more than the usual week or two.
The riverbed location in the FHO looked familiar to me, like they'd shot there before...maybe in the prison camp episode.
Part of it was the Universal backlot, so that might be triggering familiarity with the location.
McGee just watches the Hulk go by? No hot pursuit?
The Hulk can outrun cars, and pivot to another direction in a heartbeat, so McGee knew it would be pointless to try to give chase.
I'd made note of this, too. I don't think there's a story justification for it, it's just inconsistency with the Hulk's level of violence. A far cry from tossing Paul Carr on a canopy bed.
He was not finished with Carr's character in that scene until interrupted.
"Tainted Love," Soft Cell
(Jan. 16; #8 US; #4 Dance; #12 Rock; #1 UK)
If ever there was group and/or song that typified the mindless worst of 80s New Wave, it was this. Another for the rocket to the sun.
"867-5309/Jenny," Tommy Tutone
(Jan. 23; #4 US; #1 Rock)
Ahh, a song that raced to Compilation Records Hell not long after its release.
"We Got the Beat," Go-Go's
(Jan. 30; #2 US; #7 Rock)
Now this is a great song form the period. Arguably the Go-Go's finest.
"Do You Believe in Love," Huey Lewis & The News
(Feb. 6; #7 US; #12 Rock)
Glorified low-rent bar band, and this song hammers that point with force. Plenty of vacancies on that rocket to the sun.
"I Love Rock 'n Roll," Joan Jett & The Blackhearts
(Feb. 6; #1 US the weeks of Mar. 20 through May 1; #31 Dance; #1 Rock; #4 UK)
Jett's best since leaving The Runaways, and probably her best solo/Blackhearts effort.