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MeTV's SuperSci-Fi Saturday Night

Oh, I suspect many of our current favorites will look just as "cheesy" twenty years from now, and we'll be lamenting that today's shows aren't nearly as fun as SUPERGIRL, BIG BANG THEORY, SUPERNATURAL, or LEGENDS OF TOMORROW . . ..

Unless, of course, we're living in a post-apocalyptic hellscape inhabited by mutant lizards and homicidal drones . . ..:)
 
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I wouldn't care to do the reviews at a daily pace anyway. I vote that we proceed at the pace and scheduling that would have played out if Me had kept running the show weekly.

I agree--same schedule of weekly reviews.

Guys, I think we were a happier society when we had the cheese on TV. I like CHiPs.

...all I can say is...

NNNNNNOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!
 
To say nothing of:
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Exactly. "Coroner's report says they all died of starvation and dehydration."

I also added "or practicing what he preached" I've never appreciated how so much of the music "journalism" media pushed this idea of Lennon being something of a man who walked on air (ironic--considering one of lines from the song in question), while he was largely paying lip service to the ideas in his music. Additionally, as message songs go, the same writers--by psychological default--pushed other (more relevant) message songs into a second place position, such as the superior Inner City Blues (or the entire album it came from--What's Going On from Gaye) or Edwin Starr's version of War--certainly more relevant to the era of their creation--and in some cases, still potent for today's issues (Gaye's work more than others).
And your opinion is as valid as anyone else's. Personally, I care more about the message; and if other artists may deserve more credit than they get, that shouldn't detract from Lennon's contribution.

I looked that up on Wikipedia and watched some clips on YouTube, and I could actually see a lot of potential in a reboot. Actually, it stikes me as perfect reboot material, it's an interesting concept, but the original ran into problems that didn't really allow the idea to be explored to it's full potential.
If you like stuff like, say, Plan 9 From Outer Space, you will like Starlost. I like Starlost.

Guys, I think we were a happier society when we had the cheese on TV. I like CHiPs.
Agreed. There are many fine kinds of cheese. Cheese is for connoisseurs. :D

Lol, guys! I just think we had more fun when we had that stuff on TV. Heaven knows it's better than reality TV.
Absolutely. We live in a sad and cynical age.

Oh, I suspect many of our current favorites will look just as "cheesy" twenty years from now,
Most of it looks pretty cheesy to me already. That's what happens they try so hard to be not-cheesy. :rommie:

Unless, of course, we're living in a post-apocalyptic hellscape inhabited by mutant lizards and homicidal drones . . ..:)
Talk about great expectations.....
 
Thanks for reminding me to follow up on this, @RJDiogenes :
Additionally, as message songs go, the same writers--by psychological default--pushed other (more relevant) message songs into a second place position, such as the superior Inner City Blues (or the entire album it came from--What's Going On from Gaye) or Edwin Starr's version of War
As it happens, on the week that "Inner City Blues" peaked at #9, "Imagine" was above it in the charts, as were seven other songs not written by Lennon. "Imagine" was only at #4. #1 was "Gypsys, Tramps & Thieves," so shouldn't your issue be with Cher?

And Edwin Starr's "War" did hit #1 the week of August 29, 1970, with not a Lennon song on the Hot 100. It was knocked out of the #1 position three weeks later by Diana Ross's cover of "Ain't No Mountain High Enough."
 
I just did an interesting bit of math...as has been mentioned, we'll have 17 episodes left to review after Me stops showing TIH. At 5 episodes a week, it will take H&I exactly 17 weeks to go through the series. So the entire time we're doing our regularly scheduled weekly reviews, H&I will be trying desperately to catch up with us, and we'll meet at the finish line.
 
And Edwin Starr's "War" did hit #1 the week of August 29, 1970, with not a Lennon song on the Hot 100. It was knocked out of the #1 position three weeks later by Diana Ross's cover of "Ain't No Mountain High Enough."
Actually, I was thinking of "Ain't No Mountain High Enough," after I posted and went over to the other thread. There's another example of art that can't be taken literally-- hyperbole is not uncommon in the arts, especially when it comes to love. :rommie:

Elizabeth Warren is president? :D
Not yet. :rommie:
 
As it happens, on the week that "Inner City Blues" peaked at #9, "Imagine" was above it in the charts, as were seven other songs not written by Lennon. "Imagine" was only at #4. #1 was "Gypsys, Tramps & Thieves," so shouldn't your issue be with Cher?

Haha..no. I was talking about music "journalists" kicking superior message songs into a second place position critically, not chart placement.
 
Haha..no. I was talking about music "journalists" kicking superior message songs into a second place position critically, not chart placement.
Well, that shouldn't be held against John or his work. He was the first person to call bullshit on people taking his work too seriously, which was underlined in that documentary clip that I posted.

_______

This week, on The Incredible Hulk:

"Bring Me the Head of the Hulk"
Originally aired January 9, 1981
MeTV said:
A rival publisher of McGee's newspaper hires a mercenary to kill the Hulk.
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Events in the news in the weeks since the previous episode, bringing us into a new year:
December 14 – Four people are murdered at Bob's Big Boy on La Cienega Boulevard in Los Angeles and 4 others are injured by two armed robbers, in what is one of the city's most brutal crimes ever.
December 15 – The Academia de la Llingua Asturiana (Academy of the Asturian language) is created.
December 16 – During a summit on the island of Bali, OPEC decides to raise the price of petroleum by 10%.

January – The subterranean Sarawak Chamber is discovered in Borneo.
January 1
  • Greece enters the European Community, which later becomes the European Union.
  • Palau becomes a self-governing territory.
January 10 – Salvadoran Civil War: The FMLN launches its first major offensive, gaining control of most of Morazán and Chalatenango departments.



New on the U.S. charts in those weeks:

"Back in Black," AC/DC
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(#37 US; #51 Rock; #187 on Rolling Stone's 500 Greatest Songs of All Time)


And as I'm short on material for these weeks despite the holidays, here's one last, glorious...

HIATUS OF 1980 FLASHBACK!!!

"All Over the World," Electric Light Orchestra
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(Charted Aug. 2; #13 US; #46 AC; #11 UK)

"Master Blaster (Jammin')," Stevie Wonder
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(Charted Sept. 20; #5 US; #10 Dance; #1 R&B; #2 UK)

"Turning Japanese," The Vapors
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(Charted Sept. 27; #36 US; #34 Dance; #3 UK)

_______
 
"Back in Black," AC/DC
Yeah, AC/DC turned out some solid Rock'n'Roll and this is a pretty good one.

"All Over the World," Electric Light Orchestra
Poor ELO. They used to be so good. :(

"Master Blaster (Jammin')," Stevie Wonder
I'm not sure if I remember this or not. He can certainly do better.

"Turning Japanese," The Vapors
Ah, one of the all-time 80s classics. I remember hearing this song and thinking that it might be worth listening to the radio again.
 
The Incredible Hulk
"Bring Me the Head of the Hulk"--


At the Cressler Institute's genetic research lab in Wisconsin, the Hulk destroys one of its rooms before breaking out and disappearing into the night...

PARIS--at his estate, Mr.La Fronte, checks an elaborate (for home use) computer and its reports about the Hulk. Alex (his assistant) believes--

Alex: "This Hulk thing must be commando trained. It would take a tank to do the damage indicated in those reports, sir."
La Fronte: "Another genetic research lab. This tends to confirm my theory about the creature."
Alex: "Then we go for him?"
La Fronte: "Just a question of settling on the bait. I'll need to see the dossiers."

Quickly fingering through folders, he settles on Dr. Jane Cabot...

La Fronte: "I think I prefer her."
Alex: "Is she the real thing, sir? You know what they call her."
La Fronte: "The Werewolf Doctor? An unfortunate result of her work in cell metamorphosis. She's controversial, but legitimate. She's also particularly grant hungry. I don't think she'll ask many questions. Book us a flight to Chicago."

La Fronte studies his life sized chart of the Hulk, imagining how much he will profit from this scheme...

CHICAGO--Arriving at the offices of the National Register, La Fronte meets McGee & his publisher, Roberts...

McGee: "What is this? Some kind of a gag?"
La Fronte: "I can assure you, Mr. McGee, I'm not in the business of amusing people."
McGee: "What exactly is the nature of your business, Mr. La Fronte?"
La Fronte: "I find permanent solutions to my clients' problems."
McGee: "Suppose you could be a little more specific?"
La Fronte: "Southeast Asia, 1962. Congo, '64, Angola, '77."
McGee: "You're a mercenary."
La Fronte: "Among other things."

Roberts & McGee exchange glances...

Roberts: "What makes you think that you can capture the Hulk when everybody else has failed?"
La Fronte: "I said nothing about capture."
McGee: "Well, what makes you think that we would give you a license to kill the Hulk?"
La Fronte: "This particular issue doesn't require a license. I want a business agreement. For one million, I guarantee results."
Roberts: "One million dollars?? We could never afford a sum like that!"
McGee: "Mark, it isn't a question of the money."
Roberts: "Oh, I know."
McGee: "We don't want the creature killed. Just captured."
Roberts: "That's exactly what I meant."
McGee: "See, if you kill the creature, you also kill a man."
Roberts: "It's out of the question, Mr. La Fronte."
La Fronte: "I didn't know you were such humanitarians, gentlemen. Thank you for your time."

After La Fronte leaves, McGee tries to dig up information on the man. Elsewhere, David Bedford fails to secure employment at another lab...

Undaunted by his experience at the Register, La Fronte meets with the publisher of a rival rag, The Limelite; with research showing 75% of Register readers believing the Hulk is real, Limelite funding the successful destruction of the Hulk would be a major win for the paper--doubling their readership, and leaving the competition behind. With La Fronte also putting up a matching down payment, the Limelite agrees to pay the mercenary to kill the Hulk.

Setting the trap, La Fronte & Alex establish the Cabot Foundation, knowing the man who becomes the creature will--once again--seek some sort of genetic research facility to end his problem. Only this time, Cabot's particular reputation will be too much for the quarry to resist...

La Fronte eases Dr. Cabot's concerns about not delivering on behalf of her investors, leaving her to excitedly set up her lab. As predicted, David contacts this new lab, seeking employment (access). Speaking to La Fronte, David's lack of references is not a problem, but to make sure Banner could be the target, he lays out references only the Hulk's alter-ego might know--

La Fronte: "Are you familiar with the Absolon 45-11 homogenizer?"
David: "Yes--I've operated one."
La Fronte: "Excellent. Where was that?"
David: "That would have been at my last job. That was at the Cressler Institute."
La Fronte: "Oh. Is here someone at Cressler I could contact for a reference?"
David: "Well, I wasn't there very long. I doubt very much if they'd remember me. You know, they had a fire there and all the records were destroyed."
La Fronte: "Yes, I'd heard. Well, that's not very important. Your qualifications seem excellent, and frankly, we're in desperate need of personnel."

Taking the bait, La Fronte & Alex feed David's suspicion-raising information into their master computer, which produce a match between the locations David claimed as past jobs and Hulk sightings. As David makes his way to the trap, La Fronte tests his new rocket launcher--able to destroy a target matching the Hulk's height and mass...

David arrives at the Cabot Institute, is provided with lodging and the appearance of being in a setting conducive toward finding his cure. Monitoring David's every move, his interest in Cabot's work, as well as his own background, La Fronte is more than ready to zero in on his target. Alex has a moment of "weakness" by mentioning how nice David is--an observation La Fronte questions as Alex possibly losing his objectivity on the matter, not to mention the possibility Alex might end up killing David.

David learns more about Cabot and her work with a transposer designed to initiate and control DNA transfer (and someday treating genetic diseases); she speaks of her forging ahead with innovative work that is not always safe, but worth the end result--a mindset reminding David of his own approach to his life-altering experiments.

In a city park, McGee has a clandestine meeting with Pauline, one of the Limelite journalists, who--on the promise of a Register position & raise-- gives McGee information on La Fronte, including possible money laundering...

At the lab, Alex--contrary to La Fronte's suggestions--lets his guard down talking to David about his life of never settling in one place, or starting a family. Obviously troubled, Alex tries to ask David a personal question but is interrupted by a lab worker....

McGee and Roberts pour over the background of La Fronte--a man seemingly tied to assassinations and assisting in overthrowing governments, among other unsavory work. The money laundering trail leads to a dummy foundation--namely Cabot's, leading McGee to reason if the money is there, so is La Fronte...and McGee soon will be....

Cabot & David work well into the next morning; David slightly butts heads with Cabot about not moving on to the next level of tests before confirming the early results. Once Banner retires for the morning, the fatigued Cabot accidentally aims the transposer at the cabinet where a supply of hydrofluoric acid is stored; the acid container is burned open, releasing fumes that instantly choke Cabot--who manages to hit the fire alarm. David runs in to save her, but is quickly overwhelmed by the fumes, which trigger a Hulk-out. The Hulk sends the acid cabinet through the roof, soaring into the courtyard.

Still suffering from the fumes, the creature escapes with Cabot--running right into Alex with the rocket launcher. Cabot pleas for his life, as he's just saved hers, inspiring Alex to question the Hulk, trying to determine if he's human. La Fronte runs up, screaming at Alex to kill the creature, but thanks to Alex hesitating, the rocket misfires into the hills. The Hulk transforms back to Banner, who races back to the dorm area, trying to find his way in, while La Fronte & Alex perform perimeter and room checks. David manages to slip back into his room--and into bed, leading Alex to believe he was sleeping there all along.

Cabot--instead of fearing the Hulk--is completely fascinated by it...a sentiment not shared by La Fronte, though he encourages or plays on her curiosity--

Cabot: "That creature...what could it have been?"
La Fronte: (at first feigning ignorance) "I don't know. Aside from its shape and color, it seemed almost human. Perhaps its some kind of transformation of a man."
Cabot: "Into that??"
La Fronte: "Why not? You yourself have talked about lycanthropes and werewolves in your writing."
Cabot: "Yes, but that was as a metaphor for the uh...changes cells make. You're talking about a myth."
La Fronte: "And where do myths come from? In Kenya, there's a leopard society. Sumatra--weretigers. Europe--werewolves. Its a universal idea. Why couldn't there be something behind it? "
Cabot: "I suppose its possible. We did see it. We have to find that creature! And we have to study it!"

Gathering the staff, La Fronte eases David's fears by claiming vandals caused the disturbance, and out of a desire to avoid controversy, would not inform the police. One headache relieved--another begins as the ambitious Cabot takes a more personal interest in the Hulk--

Cabot: "David, if that creature I saw was a product of human metamorphosis, it could be a possible end to my research! Now this is something I want to pursue!"
David: "Dr. Cabot, consider the original thrust of your work. Cancer research...genetic disease...isn't that more important than this thing that you saw?"
Cabot: "But this could be important medically. Think of the rate of metabolism needed for such a metamorphosis! That in itself could cure disease!"
David: "Aren't you making some jumps in logic? If there was such a massive cellular transformation, wouldn't it affect the neuron flow in the brain cells?"
Cabot: "Yes, probably."
David: "And wouldn't a rational creature pick you up and simply take you out without destroying half the lab?"
Cabot: "But who can tell what its motivation was??"
David: "Just for the sake of argument, lets say the key to the transformation is anger...or pain. Consider the strength...the potential for violence!"
Cabot: "DAMN IT!! Why is it you only see the negative possibilities!!?? I've had to contend with that kind of thinking all my life!! "
David: "It's simply that I've been involved in research where those possibilities were not taken into account...and people were hurt."
Cabot: "Well, David, this foundation is under my control, not yours. As soon as this lab is repaired, I'm going ahead with this."

A weary David considers his next move...

Unbeknownst to David & Cabot, in the central control room, La Fronte and Alex listen to a playback of the entire conversation; La Fronte reasons that pain & anger could play a part in an adrenaline-based condition that produces such a transformation. If pain is the key to drawing the Hulk out...

Pretending to be an equipment dealer, McGee manages to call Cabot (with David and La Fronte listening), telling her the deadly purpose behind La Fronte's investment in the foundation. The mercenary sees this development as the call to speed up the means to draw the Hulk out: La Fronte plans to set fire to the lab, killing each until the Hulk is triggered. Alex--despite his history of taking lives--becomes one of La Fronte's hostages when he refuses to take part in the murderous plot. With the entire staff ordered into the transposer room, David steps forward, whispering that he's the subject of the search; knowing the Hulk cannot be triggered on command, La Fronte throws fire bombs into the room, locking the workers in. Alex orders the staff to use a metal rack to break the door down, and along the way, the frightened staff slam the rack into David's hand, causing the transformation...

Outside, La Fronte readies the rocket launcher for the inevitable appearance of the Hulk; from a hilltop overlooking the complex, McGee sees this and runs to the scene. Inside the lab, pandemonium takes over as the Hulk rises, breaks out of the room and faces La Fronte; McGee cannot risk his Big Ticket dying, so he drives his car in front of the mercenary as he fires--the car taking the full blast. The Hulk uses this distraction to bend the rocket launcher around La Fronte, bringing his hunt to anything other than a glorious end. Ever the hero, the Hulk rushes back to the lab to rescue Cabot for a second time, before running away.

Sometime later, David (packed and ready to leave) has a few parting worlds with Dr. Cabot--

David: "I want to thank you very much for bringing my things."
Cabot: "It wasn't easy. The lab's been swarming with police since they arrested La Fronte. Oh, I should have been more careful from the beginning. Five years to build a transposer, and what have I got to show for it?"
David: "Ohh, doctor, you are a survivor. I'm sure you'll get it rebuilt."
Cabot: "I suppose you're right. Tomorrow, I'll pick myself up and apply for another grant. David, your leaving like this...avoiding the police...McGee..."
David: "It's a personal matter. And doctor, I do need your help as far as McGee is concerned."
Cabot: "Don't worry. David....that creature...could be very important to my work. Do you know anything about it?"
David "I'd like to help you. I can't.
Cabot: "All right. "

NOTES:

This is somewhat of a cure-related episode, as David was at Cressler in act 1, and goes to Cabot for the same reason.

Dr. Cabot joins the list of people who suspect David's secret & live to not talk about it.

Strong continuity again: David (being a little to open with Banner instead of Bradford history) refers to The Culver Institute--his place of employment from the pilot.

In many ways, Cabot was painted as being just as single-minded and a bit reckless in her research goals as Banner was in the pilot. That he argued with her about the risks of her approach was a clear nod to pilot-Banner by the man himself. Well done.

McGee said, "If you kill the creature, you also kill a man." Oh really. In "Equinox", David tried to warn McGee about that when the tabloid-slinger was ready to shoot David with a curare-loaded dart. McGee knows nothing of the proper dose for use on humans (because its not meant to be used on humans), but he did not care, since he was desperate to claim his "King Kong" sideshow and (from his own mouth) feel vindicated, but his blunder-headed use of the curare dart could have taken the Hulk out of his hands--permanently.

The only reason he tried to stop La Fronte is to protect his admitted interests--his one and only ticket out of reporting on (as David observed in the pilot), "Murder, rape, horoscopes, UFOs and Farrah Fawcett" (by 1981, one can swap out Farrah for Loni Anderson or Joan Collins). McGee needs a live Hulk/John Doe, which has far greater media value than a corpse which would lose its Jekyll & Hyde drama angle to exploit. Self serving as always.

Still, the car spin out/explosion was great stuntwork.

"Bring Me the Head of the Hulk" is only one of four episodes where "Hulk" is part of the title, along with the pilot, "The Hulk Breaks Las Vegas" and "Interview With the Hulk".

This is the third time someone specifically targeted the Hulk with the intention of killing him. La Fronte joins Buck from "The Antowuk Horror" and Michael Sutton from "The Snare" as would-be monster-slayers.

Bill Bixby, a director since his days on The Courtship of Eddie's Father, helmed this episode, his only ditecting assignment for TIH.


GUEST CAST:

Jed Mills (La Fronte) previously guest starred as Teddy, Mike Cassidy's dim-witted lackey in "Broken Image" (1980). Other fantasy roles:
  • Galactica 1980 (ABC, 1980) - "The Night the Cylons Landed: Part 1"
  • Conquest of the Earth (Universal, 1981) - Three slapped together episodes from Galactica: 1980 to make a movie. I can see the blurb, "Three times the length! Three times the misery!"
  • Kiss Daddy Goodbye (Pendragon Films, 1981)
  • The Creature Wasn't Nice (Creature Features, 1983)
  • Whiz Kids (CBS, 1983) - "A Chip Off the Old Block"
  • Amazing Stories (NBC, 1986) - "No Day at the Beach" & "Life on Death Row"
  • Quantum Leap (NBC, 1991) - "Unchained: November 2, 1956"
Jane Merrow (Dr. Jane Cabot) --
  • The Phantom of the Opera (Hammer, 1962)
  • The Woman Who Wouldn't Die (John Parsons-Neil McCallum Productions, 1965)
  • Secret Agent aka Danger Man (ITV, 1964-65) - "A Date with Doris" / "A Room in the Basement" / "The Man Who Wouldn't Talk"
  • Mystery and Imagination (Thames Television, 1966) - "Carmilla"
  • Night of the Big Heat (Planet Film Productions, 1967) - with Peter Cushing & Christopher Lee
  • The Prisoner (ITV, 1967) - "The Schizoid Man"
  • The Avengers (ITV/ABC/Thames, 1967) - "Mission...Highly Improbable"
  • My Partner the Ghost (ITC, 1969)
  • Hands of the Ripper (Hammer, 1971)
  • The Horror at 37,000 Feet (CBS, 1973) - with William Shatner, Roy Thinnes & Russell Johnson
  • UFO (ITC, 1973) - "The Responsibility Seat"
  • The Magician (NBC, 1973) - "Man on Fire"
  • The Six Million Dollar Man (ABC, 1974 / 1977) - "Doomsday and Counting" / Death Probe: Part 1" & "Death Probe: Part 2"
  • The Greatest American Hero (ABC, 1981) - "The Beast in the Black"
  • Beware of What You Wish For (2010)
Walter Brooke (Mark Roberts) will make his final appearance in "Interview with the Hulk" also from this season.
  • Tales of Tomorrow (ABC, 1952) - "Flight Overdue"
  • Inner Sanctum (NBC, 1954) - "Dead Level"
  • Conquest of Space (Paramount, 1955)
  • Steve Canyon (ABC, 1959) - "Project U.F.O."
  • The Twilight Zone (CBS, 1961 / '63) - "The Jungle" & "A Short Drink from a Certain Fountain"
  • Voyage to the Bottom of the Sea (ABC, 1964) - "The Fear Makers"
  • The Munsters (CBS, 1965) - "Yes Galen, There is a Herman"
  • The Green Hornet (ABC, 1966-67) - series regular - D.A. Frank Scanlon
  • The Invaders (ABC, 1967) - "The Watchers"
  • The Andromeda Strain (Universal, 1971)
  • The Return of Count Yorga (AIP, 1971) - with TOS guest stars Mariette Hartley, Roger Perry & Michael Pataki
  • The Sixth Sense (ABC, 1972) - "Lady, Lady, Take My Life"
  • The Magician (NBC, 1973) - "Ovation for Murder"
  • The ABC Wide World of Mystery (Dan Curtis Productions, 1974) - "Nightmare at 43 Hillcrest"
  • Stowaway to the Moon (CBS, 1975)
  • Time Travelers (ABC, 1976) - Yes, that oft-listed, failed Irwin Allen pilot movie
  • Gemini Man (NBC, 1976) - "Escape Hatch"
  • The Six Million Dollar Man (ABC, 1974 / 1977) - "Population Zero" / "Death Probe: Part 1" & "Dark Side of the Moon: Part 1"
  • Buck Rogers in the 25th Century (NBC, 1979) - "Testimony of a Traitor"
  • Bring 'Em Back Alive - (CBS, 1982) - "Thirty Hours"
  • Automan (ABC, 1984) - "Unreasonable Facsimile"
Sandy McPeak (Alex) returns to TIH; his first guest spot was the memorable role as the abusive father from season one's "A Child in Need".
  • The Green Hornet (ABC, 1966) - "Beautiful Dreamer - Part 2"
  • Batman (ABC, 1967-68) - "The Funny Feline Felonies" / "The Joke's on Catwoman" - as Joker henchman Giggler
  • Monster Squad (NBC, 1976) - "The Astrologer"
  • Logan's Run (CBS, 1977) - pilot movie
  • Quantum Leap (NBC, 1990) - "Leap of Faith - August 19, 1963"
  • SeaQuest 2032 (NBC, 1994) - "Greed for a Pirate's Dream"
 
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At the Cressler Institute's genetic research lab in Wisconsin, the Hulk destroys one of its rooms before breaking out and disappearing into the night...
Was this reuse of footage from an earlier episode that had the Hulk busting up a computer room? Think it was the one with the nebbish who claimed to be John Doe.

Arriving at the offices of the National Register, La Fronte meets McGee & his publisher, Roberts...
If only McGee followed La Fronte's methodology, or compared notes with him, he might figure out who John Doe is.

After La Fronte leaves, McGee tries to dig up information on the man.
Serving a useful purpose in the story, attempting to expose the mercenary...and ultimately he risks his life to save the Hulk! That's about more than preserving his meal ticket.

David Bedford
Kinda reminds me of David Bailey....

David arrives at the Cabot Institute, is provided with lodging and the appearance of being in a setting conducive toward finding his cure.
IIRC, it was around here that David casually mentioned Alex reminding him of his first drill sergeant. I believe this was touched upon upthread when we were actually binging, but I'll take that as confirmation that David's recurring army medic story isn't a lie.

the fatigued Cabot accidentally aims the transposer at the cabinet where a supply of hydrofluoric acid is stored; the acid container is burned open, releasing fumes that instantly choke Cabot
Another piece of lab equipment that just happens to double as a death ray...I think it may have even been the same prop.

David runs in to save her, but is quickly overwhelmed by the fumes, which trigger a Hulk-out.
-20:33, which is in the neighborhood of our latest FHOs.

The mercenary sees this development as the call to speed up the means to draw the Hulk out: La Fronte plans to set fire to the lab, killing each until the Hulk is triggered.
If La Fronte had read McGee's John Doe description in the Register, he might have weeded out some of those suspects he'd hired. There are women, for goodness sake!

knowing the Hulk cannot be triggered on command
My memory's vague now, but didn't David have to tell him that in the scene?

and along the way, the frightened staff slam the rack into David's hand, causing the transformation...
-05:29, and another seemingly unnecessary source of specific pain, when the general situation should have been enough to justify a HO.

David (packed and ready to leave)
...in an episode-specific LM.

This is somewhat of a cure-related episode, as David was at Cressler in act 1, and goes to Cabot for the same reason.
This is what I categorize as implicitly cure-related.

Dr. Cabot joins the list of people who suspect David's secret & live to not talk about it.
That's not a list that I've been keeping, but she gets a nod for suspecting.

McGee said, "If you kill the creature, you also kill a man." Oh really. In "Equinox", David tried to warn McGee about that when the tabloid-slinger was ready to shoot David with a curare-loaded dart. McGee knows nothing of the proper dose for use on humans (because its not meant to be used on humans), but he did not care, since he was desperate to claim his "King Kong" sideshow and (from his own mouth) feel vindicated, but his blunder-headed use of the curare dart could have taken the Hulk out of his hands--permanently.
Blind negligence does not mean that his desire to take John alive isn't genuine. If he didn't care about killing John, he'd just use a regular gun.

This is the third time someone specifically targeted the Hulk with the intention of killing him. La Fronte joins Buck from "The Antowuk Horror" and Michael Sutton from "The Snare" as would-be monster-slayers.
This one reminded me of both of those episodes specifically...and seemed a bit too soon after the latter to cover such similar ground. Nevertheless, it's one of those welcome episodes that gives us more Hulk-specific business than David's usual random wanderings into other people's semi-anthology stories. This episode, like "Prometheus," is a tease of what the show could have given us if they'd been willing to play with the premise a bit more, making the Hulk a subject of interest for others than McGee and his readers.

Something that struck me with this viewing was that the wealthy, goatee'd mercenary and his faithful but sympathetic manservant reminded me somewhat of the original comics version of Slade Wilson, a.k.a. Deathstroke the Terminator, and his manservant Wintergreen. Deathstroke's first appearance in The New Teen Titans came out roughly when this episode would have been made. I think it's a bit close for one to have directly influenced the other--could they have been taking inspiration from a common source that I'm not familiar with?
 
“Bring Me the Head of the Hulk”: I love the idea of this one. After so many dozens of generic TV-drama episodes with the Hulk more or less cursorily tacked on, this is one of the rare plots that’s actually driven by the core concept of the series on every level -- not only is the story catalyzed by the villain’s reaction to the Hulk’s existence, but it leads David into an interaction with Dr. Cabot that revisits the foundational mythology of Banner’s research and the moral issues it involves. Seeing that characters other than McGee are aware of the Hulk and have been investigating and tracking him themselves is a refreshing change from all the episodes where nobody’s ever heard of him. It’s also a nice change of pace to see McGee investigating someone else who’s investigating the Hulk, instead of just chasing after Hulk sightings, and waging a sort of battle of wits against his dark reflection, a Hulk-hunter who doesn’t want the creature alive. I love seeing McGee actually trying to protect the Hulk/John -- and I love it that he actually risks his own neck to save the Hulk. (And sacrifices the security deposit on his rental car. Imagine trying to justify that expense report to Steinhauer.) That truce moment where the Hulk hands the injured Cabot off to McGee is fantastic. It’s great that there’s been a real, evolving arc between McGee and his quarry over the years, gradual though it’s been.

The episode isn’t without its flaws, though. Jed Mills is rather bland as La Fronte; he’s just about the most classic archvillain this show’s ever had, and the character called for a more powerful and debonair actor. Sandy McPeak is pretty good as Alex, but a little too nice; it’s hard to believe he was ever as ruthless as he’s supposed to have been. David is far too open about being trained at the Culver Institute -- a detail like that should make it easier to find out the truth about who he is. And it’s implausible that a whole room full of scientists manages to miss seeing David metamorphose right in front of them; the smoke wasn’t nearly that thick.

Plus it’s weird that the National Register scenes were in an office totally unlike the offices and newsroom we’ve seen in the past. I guess that’s due to budget cuts in the production. It’s a bit off-putting… but I suppose the Register could’ve remodeled since we were there last.

Here are the measurements on La Fronte’s chart of the Hulk:

Height - 213 cm
Weight - 145 kg
Biceps - 76 cm
Chest -132 cm
Waist - 98.5 cm
Thighs - 101.5 cm
Hair - green
Eyes - white
Sex - male
Aspect - feral human

That’s 7 feet tall and 320 pounds, which is some 8 inches and 35 pounds above Ferrigno’s actual stats at the time. It corresponds pretty well to his measurements from “Prometheus, Part II,” though.
 
Was this reuse of footage from an earlier episode that had the Hulk busting up a computer room? Think it was the one with the nebbish who claimed to be John Doe.
Well spotted. It was indeed footage from the late season 2 episode The Confession

If La Fronte had read McGee's John Doe description in the Register, he might have weeded out some of those suspects he'd hired. There are women, for goodness sake!
Very good point. They're not looking for a Joan Doe.
 
That’s 7 feet tall and 320 pounds, which is some 8 inches and 35 pounds above Ferrigno’s actual stats at the time. It corresponds pretty well to his measurements from “Prometheus, Part II,” though.

Yep, almost 320lb in Prometheus so it's good to know the Hulk keeps himself fit.
 
That’s 7 feet tall and 320 pounds, which is some 8 inches and 35 pounds above Ferrigno’s actual stats at the time. It corresponds pretty well to his measurements from “Prometheus, Part II,” though.
Also, we'll the height difference between them with our own eyes in "King of the Beach".

(Or we already did, since we both binged the show in December....)
 
Land of the Giants: "Every Dog Needs a Boy": Pretty mediocre. Chipper gets hurt, Barry takes him to the giant vet/pet store, the friendly assistant helps and the owner's evil, bullying son tries to catch and/or kill the little people. A pet store doesn't seem like that perilous a setting, given how seriously the episode plays things. And Stefan Arngrim gives a very lifeless performance, especially considering this is one of the rare episodes that showcases him somewhat, though he really doesn't have much to do after the first act.

There were also some gaps in the writing. The teaser ends with Barry saying Chipper is dead, but in the first act they're talking about how maybe the vet can help him, without any intervening dialogue establishing that he's just hurt rather than dead. It briefly creates the impression that they're hoping the vet can resurrect the dead, and it underlines what a manipulative cheat that cliffhanger was in the first place. Later, when the expensive movie dog King goes missing and the crew helps the assistant Ben find him, Steve sends Dan off with Fitzhugh because Dan knows what King looks like -- but I'm pretty sure Dan never actually saw King. And when Steve and Mark hid from the mean guy in the can, the guy picked up the can, looked in it, and tossed it away. How could he not have seen them?
 
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