Yeah, I agree Daughters of the Dragon is a lot more difficult to jump into, especially with the lack of love for Iron Fist.I tend to agree Jessica is the more likely to be next up, if only because it makes more sense. She's easily the most popular and recognisable of the bunch after Daredevil (Luke being a close third IMO), and given her vocation the easiest to slot into almost any other show for a cameo re-introduction.
'Daughters of the Dragon' would need a little more set-up since the concept itself is a little more involved and to put it bluntly; not a lot of people bothered with Iron Fist. You'd all but have to start from scratch with them.
The best way to do it is to introduce them already working together in whatever fashion on another show (such as Born Again) and then proceed to their own show, where they can work back to their establishment, much like they just did with Echo.
That said, considering the unfortunate pushback on so many shows in recent years (with only Loki, What If...?, and Echo getting any kind of follow up), that scenario seems unlikely to happen anytime soon (sadly, it seems like we won't even get any kind of follow-up for Moon Knight in particular). I guess it depends on how well received Born Again is from the general audience.
Was that ever officially confirmed and/or announced or was it just wildly speculated based on She-Hulk and other crumbs?On the positive side; I think Maslany's performance was well received enough that the character can still pop up elsewhere, either in shows or movies.
Is 'Planet Hulk' still on the slate? I forget.
All true but as I was reminded when I skimmed the show's review thread this morning, there was a lot of impressive CGI work done for the show that most fans seem to overlook (deliberately or otherwise), particularly in regards to her movements and interactions with other elements such as that sequin dress.Generally speaking; budget overruns on these kinds of productions usually stems from pushing the production into overtime. Overtime is expensive; potentially the greatest expenditure on any production. Going over for just a week can mean you've blown a month's budget but may only have a few days worth of work to show for it. Not only does this mean you're also the best part of a week behind, but if as a bonus; unless the release date can be moved, you've just massively cut into available post production time too.
Which brings us to bad VFX, which are almost always the result of a rushed schedule with artists not given enough time and/or not properly consulted during the production phase and instead just told to "fix" it all in post. Again; rush means overtime, which means more money for diminishing returns of quality.
Contrary to popular belief you can't simply throw money at every problem
This is where the old triple constraint comes into play; you can have something fast and cheap, but it won't be good. You can have it good and cheap, but it won't be fast. Or you can have something fast and good, but it won't be cheap. A total failure to manage this balance can result in something that's neither good, fast, nor cheap.
I don't know if any of this is what went down with 'She-Hulk', but it wouldn't surprise me with such an effect heavy TV show.