The whole season is Burnham learning about emotions, filling in the part of herself that did not get developed in her youth and early adulthood. ... Each episode sees a bit of Burnham's humanity restored and a bit of her Vulcan upbringing tempered.
Interesting take on things. If we look at it this way, then the show has a
really negative take on Vulcan culture and its philosophy of logic.
The Shenzhou crew knew enough about the Klingons to know that they weren't facing the Betazoids or Deltans, but not having had any contact with the Klingons for over 100 years, the crew was not about to abandon Starfleet first contact protocols so easily.
But the show itself hedged its bets with the "100 years" dialogue, and as I pointed out, it wasn't really true in canon. There had been contacts... at least enough to form a foundational set of expectations. It certainly didn't quality as a "first contact."
Your last post said the war was avoidable,That is what I was responding to.
Whoops, mea culpa, I guess I did post that Starfleet protocols got the Federation into an "avoidable war." Would've been better to phrase that as a war some
saw as avoidable.
Although as I'm sure you'll recall, Saru continued to have problems with Burnham for some time after her arrival.
A bit longer than the others, yes, but that seems at least partially due to past resentments between the two predating the "mutiny."
But I get that continued friction between Burnham and the crew over Burnham's past is something you apparently wanted to see.
Wanted to? Not so much, but it was something the show led us to expect. Personally I'd just like to have seen more
interaction between her and other crew members; there really wasn't much. (And what there was was almost always one-on-one conversations; as others have pointed out, the show seemed to bend over backward to avoid larger group dynamics.)
Yeah, the Emperor was a bad person, no doubt, but she did have a kind of code of honor. This is not unlike the Klingon's code of honor.
I really don't think she did. (Unless you're of the school that thinks the Klingon notion of "honor" is transparently situational and self-serving, in which case I'd agree.)
Burnham simply chose the lesser, or least untrustworthy, of the two. I saw this as yet another logical decision.
We'll have to agree to disagree here. I saw literally
nothing trustworthy about MUGeorgiou. At the end of episode 12 I was practically yelling at the screen for Michael to ditch the maniac and reunite with Lorca, and if you revisit my posts from that week you'll see that's what I was honestly expecting as well, because it seemed like the only sane move... and of course then in #13 (what I consider the show's shark-jumping episode, or near enough to one) she went and did the exact opposite.
Okay, if there were no themes set up, how are you going to then condemn the show for not following through on these non-existent "themes"?
And, I'm pretty sure I've read you stating that DSC failed to follow up on themes the show created. Can't have it both ways, but maybe I'm wrong. I'll go back and check.
To clarify: the show clearly
tried to set up some themes. It did a fairly ham-fisted job of it from the start, with lots of self-undermining bits built in, but the potential was at least there for some interesting things to be developed later. It then systematically failed to develop those things in any meaningful way.
To quote a fairly thoughtful post-season critique
from Vulture, "Even in this barest outline [of the show's premise], you can see the potential to consider a multitude of worthwhile thematic dimensions about war, human ethics in the face of great loss, and how communities are formed. But there is something insincere, even empty, about
Discovery’s consideration of these ideas to date." For example, "It’s rare to witness stories of men dealing with the aftermath of their rape treated with sincerity and respect, and here,
Discovery came closest to marrying its brutal nature with
Star Trek’s overarching sincerity about examining the human condition. Ash’s story and Latif’s tenderhearted performance certainly opened up intriguing avenues. But once the long suspected theory of Ash being the Klingon Voq was confirmed... this fascinating thread about male vulnerability became muddled. It was all too apparent that
Discovery didn’t quite know what to do with Ash after this twist. His decision in the season finale to join L’Rell — who is still his torturer and rapist, at least as far as his memory is concerned — seemingly runs counter to his goal to live peacefully."
(And as the same piece goes on to comment, "What [Michael] represents versus how she is written creates fissures in the series, exemplifying how we know nothing of the few developed characters on
Discovery beyond their traumas. Their dreams, desires, and interests aren’t legible, only the grit of their miseries. ... In the finale, Michael regains her place in Starfleet as a commander, stops the war with the Klingons she initially sparked, and gets kind recognition from her adoptive father, but I still have no idea who she is beyond the death of her parents and her various failures as a Starfleet officer." Spot on, IMHO.)