I for one am glad it woke them up.
Me too
I for one am glad it woke them up.
I wasn't a fan of the dark style or the JJ type phasers but the quality of the effects both real and digital was probably the best we ever got from a Trek season.I found the visual effects and the aspect ratio compared to later seasons to be a bit jarring.
I think the best placement is between “Light and Thunder” and “If Memory Serves”. There’s no gap between “Brother” and “New Eden”, after that Tilly is messed up from the dark matter until “Saints of Imperfection”. There’s no reason it couldn’t happen between this episode and “Light and Thunder”, but it kind of seems like Michael is off the ship, which is why I like it after “Lights” specifically.So the search for where to put "Runaway" continues.
Eerily close to what I'd probably say.I'm about to put on the last two episodes of the season. Except for the first two episodes, which I was I thought I was too hard on initially, I agree with most of the ratings I gave them before. I gave "The Vulcan Hello" and "Battle at the Binary Stars" both 7s, due to the way Burnham massively screwed up, when I otherwise would've given them 9s. Taking off two points is too harsh, so I'll go with 8s. Captain Georgiou deserved better.
BTW, people either like to forget this or flat out don't remember, but Lorca told Emperor Georgiou that she'd gotten too soft. In his true colors, Lorca would be far worse. He is worse because he's hidden who he really is and people are still fooled. Still a great character, but he's a slickster. To put it into a massive understatement.
What else can I say? After six years, I still really enjoy the first season about as much as I did before. I don't care what anyone else says, I think they brought Star Trek back to TV with a bang.
EDITED TO ADD: This how my ratings for DSC Season 1 are, as they stand now:
1. "The Vulcan Hello" --> Original Rating: 7 --> Final Rating: 8
2. "Battle at the Binary Stars" --> Original Rating: 7 --> Final Rating: 8
3. "Context Is for Kings" --> Original Rating: 8 --> Final Rating: 9
4. "The Butcher's Knife Cares Not for the Lamb's Cry" --> Original Rating: 8 --> Final Rating: 8
5. "Choose Your Pain" --> Original Rating: 9 --> Final Rating: 9
6. "Lethe" --> Original Rating: 10 --> Final Rating: 10
7. "Magic to Make the Sanest Man Go Mad" --> Original Rating: 9 --> Final Rating: 9
8. "Si Vic Pacem, Para Bellum" --> Original Rating: 7 --> Final Rating: 7
9. "Into the Forest I Go" --> Original Rating: 10 --> Final Rating: 10
10. "Despite Yourself" --> Original Rating: 10 --> Final Rating: 10
11. "The Wolf Inside" --> Original Rating: 7 --> Final Rating: 8
12. "Vaulting Ambition" --> Original Rating: 9 --> Final Rating: 9
13. "What's Past Is Prologue" --> Original Rating: 8 --> Final Rating: 9
14. "The War Without, the War Within" --> Original Rating: 8 --> Final Rating: 8
15. "Will You Take My Hand?" --> Original Rating: 10 --> Final Rating: 9
Final Average --> 8.73
I recently completed a series rewatch myself and agree with all this. Now having seen the whole thing straight through for the first time basically since each season aired, season 1 has massively improved in my estimation. While there's still a bunch of wonky things and first installment weirdness, as is tradition for the franchise, it had one of the better story arcs that I actually felt like it used its 15 episodes well. Each successive season succumbed to arc fatigue because I couldn't find any reason to justify why the stories needed 13 episodes to tell.I'm on my first series rewatch of DSC right now. I just finished S1.
I enjoyed the show first run, but I'm finding it better then I remember being able to binge. I always really liked James Frain's take on Sarek, I only hope he turns up in SNW somehow. (the "haven't spoken as father & son" line could be taken any number of ways)
TOS showed Vulcans can sense each other over light years (Spock sensed the death of the crew of the Intrepid), and Enterprise had T'Pol and Trip connected over distances.The light year mind-meld in "Lethe" (and "Binary")
I love how Starfleet comes in peace and has all these rules about how to conduct conflict, then Georgiou commits a war crime in "Battle at the Binary Stars".
Welll...that whole WW3 thing might have impacted some conventions, as Soock noted that records are fragmentary.I mean, it's an active war crime under the Geneva Convention, and has been since 1949. I highly doubt this would change in the intervening period.
I'm sure That Particular Crowd will claim it as proof that Starfleet isn't military.Of course, the real reason is just whoever worked on the script didn't actually do their research, but now nitpickers have to come up with excuses to explain it within universe.
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