FWIW Since neither the editor, nor the author of the past Relaunch books are involved with the new books, it's a bit unfair to have a bias against the new ones because of the lack of quality of the Relaunch books of the past.
That's a good point, but I'm not convinced. May I give you my reasoning?
I'm not anyone in charge of TrekLit, but if I were, I would expect that one of my priorities would be to keep the quality level of the books as consistent as possible. Otherwise, if you end up with one author or one series whose writing is either dramatically better or dramatically worse than the rest, you're seeding disappointment for your readers. The people who read the dramatically better writing will feel no incentive to read the other lines. The people who read the dramatically worse writing will feel no incentive to read other lines - or indeed, to read Trek at all.
This seems to me to not be rocket science. I can't bring myself to believe that any editor would not realise this, so I have to conclude that they know it and that one of things they are striving for is evenness of quality.
Now I don't know if there is one person in charge of quality control or not. If there is, then the Voyager relaunch was acceptable to them, and I am sceptical that they will apply different standards to other books. That makes me not want to read those other books. Now if this person exists and they are the one who has been replaced, then sure! It might be worth having another go. If not, my scepticism still applies.
Alternately, there is no one person in charge of quality control, and the different lines are parcelled out to different editors. In which case - why is there not? That oversight means that the potential for dramatically better or worse writing still exists, and that makes me nervous because over the past few years, Voyager has consistently drawn the "consistently worse" straw. As Trent has pointed out, this has occurred through several writing and editorial changes.
I haven't read any non-Voyager Trek book for years, as I disliked everything since Homecoming - only kept reading for Janeway. I figured that if this was the standard of Trek novels, I wasn't interested in reading the rest. So I don't know the quality of books the new editors put out - I just know that whoever they are, the writers and editors of Trek were happy having their work alongside the books that have so put me off Trek. That tells me that at some level, they're happy with the standard of everything Voyager written since Homecoming.
Surely if you're a writer, you want your work published with the very best you can get your mitts on? To give a grossly exaggerated example - can you see the Nobel Laureate for Literature, Gabriel Garcia Marquez, author of one of the great contemporary love stories,
Love in the Time of Cholera, deciding that he wanted to decamp from his publishers and become a Mills and Boon writer? Again, before anyone gets up in arms - this is a grossly exaggerated example. Even at its worst, Voyager was still light years ahead in quality than M&B. And sorry, Trek authors, but good as some of you may be, you're not GGM. But do you get my overall point? Career-wise, you work with the very best that you can.
I'm not trying to cause offense by saying any of this - if my reasoning is off somewhere (and it may well be, the inner machinations of Pocket books being, well, a closed book to me) please tell me so I can correct it.