This is the one where Eddington has hair, right? I enjoy this one.
That's why he seemed so familar. I'm especially shocked I didn't recognize him since I had actually just watched For The Uniform as part of my DS9 rewatch on the same day I watched this.Ken Marshall, who would later be Commander Eddington on Deep Space Nine, is effective as the swashbuckling hero Colwyn. I read that Marshall modeled his performance on Errol Flynn, and I could tell when I watched him. A lot of the film had an old-school swashbuckling feel to it, just dressed up with 1980s visual effects that were... well, very 1980s, but not quite up to the best of that decade, except for the beautifully animated giant crystal spider in the Widow of the Web sequence.
Basically, this is what happens when everything about the movie is Fantasy and the villain is from a Science Fiction movie. A nice mash-up, but not enough is done with the combo.
Honestly, the sf (well, sci-fi) element is very slight: the Black Fortress has engine glow (I think) as it descends from space, the Slayers use (movie) lasers, and the people if this world apparently know what a galaxy is. The plot would be no different if those were removed (which could have been done with a few pencil slashes in the script before production), so I’d say it’s “really” just a fantasy movie. The Beast himself is pure evil fantasy villain
Well, why wouldn't a fantasy universe have planets and galaxies the same as ours? And if a universe with magic can have traditional technology like swords and wheeled carts, why can't it have more advanced technologies like lasers or rockets? It's only a convention to set fantasy stories in the preindustrial past. For ages, I've looked at those medieval sword-and-sorcery worlds and wondered what they'd be like in a thousand years. (Which is the origin of my Thayara fantasy universe set in a steampunkish industrial age, though I've only had one Thayara story published in a magazine and the rest are on my Patreon.) And of course, there's also fantasy fiction set in the present. So why couldn't fantasy be set in the future, or at least feature space travelers with more advanced technology than ours?
I haven't read them yet, but Brandon Sanderson starts his Mistborn books in a traditional medieval world, but then he jumps ahead to an era equivalent to the early 20th Century in the second set, and then I think he's going to do a third set that's going to jump further forward in time again.Well, why wouldn't a fantasy universe have planets and galaxies the same as ours? And if a universe with magic can have traditional technology like swords and wheeled carts, why can't it have more advanced technologies like lasers or rockets? It's only a convention to set fantasy stories in the preindustrial past. For ages, I've looked at those medieval sword-and-sorcery worlds and wondered what they'd be like in a thousand years. (Which is the origin of my Thayara fantasy universe set in a steampunkish industrial age, though I've only had one Thayara story published in a magazine and the rest are on my Patreon.) And of course, there's also fantasy fiction set in the present. So why couldn't fantasy be set in the future, or at least feature space travelers with more advanced technology than ours?
I’m not sure I’m seeing the contradiction you’re objecting to here? At least if I’m understanding your post correctly, which maybe I’m not.
…Christopher, I was responding to Anwar’s description of the film as a combination of fantasy and science fiction (which was common in the original publicity material too), instead arguing that it’s really just fantasy— along pretty much the same lines you then go into.
The low-budget 1985 Spanish movie Star Knight (alternately, The Knight of the Dragon) is an interesting sort of anti-Krull.
That's the one with Klaus Kinski and Harvey Keitel, right?
It is, yes. With Keitel as the least European knight since Tony Curtis.
As "European" as Keanu Reeves in Dracula?
See also Firefox.Love this movie. And Freddie Jones helps everything.
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