Starship Polaris said:
Timo said:
If we only discuss the events we saw on screen in the final release...
Which is all that matters, period.
An extraordinarily shortsighted POV, given that movies and TV exist not just as released entities, but as items that fester and grow in the public consciousness, causing debate and even stimulating people to career choices and in some cases to create websites to debate (gasp) the vagaries of those very movies and TV shows.
Yeah, the only thing that matters is what is on screen. Surrre. By that same argument, you probably have to figure that TWOK takes place during a bad couple days in Saavik's menstrual cycle, since she is tempermental throughout, but even-tempered to the point of being nearly comatose during SFS and TVH. No, it doesn't wash, you HAVE to take into account that the director is altering the character to his own end or come up with some bs to justify the fact that this is not the same character at all. And it really isn't. Saavik was written to be half-Rom, directed to be half-Rom, and played in TWOK to be half-Rom. Now Bennett can say she didn't seem all that Romulan to him so it wasn't any big deal to ignore it and play up the Vulcan aspect when Nimoy directed SFS, but that's Bennett ignoring the work on-screen as well as what got cut when it went from 129 minutes to 113 for theatrical release, and also trying to downplay after the fact what Kirstie Alley brought to it (for better or for worse, since I'm not gonna get into a who's the best Saavik when they are separate entities in my mind.)
What is on screen has to be evaluated in context. When a film is a sequel to another film that is a followup to a long-dead TV show, there's context and backstory, and all of that plays into evaluating and appreciating the drama. Watch what is up on screen in TWOK and on that basis, decide that Kirk losing Edith Keeler was not a mega-important event, because he has never had to face death. No. Just cuz it was up on screen doesn't invalidate a good bit from before.