I'd rather have good than interesting.I'd rather have "interesting" than "good art", if those are the only choices.
And, no, those are not the only choices, and rarely is art so categorical.
I'd rather have good than interesting.I'd rather have "interesting" than "good art", if those are the only choices.
Also, interesting does not automatically equal good art.
Financial limitations can lead to great things. I doubt the monster in Forbidden Planet would have been as frightening if they'd had the money to do some kind of suit or stop-motion.Depends on the limitations. Not enough money can lead to creative solutions, being forbidden of doing something because of 50 (or 30 or 15) year old canon can rob the audience of something interesting.
Financial limitations can lead to great things. I doubt the monster in Forbidden Planet would have been as frightening if they'd had the money to do some kind of suit or stop-motion.
With all due credit to you![]()
but I believe Robbie alone cost a fortune.
We do see it, but IIRC they came up with the idea of it being invisible and only being seen with the glow of the lasers because they couldn't afford to build a practical one. To me it was much more effective and memorable that way than if it was a hokey looking suit.We do see the monster in Forbidden Planet. And I don't imagine the effect was cheap.
It's not like that movie was restrained (for the time) in its use suits and SFX. I might be misremembering, but I believe Robbie alone cost a fortune.
Of course, there's a huge difference between technical/budget restraints and 'canon.'
It was a conscious decision and not a budget one. They used the best animators Disney had at the time to created the Blaster and Monster effects, and it didn't come cheap.Financial limitations can lead to great things. I doubt the monster in Forbidden Planet would have been as frightening if they'd had the money to do some kind of suit or stop-motion.
That's more or less what Roddenberry said about the differences between TOS and TMP. TOS was just an "interpretation" of what happened.It's been confirmed its the Prime Timeline, but amusing myself thinking perhaps the Discovery is from the far future and there historians in the future didn't do a good job getting the aesthetics right for the 23rd century.![]()
Or more to the point:"The enemy of art is the absence of limitations." --- attributed to Orson Welles
http://quoteinvestigator.com/2014/05/24/art-limit/
Orson Welles once said to me at lunch, “The enemy of art is the absence of limitations.” Economically and creatively that’s the most important advice you can be given. You have limitations; you don’t have $1-million to blow up that bridge, so you have to create something else on film to produce the same effect. Instead of having money to hire hundreds of extras, you have to sneak a cameraman in a wheelchair through the streets of New York City and steal the shot, which gives you a look of much greater reality.
But he's not being described there by Henry Jaglom as talking per se about rules of style, format, or conformity.
Bingo.Or more to the point:
Had someone from Paramount come to Wise/Bennett and told them they couldn't change the look o the Klingons because the cost of the application would have been too much, so they'd have to instead find a way to update the look to be more cinematically interesting without breaking the bank is a lot different than that same person from Paramount saying "No you can't do that. That's not how they looked on the show."
Why would CBS want to do that though? They make a ton of money from the Prime timeline.You know I kind of wonder if all the canon stuff would have been less of a issue if Trek had did a closure movie like I have suggested in the "future trek" forum. If that era had been given a proper send off I wonder if it would have been easier for people to move on to new type of Trek shows and universes.
Jason
I agree, but I think that from the creators' perspective (and that of many other people), they've already put plenty of old Trek in with the new, such as the communicators, phasers, and general layouts and concepts (round bridge, saucers and nacelles etc). I almost feel like I'm being too demanding or even greedy for not being completely satisfied with it, particularly since I feel like I'm in the minority.It seems to me you got to give classic fans something if you want them to think it's all in the prime universe. Some in-universe reasons or old school tech mixed in with the new tech. For all we know they have done this but it's hard to tell just from a 2 minute teaser.
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