Everything
Franklin said was spot-on. But I'll add to it and try my best to muck it up.
As far as language goes, throwing out random Bible verses or Shakespeare quotes misses the point. Their effect isn't measured on how familiar the verse is, but how they effected everyday English conversation. The way you speak is totally influenced by both texts everyday and you probably don't realize it.
The 1662 edition of KJV basically overhauled the entire English language. It was the bridge between Chaucerian English to something closely resembling what we speak today.
Shakespeare changed the definitions of a lot of words. He took plain, everyday words and used them figuratively--apart from their accepted definitions of the time. Thing is, now we use his figurative language as the literal definitions.
“The fact is, never in the history of any entertainment medium has there ever been a story, an idea, a situation, a set of characters, or a theme that has approached the magnitude or impact of Star Trek. ”
—A Vision of the Future (1998)
Poe, Stephen Edward (1998). A Vision of the Future. Simon and Schuster. ISBN 0-671-53481-5.:56
This is biased opinion stated as fact. How does he define "entertainment media"? I think
any writing or work of art can be entertainment. From my perspective, the aforementioned Bible is entertainment--as is any mythological text. Those have dictated the agendas of entire civilizations. I'd also say that any philosophical or political writing, from Plato's
Republic to the freaking Declaration of Independence, provides entertainment value. Never mind the countless fables that have been passed down through the millennia.
But even limited to "pop culture" shows a lack of historic perspective on the author's part. While some of the great musical pieces, works of art, and fiction of history may not be so influential now, they certainly were the time they were produced. They told people what to wear, what to eat, dictated the popular vernacular, and even effected politics and persuaded social change--much like
Star Trek. So, while he may have made a point had he limited his scope to
contemporary pop culture, he may have had a point. But even then it's relative at best. But I'll give him the benefit of the doubt since it was 1998 and
The Philosopher's Stone probably hadn't reached the States yet.
And if he was speaking in part to Trek's technological impact, well I've already
turned the tables on that little nugget of hyperbole in another thread.
"The opening fanfare of Star Trek: The Original Series, written by Alexander Courage, is one of the most culturally-recognized musical memes in existence."
http://en.m.wikipedia.org/wiki/Cultural_influence_of_Star_Trek
Another opinion as fact and void of perspective.
Again, even if we limit it to contemporary pop culture, it's unclear and impossible to distinguish. The Star Wars theme was already mentioned, but you could throw "The Imperial March" right in with it--hell, why not John William's entire portfolio? There's the James Bond theme. "Whish Upon A Star" and countless other Disney songs. Heck, I bet kids will still be humming "Let it Go" a century from now.
Where do things like "Love Me Do" or "Hound Dog" fit in?
But once we start getting into the whole existence of music, the whole thing falls apart. There are things like "Ah vous dirais-je, Maman" melody, "Frère Jacques," and just about every Christmas carol. If I worked at it, the list could get pretty long.
I suppose, relative to the whole collection of music of all time, the Courage theme ranks fairly high up the ladder, but it's still kind of a ridiculous thing to suggest.