My question is why? On this message board, members often bring up behind the scenes info which I'd never heard before. Is there some kind of info like that on this issues? Did the writers just think Anthony Montgomery wasn't a very good actor and wouldn't be able to handle a larger role?
The commentary for Similitude by Manny Coto suggests that the dialogue for Star Trek series is really difficult to write. It's more formal speech than in other shows, and hard to capture without sounding stilted.
The character was not poorly conceived (though I totally agree that he was terribly cast). What was poorly conceived was humanity's lack of progress by the 2150s. How does that make any sense? Earth didn't need the Vulcans' help to crack the warp barrier, so why would it have needed the Vulcans to develop beyond that? It was ridiculous that (supposedly) no other human crossed the Warp 2 threshold until the 2140s. Warp 3 should have been routine by 2120.A poorly conceived character with even worse casting.
... he has no ability to convey deeper emotions.
What makes you think that formal speech would necessarily come from being in the Federation? It could very well be that the speech pattern comes from the fact that most of the crew would have gone through Starfleet training, with its military hierarchy. Or maybe it's a legacy of having aliens -- including Vulcans -- on Earth and people using translation matrices. Or maybe after the big war the various languages were combined to make a lingua franca that used little slang rather than a whole lot of it. Who knows?That's one of the many problems with ENT, really -- they should have ditched the "Star Trek style" of dialogue. The characters of ENT did not grow up in the Federation -- hell, they didn't grow up with a United Earth. They're only a hundred years away from a nuclear war that almost threw humanity back into the dark ages. They shouldn't be formal! They should be much more -- if not contemporary, then much more informal, much looser, in their speech. Joss Whedon did a good job of developing an informal speech cadence for Firefly; while they probably shouldn't have patterned it so strongly on the American Southern accent as Whedon did for his show, they certainly should have been thinking along lines similar to Whedon's by recognizing the need for a looser cadence, the need to throw the Star Trek restrictions on how people "ought" to act out the window.
... he has no ability to convey deeper emotions.
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I think he handled this scene pretty well...
That's one of the many problems with ENT, really -- they should have ditched the "Star Trek style" of dialogue. The characters of ENT did not grow up in the Federation -- hell, they didn't grow up with a United Earth. They're only a hundred years away from a nuclear war that almost threw humanity back into the dark ages. They shouldn't be formal! They should be much more -- if not contemporary, then much more informal, much looser, in their speech. Joss Whedon did a good job of developing an informal speech cadence for Firefly; while they probably shouldn't have patterned it so strongly on the American Southern accent as Whedon did for his show, they certainly should have been thinking along lines similar to Whedon's by recognizing the need for a looser cadence, the need to throw the Star Trek restrictions on how people "ought" to act out the window.
What makes you think that formal speech would necessarily come from being in the Federation?
Or maybe it's a legacy of having aliens -- including Vulcans -- on Earth and people using translation matrices.
Or maybe after the big war the various languages were combined to make a lingua franca that used little slang rather than a whole lot of it. Who knows?
And Firefly's gimmick of using pseudo-western slang mixed with Chinese would have been lot more interesting if there had been any Chinese people anywhere in the show.
Actually, it does. You said:Well, my quote above doesn't specifically attribute "Star Trek"-style cadence and formality to the Federation per se.
I'm saying there are many other in-universe reasons why the crew would speak in a more formal way.The characters of ENT did not grow up in the Federation -- hell, they didn't grow up with a United Earth. They're only a hundred years away from a nuclear war that almost threw humanity back into the dark ages. They shouldn't be formal! They should be much more -- if not contemporary, then much more informal, much looser, in their speech.
Well, no, because, as you point out, they aren't in the Federation. There is no Federation yet. Maybe the influence of the Vulcans (to us) kind of stilted speech was copied by humans, especially in Starfleet. Maybe because it fits the particular environment, and other people not in that environment would be less formal. (In court, I would say, "Objection, Your Honor, assuming facts not in evidence," whereas in other conversation, I'd say, "Okay, I call bullshit." Context.)Isn't that basically the same thing as saying, "It's because they're in the Federation?" Massively increased cultural syncretism with aliens is inherent to being in the Federation, after all.Or maybe it's a legacy of having aliens -- including Vulcans -- on Earth and people using translation matrices.
And Firefly's gimmick of using pseudo-western slang mixed with Chinese would have been lot more interesting if there had been any Chinese people anywhere in the show.
Yeah, we may not like to admit it, but I think a lot of acting "talent" can come from an interesting face. Say we had Jamie Foxx mind-control Montgomery. Would the resulting performance be better? Probably, yeah, but as good as Foxx in his own skin? I can't imagine so. Thing is, like Mitt Romney and Paul Walker, Montgomery just looked like a Barbie doll:I think his looks were very bland too, he just looked like a wide-eyed boy in his face. Very little expression.
It's no secret that the character of Mayweather wasn't treated very well. He became little more than a glorified extra at times, his role much like those rotating bridge ensigns in the middle of TNG's run, where they'd get a few lines of plot-functional dialogue in an episode and that's it. IMHO,he was the least developed of any regular character in Star Trek history, with the possible exception of the non-Big Three characters in TOS.
In an age of heightened sensitivity on matters of race, gender, ethnicity, etc. this situation was made more awkward by the fact that Mayweather was the only Black character on the show. When the issue of "tokenism" in casting is a much-discussed one, this character is almost a caricature of the way it could play out.
My question is why? On this message board, members often bring up behind the scenes info which I'd never heard before. Is there some kind of info like that on this issues? Did the writers just think Anthony Montgomery wasn't a very good actor and wouldn't be able to handle a larger role?
the character seemed likable enough when he got screen time, plus he had one of the character and family backgrounds which would have given him more potential. Yet he just got lost in the background.
Actually, it does. You said:Well, my quote above doesn't specifically attribute "Star Trek"-style cadence and formality to the Federation per se.
The characters of ENT did not grow up in the Federation -- hell, they didn't grow up with a United Earth. They're only a hundred years away from a nuclear war that almost threw humanity back into the dark ages. They shouldn't be formal! They should be much more -- if not contemporary, then much more informal, much looser, in their speech.
We're getting confused over our pronouns, because when you said "they," I thought you were referring to 24th Century Federates, not 22nd Century United Earthers.Well, no, because, as you point out, they aren't in the Federation.Isn't that basically the same thing as saying, "It's because they're in the Federation?" Massively increased cultural syncretism with aliens is inherent to being in the Federation, after all.Or maybe it's a legacy of having aliens -- including Vulcans -- on Earth and people using translation matrices.
Why would they, though? We are talking about massive cultural changes over three centuries. The idea that there wouldn't be major evolution in speech between 22nd Century Earth and 24th Century Federation just doesn't make sense.I just don't buy the premise that these professionals, who are a cross between military and scientist, would not use formal language, similar to TNG era.
You're fixating on only one aspect of the language instead of paying attention to other aspects of Firefly's language. Listen to their cadences, to their sentence structures. It's Southern but it's not; it's poetic but it's not; there's a lot of formality that we lack today but a lot of informality that we lack today.To do otherwise, to shoehorn some post-Eugenics War slangese to differentiate ENT from TOS or TNG would sound as gimmicky and selfconscious as Firefly did with its "we're not Chinese but we use Chinese words".
I have no info about behind-the-scenes stuff, but I just wanted to throw my own speculations in. I think Trek has long had an issue with actually developing their non-white characters (with some notable exceptions), and Mayweather is no exception, and in fact, perhaps a regression. That being said, I think ENT did a bad job across the board with character development, and as others have pointed out, the focus seemed to be on creating an ENT big three of Archer-T'Pol-Tucker, and the scraps were left for Reed, Hoshi, Phlox, and Mayweather.
Plus, great acting wasn't a trait among the ENT ensemble.
As for Montgomery being too contemporary, I thought part of what ENT was originally supposed to be about was portraying humans more closer to our time, so being 21st century should've been a good thing.
Brannon Braga doesn't care about black people.![]()
Guys, the writers couldn't write for characters of ANY COLOR! The scripts were horrible. The only good thing about the way Mayweather was treated is that the actor didn't have a lot of time on screen to embarrass himself by reciting that poop.
Right.Guys, the writers couldn't write for characters of ANY COLOR! The scripts were horrible. The only good thing about the way Mayweather was treated is that the actor didn't have a lot of time on screen to embarrass himself by reciting that poop.
Right.Many of the plots could be(and were)found in past Treks. The dialog too. Carefull how broad a brush you use to fling this stuff, it might hit few unintended targets.
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Right.Many of the plots could be(and were)found in past Treks. The dialog too. Carefull how broad a brush you use to fling this stuff, it might hit few unintended targets.
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Right. I'm watching Ent for the first time sine the original airings and I'm quite surprised at just how many of the plots are recycled from previous treks, at least in seasons 1 and 2. I remember enjoying season 3 a lot more so I'm optimistic about it but 1 & 2 really can be coloured with a broad brush of recycle & reuse.
As for Travis, as bland as a character as he was, at least I can say he has yet to make me grimace and roll my eyes at something he's said or done like I have numerous times with Archer, Tucker and Reed.
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