At this point I don't really care anymore, I got two good and one ok movie out of this franchise, oh, and some Summer Glau, that's it for me.
Ditto. Time to let this franchise end.
At this point I don't really care anymore, I got two good and one ok movie out of this franchise, oh, and some Summer Glau, that's it for me.
That was a famous film quote.
If I refer to someone as "Saint dickless", it doesn't mean that person has a dick. Not everything is sexual.
True but after three failures in a row its obvious more are choosing to stay home.I prefer to have the choice to watch, or not, than have fans telling people to not make a movie, leaving no opportunity at all. You're not required to go see it or pay for its production.
It's still my damn opinion. I'm sorry if you cannot deal with the fact that my favorite TERMINATOR movie isn't yours. Then again, I guess I'm really not that sorry.
I prefer to have the choice to watch, or not, than have fans telling people to not make a movie, leaving no opportunity at all. You're not required to go see it or pay for its production.
Here's the easiest way to wrap up Terminator once and for all:
Kill whoever invented time travel, before they can invent it.
Since Skynet's entire existence is dependent upon time travel, that would cause the whole house of cards to come crashing down. If time travel never exists, then Skynet will never exist, and Judgment Day will never happen.
You can tell that I preferred the Future Coda ending to T2.![]()
I don't remember a "Future Coda" ending ? other then them thinking judgement day had been avoided
Here ya go, T2's deleted ending (though you might want to pop a few painkillers first; it's awful):I don't remember a "Future Coda" ending
That's certainly my understanding of T3's plot, at least. I once made a handy chart for the series through Salvation:I thought that T2 just changed the date of judgement day, but had nothing to do with its initial happening. The residual terminator chip from the future caused skynet to happen sooner. When that was taken out of the equation, the timeline (and original date of judgement day) was restored.
^ Halfway agree... in my original, pre-T1 timeline, John is still Sarah's son, but not by Reese.
At the far end of the room, a young soldier stands
surrounded by a team of technicians. KYLE REESE. Sarah
Connor's defender, teacher, and lover in the first film.
A simple soldier who is about to walk point-blank into the
gaping maw of history. At the moment, he is the center of
activity. As he finishes stripping off his battle
uniform, the techs begin smearing his body with a
conductive so the time-field will follow his outline.
Reese looks around at all the activity. Battle and the
prospect of death have never scared him. But the
importance of what he is about to do terrifies him.
The techs move aside and suddenly John Connor is standing
beside him. Connor... their grim messiah. Their leader.
He fixes Reese with an intense gaze. There is so much he
wants to say, but cannot bring himself to. Finally Reese
speaks.
REESE
Did you know I'd be the one who
volunteered?
Connor nods.
CONNOR
I've always known. Sarah told me.
Reese nods. Suddenly understanding everything.
REESE
That's why you moved me to your
unit? Kept me so close.
Connor shrugs enigmatically.
One of the techs interrupts them
TECH
We're ready, Sergeant.
THREE ENORMOUS CHROME RINGS, one inside the other, are
suspended in a circular hole in the center of the room's
floor. John and Reese approach them.
Reese steps onto the first ring. It bobs under his
weight. We see that the rings are freely floating in a
magnetic field. Reese steps to the inner ring and looks
into the hole. A vast echoing darkness below. He looks
back at John. The messiah is waiting for him to step into
the bottomless pit.
CONNOR
Sometimes you have to put your faith
in the machine.
Reese takes a breath, then steps into open space and is
buoyed up by an unseen field of force. He floats in the
middle of the rings. The techs start the time
displacement sequence.
THE RINGS BEGIN TO MOVE, slowly rotating around each other
on different axis like some complex gyroscope.
THE FLOOR BEGINS TO SPLIT OPEN, like wedges in a pie which
begin to pull back from the center. The rings are
spinning faster now, suspended in space in the middle of
the receding floor wedges. The rings begin to descend.
JOHN AND REESE LOCK EYES as they move apart. Reese is
dropping into an unbelievably vast circular space... the
time-field generator. John watches him go, until Reese is
a tiny figure. The rings are spinning so rapidly now they
almost disappear, becoming a sphere of whirling steel.
Technicians pull John back from the edge.
LIGHTNING BEGINS TO ARC across the vast room below. A
huge charge of energy is building up. Everyone takes
cover behind blast walls they have set up. They put on
goggles like they used to do at A-bomb tests. This is
going to be big.
The chamber below has become a Hell of energy with Reese
at its center. The drone and crackle of the machines
builds to thunder, there is a BLINDING FLASH OF LIGHT!
When the glare fades the floating rings are empty. They
slow to a stop, seared and smoking. Reese is gone.
FUENTES, one of the officers, turns to Connor.
FUENTES
Now what happens to Reese? I mean,
what did happen?
Connor's gaze seems far away from this time and place.
CONNOR
He accomplishes his mission and in
doing so, he dies.
FUENTES
He is a good soldier.
Connor solemnly nods.
CONNOR
Yes... He's also my father.
FUENTES
Mother of God!
Fuentes stares at Connor in amazement. He has just been
given a glimpse into his leader's private Hell. Connor
turns from the smoking chamber. He seems suddenly ten
years old as his features drain of strength, shoulders
sagging.
Fuentes shouts an order to a waiting Sapper team.
FUENTES
Sapper team. Set your charges.
Let's blow this place back to Hell.
Connor shakes his head no. Mustering his strength.
CONNOR
Not yet. There's one more thing we
have to do.
TIGHT ON MASSIVE DOORS OF STEEL, covered with a thin sheet
of ice. Locking bolts slam back. Ice shatters like glass
as the doors begin to open. We are in--
INT. COLD STORAGE FACILITY
Connor walks into the darkness, followed by a few
technicians. They are in a vault-like cold-storage room.
Hanging in steel racks from ceiling tracks are hundreds of
what appear to be men. They are in rows of ten. Within
each row, each of the bodies are absolutely identical.
Connor signals the techs to remain by the door and walks
out among the dark bodies. They are UNACTIVATED
TERMINATORS. He stops at a row in which they are
identical to the terminator which was sent to kill Sarah
(the Arnold model).
He walks to the end of the row. There is one empty rack.
He faces the terminator in the next rack. Its eyes are
closed.
John seems distant as he studies that face.
Fuentes enters the chamber, pushing past the technicians.
Calls for his leader in the darkness.
FUENTES
John?... John?...
TIGHT ON CONNOR, his face pensive as Fuentes calls his
name. Fuentes voice slowly dissolves to ANOTHER VOICE. A
woman's. Echoing as though from a great distance...
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