Old ship, old characters.Yes, but that's not what happened with Trek. New show, new ideas.
Old ship, old characters.Yes, but that's not what happened with Trek. New show, new ideas.
New show. Means an update will happen.Old ship, old characters.
As a one shot? Yeah, they ain't spending the money. For a brand new show and the hero ship? Yes, they will.They didn't update the Enterprise D when it appeared on Deep Space Nine.
Or, alternately, for those people who get wildly sick of applications changing interface all the time because UX folk need to put their stamp on it (whoever got paid for keeping something that worked well?) - maybe there are other plausible reasons why it didn't need to change.Producers at that time were probably paranid for rabid fan reactions, decided to err on the side of caution or no budget to play with.
To quote the great Ian Malcolm - "they were so preoccupied with whether they could, they didn't stop to think whether they should."As a one shot? Yeah, they ain't spending the money. For a brand new show and the hero ship? Yes, they will.
Ummmm, this is just silly... TNG was still on when DS9 started. There was nothing to update.They didn't update the Enterprise D when it appeared on Deep Space Nine.
It's not strictly about the series. Whoever told you that is wrong and was doing a horrible job of making their case. It's about production regimes and production eras. One production team in a different era should have the freedom to do things differently from whatever was done in the previous era.The argument made was that artists should be allowed to reinvent designs for new shows and not treat the look of the spaceships as strictly literal. In that case Deep Space Nine could've given us a reimagined Enterprise 1701-D when it showed up, like Discovery gave us a reimagined 1701. It doesn't matter if it looked another way on a different series that was currently running. It had been 6 years since they designed it, they had new designers, they could've given us a new looking ship for the 90s.
But they didn't. Because that would've been a really weird choice! Viewers were supposed to look at it and instantly know what it was... like I instantly recognised all the returning ships in Picard season 2! No one screwed with the Sovereign class or the Akira class and everyone was happy.
Strict literal interpretation ftw.
Even though a majority of them were actually redesigns done up for STO?I instantly recognised all the returning ships in Picard season 2!
Could be this, but the real reason -- the one that no one is saying -- is that TOS was the only live-action Star Trek series that was made before Star Wars and TMP. TMP changed the ballgame for Star Trek's visuals and not just in terms of style, it put things on a whole other visual level. Star Wars changed the ballgame for sci-fi/fantasy in general. TOS was made before those and wasn't up to those visual standards. Even Robert Wise knew it.a fifty year moratorium
Well they weren't returning ships. But yeah I recognised a couple of them too.Even though a majority of them were actually redesigns done up for STO?
The Berman era didn't do things different to the TOS era. Lower Decks, Prodigy and Picard aren't doing things differently to the Berman era. Not when it comes to established designs.It's not strictly about the series. Whoever told you that is wrong and was doing a horrible job of making their case. It's about production regimes and production eras. One production team in a different era should have the freedom to do things differently from whatever was done in the previous era.
Read what I said above in my next post.The Berman era didn't do things different to the TOS era. Lower Decks, Prodigy and Picard aren't doing things differently to the Berman era. Not when it comes to established designs.
Different shows and Different goals. Yes, they could have updated anything in DS9. BUT, that wasn't the goal. There was no reason to spend money on the D.The argument made was that artists should be allowed to reinvent designs for new shows and not treat the look of the spaceships as strictly literal. In that case Deep Space Nine could've given us a reimagined Enterprise 1701-D when it showed up, like Discovery gave us a reimagined 1701. It doesn't matter if it looked another way on a different series that was currently running. It had been 6 years since they designed it, they had new designers, they could've given us a new looking ship for the 90s.
But they didn't. Because that would've been a really weird choice! Viewers were supposed to look at it and instantly know what it was... like I instantly recognised all the returning ships in Picard season 2! No one screwed with the Sovereign class or the Akira class and everyone was happy.
Strict literal interpretation ftw.
Could be this, but the real reason -- the one that no one is saying -- is that TOS was the only live-action Star Trek series that was made before Star Wars and TMP. TMP changed the ballgame for Star Trek's visuals and not just in terms of style, it put things on a whole other visual level. Star Wars changed the ballgame for sci-fi/fantasy in general. TOS was made before those and wasn't up to those visual standards. Even Robert Wise knew it.
I agree and disagree at the same time. I agree that it raised the standard, but disagree that it would've changed much for Star Trek at that point. I personally think when Gene Roddenberry saw 2001, he probably thought, "I wish Star Trek looked like that!" When they were trying to make a Star Trek movie in the mid-'70s, they were supposed to be very low-budget. They were aiming for higher, the designs for Planet of the Titans are proof, at the very least, but I keep thinking it would've all been scaled back and end up looking more on par with the Planet of the Apes sequels.One could argue that the visual standards were raised with 2001, which came out while Trek was on the air.
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