'Twas referring to the New Ship. New Crew. New Century. idea in the post I quotedTNG stuck fairly close to the Alpha Quadrant.

'Twas referring to the New Ship. New Crew. New Century. idea in the post I quotedTNG stuck fairly close to the Alpha Quadrant.
You've just described Star Trek: Voyager.
Given that it's human beings performing in these shows, it's difficult to get away from humanoid life forms completely (the Horta and Species 8472 did try to get away from it)
TNG stuck fairly close to the Alpha Quadrant.
You can see TOS's DNA all over TNG. It developed it's own identity, but it wasn't from the ground up.I guess if not a paradigm shift then something that has its own ground-up identity in the same lines TNG was to TOS.
crew with ALL original characters not tied to any Legacy characters.
Ground up on characters. Early TNG production had a goal of not trying to overtly build off of established Trek characters or canon. Ofcourse we can debate how successful they were. Unification was a anniversary event, and then some one offs with Sarek and Relics . But they still strived to develop their own tone that stood apart . Yes it had the "home key" basic elements. Bridge crew, on a ship exploring space, transporters, human condition exploration. If you doing a prequel I get it . Then you almost have to make connections to established Trek. But a new show set in the future, or far from intersecting into upcoming established timeline , you are more free for diverse settings and characters.You can see TOS's DNA all over TNG. It developed it's own identity, but it wasn't from the ground up.
The characters are mix and match versions of TOS characters with the serial numbers partially rubbed off.Ground up on characters. Early TNG production had a goal of not trying to overtly build in established Trek characters. Unification was an anniversary event, and then some one off with Sarek and Relics . But they still stayed for three own tone. Yes it had the "home key" basic elements. Bridge crew, on a ship exploring space, transporters, human condition exploration. If you doing a prequel I get it . Then you almost have to make connections to established Trek. But a new show set in the future, or distant ymto upcoming established timeline , you more free for diverse settings and characters.
The characters are mix and match versions of TOS characters with the serial numbers partially rubbed off.
How about we use streaming movies limited series and animation for existing trek. But try to be more distinct with long firm tv series.
Yes, because people want the familiar. They do not want bold or dynamic but comfort food viewing.But today we are getting allot reaction of like :" We like this show , let's do another show based off this character" Spinoffs of Spinoffs. Let's get Paul Wesley Kirk Show, let's get a Seven show. Fans want a show based on character X.
Yes, because people want the familiar. They do not want bold or dynamic but comfort food viewing.
Maybe we should just have a new, sometimes optimistic show about people exploring space and having adventures and it doesn't have to be related to Star Trek at all.
All creative process is inspired by previous works. As long as it's not outright parody, which has been done a couple of times, thats fine. But it also needs to be different.People would be calling it a "clone of Star Trek."
Yes, because people want the familiar. They do not want bold or dynamic but comfort food viewing.
What isn't demonstrated is financial viability.I agree 100 percent. I'm guilty of that my self. It's like eating allot of the same high calories food. But I think have finally 'seen the light". And im Ready for something not tied to somthing else.
Something that the showrunners can say" We are a doing a brand new iteration of Trek and will have it's own distinct characters. " ( and really mean it).
Anew show can still reference previous Treks but not overtly. And like I sad, you can still do Prodigy style animation or other projects to delve deeper into established lore.
Starfleet Academy has The Doctor (Voyager), Jett Reno (Disco), and Tilly (also Disco).
All of this would be fine — and all of it would be exactly the same if the ship was simply in the next random unexplored patch of ten million stars within the Milky Way. Which is unimaginably large as it is. So there would literally be no difference.I'm all for taking Trek to a new galaxy, with brand new aliens and brand new threats. A lone pioneer vessel doing what a lot of fans thought Voyager should have been.
Have humans and a few familiar species in the crew, a couple of old ship paintings in the recreational areas and make the uniforms familiar but also new. That's about it.
THIS I am all for. Though I think the main problem with “confining canon” isn’t so much the canon itself, as the inevitable nerdrage when somebody thinks it’s been violated in episode 2. Which is honestly a reasonable argument for not making franchises at all, just individual standalone works — but of course economics counters that, since building an audience over time generally requires more stuff.Maybe we should just have a new, sometimes optimistic show about people exploring space and having adventures and it doesn't have to be related to Star Trek at all. Continuity and canon at this point is confining, and a lot of the premise made to make sci fi work on 60's TV doesn't work well now except in a retrofuture way.
The one distinct difference in my mind, is that 2 million light years alters the dynamic between your starship and Starfleet. In other words, contacting home base would be far, far harder than it was for Voyager. This appeals to me, as it evokes the early travelers to uncharted places, with no way to call home. The Milky Way would be Europe, and Andromeda would be the Americas.All of this would be fine — and all of it would be exactly the same if the ship was simply in the next random unexplored patch of ten million stars within the Milky Way. Which is unimaginably large as it is. So there would literally be no difference.
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