Understanding nuance and complexity in positions is always important, and especially so when dealing with positions of which you disapprove.Why the need to distinguish? It's not as though one is "good racism" and the other bad. It all still adds up to considering your race superior to another
I would argue this is a perfect example of Klingons not being racist or speciesist. A member of any species can be adopted into a Klingon house. Behavior, not biology, is the qualification.In the DS9 episode 'You are cordially invited' does not Jadzia have to pass some cultural test to be accepted into the House of Martok, when Worf protests Martok reminds him that she has to accept their ways since Klingons conquer, or something like that. Or am I recalling it incorrectly?
I've seen a few threads with a similar title lately. "Is XX Racist?" "Is YY Racist?""
The answer is no.
If people are running around looking for something to label as "-ist" the problem is not with the perceived "-ism, " it's with that person. The obsession with "-isms" -- in my view -- makes these people "Ism-ists." There is far too much "Ism-ism" and frankly it's time we did something about it.
I'm calling for a universal ban on "Ism-ism" and I hope you'll join me in my cause. Donations will be accepted at the Anti-Ism-ism website: www.ism-ism_sucks.com.
Thank you for your support.![]()
I find your Whateverism offensive and I refuse to acknowledge it with a response.I am Whateverist and I find this offensive!
You are NounVerbing the oppression of these fictional species with your #RealPersonPrivilege!
If a show portrays racism, it's not necessarily racist itself. A good show presents ideas to the audience without a clear right answer. The Ferengi in The Last Output were clearly meant to be idiots, but I call that the show being bad, not racist because it's not talking about any real races.A friend (well, twitter-friend I guess) was up to S3 of DS9 and declared he thinks the show is racist.
Have you considered not participating?I don't think DS9 is racist, and I am a little tired about the racism discussions.
Have you considered not participating?
No.Have you considered not replying
I suppose I could see "toxic masculinity" being analogous to Klingon warrior culture, but I think the problems Worf eventually saw with the Empire had more to do with politics than "toxic masculinity."And then she described Klingon culture as one of 'toxic masculinity'and reflected that surely we should identify with the story of someone who sees their culture as broken and wants to change it.
I've only seen Sons of Anarchy, and I don't know if it handled toxic masculinity appropriately, as much as it exploited it male-centric violence, as previous action/crime shows and films have done. It was just obviously a more sophisticated evolution of that same genre.Now, I'd never heard of the term toxic masculinity before Breaking Bad came out. And it certainly wasn't in vogue as a theme to tell stories about prior to The Sopranos. I've often thought of DS9 as slightly 'ahead of the curve' in the way it told stories about terrorism and it's often prophetic vision of certain post-9/11 parts of the American identity. However could it be that it beat the prestige shows to stories about toxic masculinity twenty years ahead of it's time?
But don't the protagonists engage in "toxic masculinity" in order to solve their problems. Worf's answer to the alleged toxic masculinity of the Klingon Empire is to fight the Chancellor to the death.Now, I'd never heard of the term toxic masculinity before Breaking Bad came out. And it certainly wasn't in vogue as a theme to tell stories about prior to The Sopranos. I've often thought of DS9 as slightly 'ahead of the curve' in the way it told stories about terrorism and it's often prophetic vision of certain post-9/11 parts of the American identity. However could it be that it beat the prestige shows to stories about toxic masculinity twenty years ahead of it's time?
But don't the protagonists engage in "toxic masculinity" in order to solve their problems. Worf's answer to the alleged toxic masculinity of the Klingon Empire is to fight the Chancellor to the death.
Sisko attempts to bring the Romulans into the war with the Dominion through a forged communication. After Vreenak is assassinated by Garek, Sisko admits he would have done it all over again. The assassination of Vreenak, and the killing of Tolar are okay because one is a mean, smug, unsympathetic member of a treacherous species, and the other is a criminal who tried to kill one of Sisko's friends. It implies to the audience that their murders were justified, not only in the context of the war, but because of who they're character.
I don't think you can really say that episode tried to justify their murders at all. Just look at the ending again. "I think I
can live with it. I CAN live with it." The whole point is that it isn't good or really justifiable, but he lets it happen anyway because he's desperate. It's actually an interesting parallel to the way Starfleet command starts tolerating Section 31 later in the show, but I don't really see the connection to toxic masculinity at all, honestly.
As for Klingon culture, it could in many ways be described in these terms, but the ultimate message of DS9 wasn't really that Klingon culture itself was unworkable, it was that Klingon culture had degenerated into a parody of itself. Gowron wasn't honorable or wise - and neither was any other High Chancellor in recent times - because Klingon society had turned away from upholding its deepest values and simply embraced the appearance of honor instead of actual honor.
I just think that it's very interesting when the "good guys" do something immoral, it's usually to unlikable characters. For example, had the Vulcan senator actually been a fair and honorable man or woman, but simply argued that entering into a war against the Dominion would be suicidal or bring harm to the Romulan people, then the audience would be less inclined to sympathize with Captain Sisko. Had the forger NOT tried to kill Quark, and had been portrayed as questionable but decent in many respects, then Garek murdering him too, and Sisko letting it slide would make them both look more like villains.I don't think you can really say that episode tried to justify their murders at all. Just look at the ending again. "I think I
can live with it. I CAN live with it." The whole point is that it isn't good or really justifiable, but he lets it happen anyway because he's desperate.
Instead, Vreenak is a caricature, almost a mustache twirling villain. The forger is an unrepentant criminal who DESERVED to be killed, as he tried to kill others.
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